Bøger af Ed Atkins

Sorcerer, a collaborative between British artist Ed Atkins and American poet Steven Zultanski, is a book in the form of a script/novel/manual about the pleasures of being with others and of being alone. Sorcerer was originally a play commissioned by and staged at Copenhagen's Revolver Theatre in March 2022.

On Ed Atkins' recent video art installation, commissioned for the New Museum in collaboration with Bell Labs' newly reinstated E.A.T. initiativePublished for British artist Ed Atkins' (born 1982) major video/installation art commission at the New Museum in New York, this book features a selection of the artist's critical writings and recent works. Atkins' project at the New Museum was produced in partnership with the newly reinstated Experiments in Art and Technology (E.A.T.), a series of exhibitions, residencies and programs developed by the New Museum and Nokia Bell Labs in order to foster collaborations between artists, scientists, technologists and engineers. This new incarnation of the legendary Experiments in Art and Technology (E.A.T) reconnects to the projects initiated in the 1960s by Bell Labs engineers Billy Klüver and Fred Waldhauer, who collaborated with artists such as John Cage, Marta Minujin, Robert Rauschenberg, Stan VanDerBeek, Robert Whitman and others.

OLD FOOD explores mass consumption, both physical and digital, through our relationship with food. Artfully rendering humanity's insatiable appetite into pungent yet enthralling prose, Atkins portrays a world permeated with empty signifiers, replete with content yet increasingly devoid of meaning.

One of the most widely celebrated artists of his generation, Ed Atkins makes videos, draws, and writes, developing a complex and deeply figured discourse around definition, wherein the impossibilities for sufficient representations of the physical, specifically corporeal, world - from computer generated imagery to bathetic poetry - are hysterically rehearsed.A PRIMER FOR CADAVERS, a startlingly original first collection, brings together a selection of his texts from 2010 to 2016. 'Part prose-poetry, part theatrical direction, part script-work, part dream-work,' writes Joe Luna in his afterword, 'Atkins' texts present something as fantastic and commonplace as the record of a creation, the diary of a writer glued to the screen of their own production, an elegiac, erotic Frankenstein for the twenty-first century.'