Bøger af Ed Madden

A Story of the City: Poems Occasional and Otherwise When Ed Madden was named poet laureate for the City of Columbia, South Carolina, in 2015, he became the first city laureate in the state of South Carolina. During his two terms as city laureate, Madden documented the life and history of the city. He engaged the community by making poetry a public art, posting poems on city buses, sidewalks, movie screens, coffee sleeves, restaurant menus, and faux parking tickets distributed in downtown Columbia one bright and sunny April Fool's Day. While these poems are about a specific city, they ring true for almost any Southern city-maybe any city in America-with its ceremonial occasions and its natural disasters, its misleading public monuments and its protest marches, and its inevitably complex histories. His post officially began with a commemoration of the historic burning of Columbia during the American Civil War and ended with the selection of a new city flag. This collection spans either years of ceremony and controversy, an eclipse and a pandemic, welcomes and elegies, history and hope.

Poetry. Selected by Timothy Liu for the Hilary Tham Capital Collection. Madden's mastery of the American lyric combines intellect, heart, and courage as he explores growing up queer in the rural fundamentalist South. The poems anatomize a society of shaming and shunning under the guise of love, fighting free to the theme of finding where we belong. The poems work deep into the linguistic textures of his subjects, from queer love to the loss of a parent. The figure of the pooka (or puca) haunts the pages, embodying both good and bad luck, sorrow and hope.Says Timothy Liu: "This book redeems the curse of where and what we are born into by conjuring spells. Bestial. Animistic. The poet retroactively strutting around his flanks like a mythic centaur, or if you like, a domestic ass. This book flies in the face of making the rough places plain and the crooked straight. You won't have to have grown up queer in the deep rural South to be touched by the lyrical antics that go on here, this alternative gospel spreading its haunches in the hay till every knee bow, every tongue confess, this chorus of Hallelujah inflected/infected by its own down and dirty twang."Nathalie Anderson adds: "Pooka, wolf, coyote: what if we're the monster our parents warn us against? Ed Madden's poems about growing up queer in the rural fundamentalist South anatomize a society of shaming and shunning under the guise of love - the mother who 'grinds her children, ' 'crushes them'; the father with 'his head encased by a tiny church - as if the church were a vise, a mask, a hood.' Drawing on Irish folklore, on fairy tales, on Bible stories, Madden evokes an inner landscape at once real and surreal, at once loving and diminishing. His poems indict that community - 'you did not remember what big teeth they had, / what claws' - and gesture also toward the fascination of the forbidden - 'What he wore that day was darkness, / a silver shimmer of teeth.' Within this closed rural world, heteronormity sours into self-disgust, and desire terrifies: 'some of us were made to be ridden, riddled, riven.' Yet in tracing the 'practices' of a certain sort of situated fundamentalism, Madden refuses its dread and so redefines and recuperates the supposedly 'monstrous': 'I am not / handsome. I am not wholesome. I am not holy. I am not coming home.' These poems shine, they bite, they bristle and ripple and chuckle and spur. They turn shame aside to offer instead 'the man I will meet, ' 'the brush of his mouth, ' 'the hot water bottle of him.' Oh yes, they satisfy."

Edited transcripts from the radio show, Rainbow Radio.

Selected by Afaa Weaver as the third annual winner of the South Carolina Poetry Book Prize, Signals is the first book-length collection from Ed Madden. Deeply rooted in the recognizable landscapes and legacies of the American South, these lyric poems couple daring engagements in topics of race and sexuality with tender reflections on personal and cultural histories. Madden's adopted home of South Carolina rises to the surface in poems set at Folly Beach, Fort Moultrie, Lake Keowee, and Middleton Place. His interrogations of social oppression conjure the ubiquitous iconography of the bygone Confederacy, a first encounter with the miniseries Roots, and a cameo appearance by Strom Thurmond. In the collection's central section, Madden turns to issues of sexual difference, community formation, and the place of gay men in contemporary Southern culture. Throughout Madden repeatedly turns to the artifacts that demarcate his memories of youth in the rural South to ask how we define home, how we form meaning out of the silences and losses of the past, and what rituals and relationships might sustain us as we inch forward across a rough terrain of shifting emotional and moral challenges.