Bøger af Edmund Wilson

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One of the great works of modern historical writing, the classic account of the ideas, people, and politics that led to the Bolshevik RevolutionEdmund Wilson's To the Finland Station is intellectual history on a grand scale, full of romance, idealism, intrigue, and conspiracy, that traces the revolutionary ideas that shaped the modern world from the French Revolution up through Lenin's arrival at Finland Station in St. Petersburg in 1917. Fueled by Wilson's own passionate engagement with the ideas and politics at play, it is a lively and vivid, sweeping account of a singular idea-that it is possible to construct a society based on justice, equality, and freedom-gaining the power to change history. Vico, Michelet, Bakunin, and especially Marx-along with scores of other anarchists, socialists, nihilists, utopians, and more-all come to life in these pages. And in Wilson's telling, their stories and their ideas remain as alive, as provocative, as relevant now as they were in their own time.

From one of the leading literary critics of his generation comes the first of Edmund Wilson's three novels, I thought of Daisy, published together with his short story "Galahad." Set in Greenwich Village in the 1920s, Edmund Wilson's I Thought of Daisy tells the coming of age story of a young man living a bohemian life in Greenwich Village in the 1920s, and of his heartfelt relationship with a chorus girl he meets at a party. Fictional sketches drawn from real-life literary figures are scattered throughout, including John Dos Passos and Wilson's lover, Edna St. Vincent Millay."What needs to be [said] is how good, if ungainly, Daisy is, how charmingly and intelligently she tells of the speakeasy days of a Greenwich Village as red and cozy as a valentine, of lamplit islands where love and ambition and drunkenness bloomed all at once. The fiction writer in Wilson was real, and his displacement is a real loss." - John Updike

Published in 1931, Axel's Castle was Edmund Wilson's first book of literary criticism--a landmark book that explores the evolution of the French Symbolist movement and considers its influence on six major twentieth-century writers: William Butler Yeats, Paul Valéry, T. S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein. As Alfred Kazin later wrote, "Wilson was an original, an extraordinary literary artist . . . He could turn any literary subject back into the personal drama it had been for the writer."

The Triple Thinkers: Twelve Essays on Literary Subjects contains some of Edmund Wilson's most significant and brilliant writings on topics and authors ranging from Pushkin, A. E. Housman, Flaubert, Henry James, Marxism, poetry and more.

"The truth is that the people of the United States are at the present time dominated and driven by two kinds of officially propagated fear: fear of the Soviet Union and fear of the income tax. These two terrors have been adjusted so as to complement one another and thus to keep the citizen of our free society under the strain of a double pressure from which he finds himself unable to escape -- like the man in the old Western story, who, chased into a narrow ravine by a buffalo, is confronted with a grizzly bear. If we fail to accept the tax, the Russian buffalo will butt and trample us, and if we try to defy the tax, the federal bear will crush us.""The 60,000 officials who are appointed to check on us taxpayers are checked on, themselves, it seems, by another group of agents set to watch them. And supplementing these officials -- since private citizens are paid by the Internal Revenue Service to report on other people's delinquencies, and their names of course are never revealed -- there is a whole host of amateur investigators... Does this kind of spying and delation differ much in its incitement to treachery from that which is encouraged in the Soviet Union?"

A Window on Russia is a collection of Edmund Wilson's papers on Russian writers and the Russian language (which he taught himself to read), written between 1943 and 1971. Writers discussed include Pushkin, Gogol, Chekov, Turgenev, Tolstoy, among others."In A Window on Russia, which Wilson modestly calls 'a handful of disconnected pieces, written at various times when I happened to be interested in the various authors,' we encounter that rare pleasure of entering a living world where the dead hand of academia never casts its shadow." - Kirkus Reviews

"A selection of ... literary articles written during the nineteen forties."

Hecate is the Greek goddess of sorcery, and Edmund Wilson's Hecate County is the bewitched center of the American Dream, a sleepy bedroom community where drinks flow endlessly and sexual fantasies fill the air. Memoirs of Hecate County, Wilson's favorite among his many books, is a set of interlinked stories combining the supernatural and the satirical, astute social observation and unusual personal detail. But the heart of the book, "The Princess with the Golden Hair," is a starkly realistic novella about New York City, its dance halls and speakeasies and slums. So sexually frank that for years Wilson's book was suppressed, this story is one of the great lost works of twentieth-century American literature: an astringent, comic, ultimately devastating exploration of lust and love, how they do and do not overlap.

Containing twenty poems, ninety-six stories, two novels, and thirteen essays, in short, everything Kate Chopin wrote except several additional poems and three unfinished children's stories, as well as Per Seyersted's revelatory introduction and Edmund Wilson's foreword, this anthology is both a historical and a literary achievement.

Particle accelerators exploit every aspect of today's technology and have themselves contributed to many of the technologies. This book chronicles the development of these large accelerators and colliders, emphasizing the critical discoveries in applied physics and engineering that drive the field.

"In the best tradition of literary criticism… combines exact information with shrewd and searching penetration into the personal life of the artist."-The New York TimesWhere does artistic genius come from? Originally published in 1941, this classic work of literary critique by Edmund Wilson suggests an answer to that question with seven insightful essays, each one focusing on a different writer, each of which suffered some hardship or handicap that led to the creation of some of the most powerful works of literature. The first two studies, of Charles Dickens and Rudyard Kipling, cover each author's full body of work and reveal how in each case an unhappy childhood later resulted in mature artistic works later in their lives. Subsequent appraisals analyze the writings of Ernest Hemingway, James Joyce, Jacques Casanova, Edith Wharton, and Sophocles. Wilson's keen insights and analysis, weaving his thorough knowledge of history, biography, and psychology, led F. Scott Fitzgerald to call him "the literary conscience of my generation."The title The Wound and the Bow refers to the mythical story of Philoctetes, as recounted in the final essay. The legendary Greek archer was bitten by snake and then afflicted with an incurable, malodorous wound that would not heal. After first being banished, the injured hero was later sought out by his fellow warriors for his prowess with a magic bow, and his skill was ultimately key to the Greek victory at Troy.

"In the best tradition of literary criticism… combines exact information with shrewd and searching penetration into the personal life of the artist." -The New York TimesWhere does artistic genius come from? Originally published in 1941, this classic work of literary critique by Edmund Wilson suggests an answer to that question with seven insightful essays, each one focusing on a different writer, each of which suffered some hardship or handicap that led to the creation of some of the most powerful works of literature. The first two studies, of Charles Dickens and Rudyard Kipling, cover each author's full body of work and reveal how in each case an unhappy childhood later resulted in mature artistic works later in their lives. Subsequent appraisals analyze the writings of Ernest Hemingway, James Joyce, Jacques Casanova, Edith Wharton, and Sophocles. Wilson's keen insights and analysis, weaving his thorough knowledge of history, biography, and psychology, led F. Scott Fitzgerald to call him "the literary conscience of my generation."The title The Wound and the Bow refers to the mythical story of Philoctetes, as recounted in the final essay. The legendary Greek archer was bitten by snake and then afflicted with an incurable, malodorous wound that would not heal. After first being banished, the injured hero was later sought out by his fellow warriors for his prowess with a magic bow, and his skill was ultimately key to the Greek victory at Troy.