Bøger af Edward George Bulwer-Lytton

One of the peculiarities of Bulwer was his passion for occult studies. They had a charm for him early in life, and he pursued them with the earnestness which characterized his pursuit of other studies. He became absorbed in wizard lore; he equipped himself with magical implements, -- with rods for transmitting influence, and crystal balls in which to discern coming scenes and persons; and communed with spiritualists and mediums. The fruit of these mystic studies is seen in _Zanoni_ and "A strange Story," romances which were a labor of love to the author, and into which he threw all the power he possessed, -- power re-enforced by multifarious reading and an instinctive appreciation of Oriental thought.A story of love and occult aspiration.

Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton PC (25 May 1803 - 18 January 1873), was an English novelist, poet, playwright, and politician. He was immensely popular with the reading public and wrote a stream of bestselling novels which earned him a considerable fortune. He coined the phrases "the great unwashed", "pursuit of the almighty dollar", "the pen is mightier than the sword", "dweller on the threshold", as well as the well-known opening line "It was a dark and stormy night. Bulwer-Lytton was born on 25 May 1803 to General William Earle Bulwer of Heydon Hall and Wood Dalling, Norfolk and Elizabeth Barbara Lytton, daughter of Richard Warburton Lytton of Knebworth, Hertfordshire. He had two elder brothers, William Earle Lytton Bulwer (1799-1877) and Henry (1801-1872), later Lord Dalling and Bulwer. When Edward was four his father died and his mother moved to London. He was a delicate, neurotic child and was discontented at a number of boarding schools. But he was precocious and Mr Wallington at Baling encouraged him to publish, at the age of fifteen, an immature work, Ishmael and Other Poems.

The Last Days of Pompeii is a novel written by the baron Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79. The novel uses its characters to contrast the decadent culture of 1st-century Rome with both older cultures and coming trends. The protagonist, Glaucus, represents the Greeks who have been subordinated by Rome, and his nemesis Arbaces the still older culture of Egypt. Olinthus is the chief representative of the nascent Christian religion, which is presented favourably but not uncritically. The Witch of Vesuvius, though she has no supernatural powers, shows Bulwer-Lytton's interest in the occult - a theme which would emerge in his later writing, particularly The Coming Race.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Vril" is a mysterious energy used by Lytton's subterranean race -- refugees from the deluge that submerged Atlantis -- to power their advanced civilization. Generations of occultists have mistaken this bit of business for something other than fiction; and still more generations of science fiction writers have recycled the novel's plot. Vril is a book of strong interest to anyone doing a scholarly study of the evolution of SF; it's also a novel well worth reading in its own right. (Jacketless library hardcover.)

By way of introduction, the author confesses: "... It so chanced that some years ago, in my younger days, whether of authorship or life, I felt the desire to make myself acquainted with the true origins and tenets of the singular sect known by the name of Rosicrucians." A manuscript came into his hands written in the most unintelligible cipher, a manuscript which through the author's own interpretation became Zanoni. One of the peculiarities of Bulwer was his passion for occult studies. They had a charm for him early in life, and he pursued them with the earnestness which characterized his pursuit of other studies. He became absorbed in wizard lore; he equipped himself with magical implements, -- with rods for transmitting influence, and crystal balls in which to discern coming scenes and persons; and communed with spiritualists and mediums. The fruit of these mystic studies is seen in _Zanoni_ and "A Strange Story," romances which were a labor of love to the author, and into which he threw all the power he possessed, -- power re-enforced by multifarious reading and an instinctive appreciation of Oriental thought. (Jacketless library hardcover.)