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Lear's nonsense books were quite popular during his lifetime, but a rumor developed that "Edward Lear" was merely a pseudonym, and the books' true author was the man to whom Lear had dedicated the works, his patron the Earl of Derby. Promoters of this rumor offered as evidence the facts that both men were named Edward, and that "Lear" is an anagram of "Earl." The falls of the Kalama, Albania 1851 Lear's nonsense works are distinguished by a facility of verbal invention and a poet's delight in the sounds of words, both real and imaginary. A stuffed rhinoceros becomes a "diaphanous doorscraper." A "blue Boss-Woss" plunges into "a perpendicular, spicular, orbicular, quadrangular, circular depth of soft mud.
The Owl and the Pussy-Cat went to sea In a beautiful pea-green boat: They took some honey, and plenty of money Wrapped up in a five-pound note. The Owl looked up to the stars above, And sang to a small guitar, "O lovely Pussy, O Pussy, my love, What a beautiful Pussy you are, You are, You are! What a beautiful Pussy you are!"
Edward Lear (1812 - 1888) was an English writer of nonsense, the most famous piece of which is The Owl and the Pussycat. He is also credited with popularizing the limerick, though there was some speculation as to whether his patron, the Earl of Derby, simply used Lear as a pseudonym for his own writings. Lear was also a successful illustrator and even spent some time tutoring Queen Victoria in drawing before his improper behaviour had him thrown out of court.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Edward Lear was an English artist, illustrator, author, and poet, renowned for his literary nonsense, in poetry and prose, and especially his limericks, a form that he popularized. Lear's nonsense works are distinguished by a facility of verbal invention and a poet's delight in the sounds of words, both real and imaginary. A stuffed rhinoceros becomes a "diaphanous doorscraper". A "blue Boss-Woss" plunges into "a perpendicular, spicular, orbicular, quadrangular, circular depth of soft mud". His heroes are Quangle-Wangles, Pobbles, and Jumblies. His most famous piece of verbal invention, a "runcible spoon" occurs in the closing lines of The Owl and the Pussycat, and is now found in many English dictionaries.
This Is A New Release Of The Original 1908 Edition.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
There was a Young Lady of Ryde, Whose shoe-strings were seldom untied; She purchased some clogs, and some small spotty Dogs, And frequently walked about Ryde.
Book of Nonsense by Edward Lear. Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a (minor) illustrator of Alfred, Lord Tennyson's poems. He published four settings in 1853, five in 1859, and three in 1860. Lear's were the only musical settings that Tennyson approved of. Lear also composed music for many of his nonsense songs, including "The Owl and the Pussy-cat," but only two of the scores have survived, the music for "The Courtship of the Yonghy-Bonghy-Bo" and "The Pelican Chorus". While he never played professionally, he did perform his own nonsense songs and his settings of others' poetry at countless social gatherings, sometimes adding his own lyrics (as with the song "The Nervous Family"), and sometimes replacing serious lyrics with nursery rhymes.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Edward Lear began his career as an ornithological illustrator, becoming one of the first major artists to draw birds from living models. During this period he was employed to paint the birds from the private menagerie owned by Edward Stanley, the 13th Earl of Derby and one of Lear¿s closest friends. In 1837, Lear¿s health started to decline. His deteriorating eyesight and failing lungs forced him to abandon the detailed painting required for depicting birds, and, with the help of the earl, he moved to Rome where he established himself as a poet of literary nonsense.While Lear was visiting the Earl of Derby, he wrote poems and drew silly sketches to entertain the earl¿s children. In 1846, he collected together his pile of limericks and illustrations and published his first poetical book, titled A Book of Nonsense and dedicated to the Earl of Derby and his children. He decided to publish under the pseudonym Derry down Derry, but after he started making plans for more books, he republished under his real name.His next book, Nonsense Songs, Stories, Botany, and Alphabets wasn¿t published until 24 years later, in 1870. Lear then released More Nonsense, which contains more limericks, in 1872, and Laughable Lyrics in 1877. This final book in the series contains many of Lear¿s most famous fantastical creatures, such as the Quangle Wangle. The influence of Lear¿s poetry in the twentieth-century can be seen in styles like the surrealism movement and the theater of the absurd.
Edward Lear (12 May 1812 - 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to make illustrations of birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; and as a (minor) illustrator of Alfred, Lord Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes and alphabets. He also composed and published twelve musical settings of Tennyson's poetry. (wikipedia.org)
Nonsense Drolleries; The Owl & The Pussy-Cat-The Duck & The Kangaroo., has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
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