Bøger af Edward Payson Roe

In the ages that were somewhat shadowed, to say the least, when Nature indulged her own wild moods in man and the world he trampled on rather than cultivated, there was a class who in their dreams and futile efforts became the unconscious prophets of our own time-the Alchemists. For centuries they believed they could transmute base metals into gold and silver. Modern knowledge enables us to work changes more beneficial than the alchemist ever dreamed of; and it shall be my aim to make one of these secrets as open as the sunlight in the fields and gardens wherein the beautiful mutations occur. To turn iron into gold would be a prosaic, barren process that might result in trouble to all concerned, but to transform heavy black earth and insipid rain-water into edible rubies, with celestial perfume and ambrosial flavor, is indeed an art that appeals to the entire race, and enlists that imperious nether organ which has never lost its power over heart or brain. As long, therefore, as humanity's mouth waters at the thought of morsels more delicious even than "sin under the tongue," I am sure of an audience when I discourse of strawberries and their kindred fruits. If apples led to the loss of Paradise, the reader will find described hereafter a list of fruits that will enable him to reconstruct a bit of Eden, even if the "Fall and all our woe" have left him possessed of merely a city yard. But land in the country, breezy hillsides, moist, sheltered valleys, sunny plains-what opportunities for the divinest form of alchemy are here afforded to hundreds of thousands! Many think of the soil only in connection with the sad words of the burial service-"Earth to earth, ashes to ashes." Let us, while we may, gain more cheerful associations with our kindred dust. For a time it can be earth to strawberry blossoms, ashes to bright red berries, and their color will get into our cheeks and their rich subacid juices into our insipid lives, constituting a mental, moral, and physical alterative that will so change us that we shall believe in evolution and imagine ourselves fit for a higher state of existence. One may delve in the earth so long as to lose all dread at the thought of sleeping in it at last; and the luscious fruits and bright-hued flowers that come out of it, in a way no one can find out, may teach our own resurrection more effectually than do the learned theologians.

Barriers Burned Away By Edward Payson Roe

Edward Payson Roe was born in Moodna[disambiguation needed], Orange County, New York. He studied at Williams College and at Auburn Theological Seminary. In 1862 He became chaplain of the Second New York Cavalry, U.S.V., and in 1864 chaplain of Hampton Hospital, in Virginia. In 1866-74 he was pastor of the First Presbyterian Church at Highland Falls, New York. In 1874 he removed to Cornwall-on-Hudson, where he devoted himself to the writing of fiction and to horticulture. During the American Civil War, he wrote weekly letters to the New York Evangelist, and subsequently lectured on the war and wrote for periodicals.His novels were very popular in their day, especially with middle class readers in England and America, and were translated into several European languages. Their strong moral and religious purpose, and their being written by a clergyman, did much to break down a Puritan prejudice in America against works of fiction. Among his novels

"Beyond that revolving light lies my home. And yet why should I use such a term when the best I can say is that a continent is my home? Home suggests a loved familiar nook in the great world. There is no such niche for me, nor can I recall any place around which my memory lingers with especial pleasure."

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Works: He Fell In Love With His Wife [and] E.P. Roe, Reminiscences Of His Life, By His Sister, Mary A. Roe; Volume 18 Of Works; Edward Payson Roe Edward Payson Roe, Mary Abigail Roe Collier, 1886

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Works: A Face Illumined; Volume 12 Of Works; Edward Payson Roe Edward Payson Roe, Mary Abigail Roe Collier, 1878

A HERO, BUT NOT HEROIC "Shall I ever be strong in mind or body again?" said Walter Gregory, with irritation, as he entered a crowded Broadway omnibus. The person thus querying so despairingly with himself was a man not far from thirty years of age, but the lines of care were furrowed so deeply on his handsome face, that dismal, lowering morning, the first of October, that he seemed much older. Having wedged himself in between two burly forms that suggested thrift down town and good cheer on the avenue, he appears meagre and shrunken in contrast. He is tall and thin. His face is white and drawn, instead of being ruddy with health's rich, warm blood. There is scarcely anything remaining to remind one of the period of youth, so recently vanished; neither is there the dignity, nor the consciousness of strength, that should come with maturer years. His heavy, light-colored mustache and pallid face gave him the aspect of a blase man of the world who had exhausted himself and life at an age when wisely directed manhood should be just entering on its richest pleasures. And such an opinion of him, with some hopeful exceptions and indications, would be correct. The expression of irritation and self-disgust still remaining on his face as the stage rumbles down town is a hopeful sign. His soul at least is not surrounded by a Chinese wall of conceit. However perverted his nature may be, it is not a shallow one, and he evidently has a painful sense of the wrongs committed against it.

Miss Lou left consternation, confusion and deep anxiety below stairs. Mad Whately had his own code of ethics, and he felt as if he had committed the unpardonable sin. His mother was shocked and pained beyond measure. She understood the feelings of her son, and sympathized with him. Drawing him into the parlor, she soothed and cheered him with the assurance that when his cousin's anger passed she would explain and intercede.

Although the sun was approaching the horizon, its slanting rays found a young artist still bending over his easel. That his shoulders are broad is apparent at a glance; that upon them is placed a shapely head, well thatched with crisp black hair, is also seen at once; that the head is not an empty one is proved by the picture on the easel, which is sufficiently advanced to show correct and spirited drawing. A brain that can direct the hand how to do one thing well, is like a general who has occupied a strategic point which will give him the victory if he follows up his advantage. A knock at the door is not answered at once by the intent and preoccupied artist, but its sharp and impatient repetition secures the rather reluctant invitation, "Come in," and even as he spoke he bent forward to give another stroke. "Six o'clock, and working still!" cried the intruder. "You will keep the paint market active, if you achieve nothing else as an artist." "Heigho! Ik, is that you?" said he of the palette, good-naturedly; and rising slowly he gave a lingering look at his work, then turned and greeted his friend with the quiet cordiality of long and familiar acquaintance. "What a marplot you are with your idle ways!" he added. "Sit down here and make yourself useful for once by doing nothing nothing for ten minutes. I am in just the mood and have just the light for a bit of work which perhaps I can never do as well again," and the artist returned promptly to his picture.

How much it means-what possibilities it suggests! The one I shall describe was built not far from half a century ago, and the lapsing years have only made it more homelike. It has long ceased to be a new object-an innovation-and has become a part of the landscape, like the trees that have grown up around it. Originally painted brown, with the flight of time it has taken a grayish tinge, as if in sympathy with its venerable proprietor. It stands back from the roadway, and in summer has an air of modest seclusion. Elms, maples, and shrubbery give to the passer-by but chance glimpses of the wide veranda, which is indicated, rather than revealed, beyond the thickly clustering vines. It is now late December, and in contrast with its leafy retirement the old homestead stands out with a sharp distinctness in the white landscape; and yet its sober hue harmonizes with the dark boles of the trees, and suggests that, like them, it is a natural growth of the soil, and quite as capable of clothing itself with foliage in the coming spring. This in a sense will be true when the greenery and blossoms of the wistaria, honeysuckle, and grape-vines appear, for their fibres and tendrils have clung to the old house so long that they may well be deemed an inseparable part of it. Even now it seems that the warmth, light, and comfort within are the sustaining influences which will carry them through, the coming days of frost and storm. A tall pine-tree towers above the northern gable of the dwelling, and it is ever sighing and moaning to itself, as if it possessed some unhappy family secret which it can neither reveal nor forget. On the hither side of its shade a carriage-drive curves toward an ancient horse-block, with many a lichen growing on the under side of the weather-beaten planks and supports. From this platform, where guests have been alighting for a generation or more, the drive passes to an old-fashioned carriage-house, in which are the great family sleigh and a light and gayly painted cutter, revealing that the home is not devoid of the young life to which winter's most exhilarating pastime is so dear. A quaint corn-crib is near, its mossy posts capped with inverted tin pans much corroded by rust. These prevent prowling rats and mice from climbing up among the golden treasures. Still further beyond are the gray old barn and stables, facing the south. Near their doors on the sunny side of the ample yard stand half a dozen ruminating cows, with possibly, between their wide-branching horns, a dim consciousness of the fields, now so white and cold, from which were cropped, in the long-past summer, far juicier morsels than now fall to their lot. Even into their sheltered nook the sun, far down in the south, throws but cold and watery gleams from a steel-colored sky, and as the northern blast eddies around the sheltering buildings the poor creatures shiver, and when their morning airing is over are glad to return to their warm, straw-littered stalls. Even the gallant and champion cock of the yard is chilled. With one foot drawn up into his fluffy feathers he stands motionless in the midst of his disconsolate harem with his eye fixed vacantly on the forbidding outlook. His dames appear neither to miss nor to invite his attentions, and their eyes, usually so bright and alert, often film in weary discontent. Nature, however, is oblivious to all the dumb protests of the barnyard, and the cold steadily strengthens.

Then Clancy remarked lightly, "We had our share of disaster in the last August's cyclone. Lightning doesn't strike twice in the same place. The jar of Friday was only a little sympathetic symptom in old mother Earth, who, like other mothers and women in general, are said to be subject to nervous attacks. Suppose we settle down to our games."

The dreary March evening is rapidly passing from murky gloom to obscurity. Gusts of icy rain and sleet are sweeping full against a man who, though driving, bows his head so low that he cannot see his horses. The patient beasts, however, plod along the miry road, unerringly taking their course to the distant stable door. The highway sometimes passes through a grove on the edge of a forest, and the trees creak and groan as they writhe in the heavy blasts. In occasional groups of pines there is sighing and moaning almost human in suggestiveness of trouble. Never had Nature been in a more dismal mood, never had she been more prodigal of every element of discomfort, and never had the hero of my story been more cast down in heart and hope than on this chaotic day which, even to his dull fancy, appeared closing in harmony with his feelings and fortune.

"... He who makes his choice from these selections will not meet with much disappointment. I am aware, however, that the enjoyment of fruit depends much upon the taste of the individual; and who has a better right to gratify his taste than the man who buys, sets out, and cares for the trees? Some familiar kind not in favor with the fruit critics, an old variety that has become a dear memory of boyhood, may be the best one of all for him-perhaps for the reason that it recalls the loved faces that gathered about the wide, quaint fireplace of his childhood's home..."

Miss Lou, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Dennis Fleet is a hard-working and pious young Christian man whös come to the big city of Chicago in order to earn money for his poor family. As he braves his first icy winter, he quickly moves up the rungs of business until he finds himself working for the prosperous art dealer Mr. Ludolph. Ludolph¿s beautiful daughter Christine quickly catches Dennis¿s eye¿but much to his chagrin, she¿s a non-believer.Roe, a Presbyterian minister from New York, was inspired to write Barriers Burned Away after news of the Great Chicago Fire spurred him to visit the remains of the city. He set the book against the backdrop of the encroaching fire, making the novel a fascinating portrait of an era of Chicago that was literally burned to cinders. The book went on to become the bestselling book of 1872, and with its high moral air and sermon-like prose played no small part in breaking down the prejudice against fiction novels that was common in Christian communities of the day.