Bøger af Edward Phillips Oppenheim

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The woman leaned across the table towards her companion. "My friend," she said, "when we first met- I am ashamed, considering that I dine alone with you to-night, to reflect how short a time ago- you spoke of your removal here from Paris very much as though it were a veritable exile. I told you then that there might be surprises in store for you. This restaurant, for instance! We both know our Paris, yet do we lack anything here which you find at the Ritz or Giro's?" The young man looked around him appraisingly. The two were dining at one of the newest and most fashionable restaurants in Berlin. The room itself, although a little sombre by reason of its oak panelling, was relieved from absolute gloom by the lightness and elegance of its furniture and appointments, the profusion of flowers, and the soft grey carpet, so thickly piled that every sound was deadened. The delicate strains of music came from an invisible orchestra concealed behind a canopy of palms. The head-waiters had the correct clerical air, half complacent, half dignified. Among the other diners were many beautiful women in marvelloustoilettes. A variety of uniforms, worn by the officers at different tables, gave colour and distinction to a tout ensemble with which even Norgate could find no fault. "Germany has changed very much since I was here as a boy," he confessed.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

xcerpt: There were very few people upon Platform Number Twenty-one of Liverpool Street Station at a quarter to nine on the evening of April 2-possibly because the platform in question is one of the most remote and least used in the great terminus. The station-master, however, was there himself, with an inspector in attendance. A dark, thick-set man, wearing a long travelling ulster and a Homburg hat, and carrying in his hand a brown leather dressing-case, across which was painted in black letters the name MR. JOHN P. DUNSTER, was standing a few yards away, smoking a long cigar, and, to all appearance absorbed in studying the advertisements which decorated the grimy wall on the other side of the single track

I was, in fact, halfway through dinner when, without a word of warning, a man who seemed to enter with a lightfooted speed that, considering his size, was almost incredible, drew a chair toward him and took the vacant place at my table. My glass of wine and my plate were moved with smooth and marvelous haste to his vicinity.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Yellow House: Master Of Men Edward Phillips Oppenheim P. F. Collier & Son, 1912

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"You may not care for the play," Ellison said eagerly. "You are of the old world, and Isteinism to you will simply spell chaos and vulgarity. But the woman! well, you will see her! I don't want to prejudice you by praises which you would certainly think extravagant! I will say nothing." Matravers smiled gravely as he took his seat in the box and looked out with some wonder at the ill-lit, half-empty theatre. "I am afraid," he said, "that I am very much out of place here, yet do not imagine that I bring with me any personal bias whatever. I know nothing of the play, and Isteinism is merely a phrase to me. To-night I have no individuality. I am a critic." "So much depends," Ellison remarked, "upon the point of view.

The Great Impersonation is a mystery novel written by E. Phillips Oppenheim and published in 1920. German Leopold von Ragastein meets his doppelganger, Englishman Everard Dominey, in Africa, and plans to murder him and steal his identity in order to spy on English high society just prior to World War I. However, doubts of the returned Dominey's true identity begin to arise in this tale of romance, political intrigue, and a (literally) haunting past.The story begins in German East Africa, where Englishman Everard Dominey awakens to his doppelganger host, German Leopold von Ragastein. They spend the night drinking and sharing their dark pasts. The next day, Leopold and Dr. Schmidt hatch a plan to make Everard disappear in the wilderness, thereby allowing Leopold to steal his identity and fulfill his special commission for the German government. In London, Everard seems very different from his peers, but is so familiar with his own past that he is accepted back. Unfortunately, his wife, Lady Rosamund Dominey, is still insane, and still thinks that Everard killed Roger Unthank, who disappeared just before Everard left and has not been seen since. Princess Stephanie Eiderstrom recognizes Everard as Leopold immediately, and threatens to reveal him if he does not meet with her later. Everard speaks with Mr. Seaman and reveals that Leopold killed a Hungarian prince, the husband of his lover the Princess Eiderstrom, which is why he was banished to Africa. He sends Seaman to the princess and lets her know that they cannot be together until he is done being Everard. Seaman, in turn, informs him that his true mission in England is to keep an eye on Ambassador Terniloff. Princess Eiderstrom informs Terniloff of Leopold's true identity. The Prince means to ensure that Leopold is a spy for peace, not warfare, and he assures the Prince that the former is true. At the Dominey estate, Mrs. Unthank accuses Everard of murder. Everard and her son, Roger Unthank, had fought over Lady Dominey soon before Everard left for Africa, and he hasn't been seen since. As a result, Lady Dominey wishes to kill her husband, and the ghost of Roger Unthank haunts the manor weekly. That night, Everard wakes up to his wife holding a knife to his throat, but she leaves. She summons him to her room the next day; she has lost her desire to kill him, but cannot figure out why. Everard goes to her doctor and he tells Everard that Mrs. Unthank is bad for Rosamund's health, and that her sanity depends on Everard's actions alone, now that he has returned. Rosamund is sent to a mental hospital. Mr. Seaman tells Everard that he has been asked to see Kaiser Wilhelm I in person. Everard confronts Mrs. Unthank and makes her leave the manor. In Germany, the Kaiser reminds Everard of Germany's intentions to start a war, insists that he stay close to Terniloff, and promises that if he succeeds in England, his banishment will be rescinded. Back in England, a hunting party is formed, and Terniloff finds out about the haunting of Roger Unthank. Princess Eiderstrom brings Everard a letter from the Kaiser, which both allows and insists that Everard marry her. He rejects her, both because it could possibly reveal his identity and because he secretly has feelings for Rosamund Dominey, who just returned from the mental hospital. Lady Dominey has one last remnant of her insanity left: she believes that the returned Everard is not really her husband. Everard and the hunting party explore Black Wood and find that the ghost has left tracks. Lady Dominey plays the role of hostess, finally returning to high society after over a decade of absence.... Edward Phillips Oppenheim (22 October 1866 - 3 February 1946) was an English novelist, in his lifetime a major and successful writer of genre fiction including thrillers.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"But please remember, sir," he begged apologetically, "that I had never seen the lady. I sent the cables, confidently anticipating that she would disclaim all knowledge of Mr. Bundercombe. When she arrived, and I realized that she was actually his wife, I forgave him freely for all the small annoyances he had caused me - my visit to you this morning, in fact, is entirely in his interests." Edward Phillips Oppenheim (22 October 1866 - 3 February 1946) was an English novelist, in his lifetime a major and successful writer of genre fiction including thrillers.Edward Phillips Oppenheim was born 22 October 1866 in Leicester, the son of Henrietta Susannah Temperley Budd and Edward John Oppenheim, a leather merchant.[1] He worked in his father's business for almost twenty years. He went to Wyggeston Grammar School.Oppenheim's literary success enabled him to buy a villa in France and a yacht, then a house in Guernsey, though he lost access to this during the Second World War. Afterwards he regained the house, le Vanquiédor in St. Peter Port, and he died there on 3 February 1946.