Bøger af Ekow Eshun

Following her best-selling TASCHEN monograph, Linda McCartney's Polaroid Diaries brings together highlights from her vast archive. Taken from the early 1970s until the mid-1990s, the portraits, still lifes, landscapes and interior compositions affirm her bold eye for pattern, color, or simply an elegant fall of light. Through these candid...

Published to coincide with an exhibition at the Hayward Gallery, London, this is an expressive exploration of Black popular culture at its most wildly imaginative, artistically ambitious and politically urgent. In the Black Fantastic assembles art and imagery from across the African diaspora that embraces ideas of the mythic and the speculative. Neither Afrofuturism nor Magic Realism, but inhabiting its own universe, In the Black Fantastic brings to life a cultural movement that conjures otherworldly visions out of the everyday Black experience - and beyond - looking at how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender, identity and the body in the 21st century. Transcending time, space and genre to span art, design, fashion architecture, film, literature and popular culture from African myth to future fantasies and beyond, this vital, timely and compelling publication is an expressive exploration of Black popular culture at its most wildly imaginative, artistically ambitious and politically urgent.

In Love Angles Vol. 1 It All Comes Down To Love, Rev. Ekow Eshun highlights what it means to restore the Love of God to first place in our hearts, and in the 21 Century Church. A must read for Church Leaders!

Richly imaginative and powerfully empathetic, an intimate portrait of five remarkable Black men, and a meditation on race, estrangement and the search for home.'Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book' Bernardine Evaristo'Luminous and extraordinary... This book will be referenced for years to come' Lemn SissayIn the western imagination, a Black man is always a stranger. Outsider, foreigner, intruder, alien. One who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in their own right but the representative of a type.What kind of performance is required for a person to survive this condition? And what happens beneath the mask?In answer, Ekow Eshun conjures the voices of five very different men. Ira Aldridge: nineteenth century actor and playwright. Matthew Henson: polar explorer. Frantz Fanon: psychiatrist and political philosopher. Malcolm X: activist leader. Justin Fashanu: million-pound footballer. Each a trailblazer in his field. Each haunted by a sense of isolation and exile. Each reaching for a better future.Ekow Eshun tells their stories with breathtaking lyricism and empathy, capturing both the hostility and the beauty they experienced in the world. And he locates them within a wider landscape of Black art, culture, history and politics which stretches from Africa to Europe to North America and the Caribbean. As he moves through this landscape, he maps its thematic contours and fault lines, uncovering traces of the monstrous and the fantastic, of exile and escape, of conflict and vulnerability, and of the totemic central figure of the stranger.

In the Black Fantastic' assembles art and imagery from across the African diaspora that embraces ideas of the mythic and the speculative. It brings to life the forces that shape Afrofuturism - the cultural movement that conjures otherworldly visions out of the everyday of Black experience - and beyond, looking at how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender, identity and the body in the 21st century. Standing apart from Western narratives of progress and modernity - based as they are on the historical subjugation of people of colour - the book explores how Black artists are drawing inspiration from African-originated myth, knowledge systems and spiritual practices to confound the Western dichotomy between the real and unreal, the natural and the supernatural. With 250 illustrations spanning the spheres of photography, painting, sculpture, cinema, literature and architecture, this book reaches across time, space and art form, drawing together everything from works by leading visual artists such as Kara Walker, Chris Ofili and Lina Iris Viktor to groundbreaking films like Black Panther and Get Out and the radical politics of pan-Africanism.

'Where are you from?' 'No, where are you really from?' These questions, which he has been asked since boyhood, drive Ekow Eshun to travel through Ghana in search of his roots, and lead him on an exploration of history and belonging, from slavery in Africa and the West to the present day and what it means to be black. In search of answers, Ekow unearths yet more questions, some shocking contradictions and some long-forgotten truths about his family past...