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"Barring such illnesses as claustrophobia or agoraphobia or situations such as medical isolation or incarceration, most people move naturally from smaller to larger spaces and back again without giving the process much thought. But paying attention to our own movement in space yields all sorts of sensory experiences from something relaxing to something else terrifying or even astonishingly beautiful. Our sense of expandable/contractible space can influence how we process everything from Japanese gardens to mountain hikes and desert expanses. Writers often expand or contract spaces around their characters for dramatic effect, character building, and even thematic purposes. Marie de France used expanded spaces for adventure and travel and contracted spaces first for romance, and then for spiritual devotion. Chaucer used expanded spaces for adventure, pilgrimage, and danger and contracted spaces for conviviality and storytelling. Dante and Milton created expansive cosmologies but focused on small spaces for both suffering and incredible spiritual achievement. Study of literary spatiality yields fascinating results reflecting useful techniques for reading writing and reminds us of the value of all sorts of different approaches to analysis and artistic enjoyment."--
For an author who tended to avoid explicitly Christian subjects in his plays and poems, Shakespeare showed an abiding interest in the spiritual qualities of his characters. This book considers the playwright not only as a Christian writer, but also one of considerable spiritual significance.
A story that follows a simple trajectory is seldom worth telling. But the unexpected overturning of narrative progress creates complexity and interest, directing the reader's attention to the most powerful elements of a story. Exile, for example, upsets a protagonist's hopes for a happy earthly life, emphasizing spiritual perception instead. Waking life interrupts dreams, just as dreams may redirect how one lives. Focusing on medieval literature, this study explores how narrative subversion works in such well known stories as Beowulf, Piers Plowman, Le Morte D'Arthur, The Canterbury Tales, Troylus and Criseyde, "Voluspa" and other Old Norse sagas, Grail quest romances, and many others.
The work of J.R.R. Tolkien has had a profound effect on contemporary fiction and filmmaking. Often disparaged by critics, Tolkien's fiction created a market for the "fantasy trilogy" and his academic work represents an innovative contribution to the field of philology. In the 20th century, his fiction bridged the gap between "learned" and "popular" readerships. Today the fantasy genre continues to grow--even as publishers cut back on creative fiction--moving energetically into film, gaming and online fan fiction. This book describes how Tolkien's imaginative landscape continues to entertain and inspire, drawing new generations to Middle-earth.
The 14th century English alliterative poem Sir Gawain and the Green Knight is admired for its morally complex plot and brilliant poetics. The extent to which Classical antecedents affected or directed the poem is a point of continued controversy. This collection of essays addresses this question.
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