Bøger af Eliza Lynn Linton

Eliza Lynn Linton was a prominent British author of the 19th century known for her feminist views. This collection of stories features strong female characters who challenge societal norms. The tales explore various themes such as love, marriage, and identity. Linton's writing is engaging and thought-provoking and is still relevant today.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Eliza Lynn Linton (10 February 1822 - 14 July 1898) was the first female salaried journalist in Britain, and the author of over 20 novels. Despite her path breaking role as an independent woman, many of her essays took a strong anti-feminist slant Eliza Lynn Linton was born in Keswick, Cumbria, England, the daughter of the Rev. J. Lynn, vicar of Crosthwaite, and granddaughter of a bishop of Carlisle. The death of her mother when Eliza was five months old led to a chaotic upbringing, in which she was largely self-educated; but in 1845 she left home to earn her living as a writer in London. After moving to Paris, Linton married W. J. Linton in 1858, an eminent wood-engraver, who was also a poet of some note, a writer upon his craft, and a Chartist agitator. She moved into his ramshackle house, Brantwood, in the Lakes, with his seven children from his earlier marriage, and wrote her Cumbrian novel Lizzie Lorton of Greyrigg there. In 1867 the couple separated in a friendly way, the husband going to America, Eliza going back to her life as a London writer. She would return briefly to Cumbria and to her childhood home in 1889, to feel "half in a dream here. It is Keswick and yet not Keswick, as I am Eliza Lynn and yet not Eliza Lynn". She usually lived in London, but about three years before her death retired to Brougham House, Malvern. She died at Queen Anne's Mansions, London, on 14 July 1898, and her ashes were scattered in the Crosthwaite churchyard.

Eliza Lynn Linton invites readers on an enchanting exploration of the Emerald Isle in "About Ireland." Through her eloquent prose, Linton unveils the multifaceted beauty and cultural richness of Ireland, blending history, folklore, and personal observations. From the lush landscapes to the resilient spirit of its people, Linton's narrative paints a vivid portrait of this captivating land. Delving into the heart of Irish traditions and the unique charm of its villages, she creates a literary tapestry that resonates with both wanderlust and cultural appreciation. "About Ireland" is more than a travelogue; it's a captivating journey through time and space, offering readers a glimpse into the soul of a nation. With each turn of the page, Linton beckons explorers, historians, and dreamers alike to discover the allure of Ireland, making this work an indispensable addition to any literary collection.

There has always been in the world a kind of women whom one scarcely knows how to classify as to sex; men by their instincts, women by their form, but neither men nor women as we regard either in the ideal. In early times they were divided into two classes; the Amazons who, donning helmet and cuirass, went to the wars that they might be with their lovers, or perhaps only for an innate liking for rough work; and the tribe of ancient women, so withered and so wild, who should be women yet whose beards forbade men so to account them, and for whom public opinion usually closed the controversy by declaring that they were witches-that is, creatures so unlike the rightful woman of nature that only the devil himself was supposed to be answerable for them. These particular manifestations have long since passed away, and we have nowadays neither Amazons learning the goose-step in our barrack-yards, nor witches brewing hellbroth on Scottish moors; but we have the Epicene Sex all the same-women who would defy the acutest social Cuvier among us to classify, but who are growing daily into more importance and making continually fresh strides in their unwholesome way. Possessed by a restless discontent with their appointed work, and fired with a mad desire to dabble in all things unseemly, which they call ambition; blasphemous to the sweetest virtues of their sex, which until now have been accounted both their own pride and the safeguard of society; holding it no honour to be reticent, unselfish, patient, obedient, but swaggering to the front, ready to try conclusions in aggression, in selfishness, in insolent disregard of duty, in cynical abasement of modesty, with the hardest and least estimable of the men they emulate;-these women of the doubtful gender have managed to drop all their own special graces while unable to gather up any of the more valuable virtues of men. They are no more philosophical than the most inconsequent sister who judges all things according to her feelings, and commends or condemns principles as she happens to like or dislike the persons advocating them; and they are as hysterical and intemperate in their political cries as if the whole world wagged by impulse only. They are no more magnanimous under rebuke than the stanchest advocate of the sacredness of sex, but resent all hostile criticism as passionately, and from grounds as merely personal, as if they were still shrouded from public blame by the safety of their privacy; and they are as little useful in their blatant energy as when they spent their days in working monstrous patterns in crude-coloured wools, or found spiritual satisfaction in cutting holes in strips of calico to sew up again with a new stitch. They have committed the mistake of abandoning such work as they can do well, while trying to manipulate things which they touch only to spoil; they have ceased to be women and not learnt to be men; they have thrown aside beauty and not put on strength.

Amymone V1: A Romance Of The Days Of Pericles is a historical fiction novel written by Eliza Lynn Linton and first published in 1848. The story is set in ancient Greece during the reign of Pericles, a time of great cultural and artistic achievement. The main character, Amymone, is a young woman from a wealthy family who is forced to marry a man she does not love. She escapes from her husband and begins a journey of self-discovery, encountering various characters along the way who challenge her beliefs and opinions. The novel explores themes of love, freedom, and the role of women in society. Linton's vivid descriptions of ancient Greece and its people make the reader feel as though they are living in that time period. This book is the first volume in a two-part series and is a must-read for anyone interested in historical fiction or ancient Greek culture.In Three Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Azeth, The Egyptian V1: A Novel is a historical fiction book written by Eliza Lynn Linton in 1847. It tells the story of Azeth, an Egyptian princess who is forced to flee her country after her father is overthrown. Azeth travels to Europe, where she meets and falls in love with a British man named Henry. However, their love is threatened by cultural differences and the disapproval of Henry's family. The novel explores themes of love, identity, and cultural clashes. It is the first volume in a series of books about Azeth's life.In Three Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Eliza Lynn Linton (10 February 1822 - 14 July 1898) was the first female salaried journalist in Britain, and the author of over 20 novels. Despite her path breaking role as an independent woman, many of her essays took a strong anti-feminist slant.Eliza Lynn Linton was born in Keswick, Cumbria, England, the daughter of the Rev. J. Lynn, vicar of Crosthwaite, and granddaughter of a bishop of Carlisle. The death of her mother when Eliza was five months old led to a chaotic upbringing, in which she was largely self-educated; but in 1845 she left home to earn her living as a writer in London. After moving to Paris, she married W. J. Linton in 1858, an eminent wood-engraver, who was also a poet of some note, a writer upon his craft, and a Chartist agitator. She moved into his ramshackle house, Brantwood, in the Lakes, with his seven children from his earlier marriage, and wrote her Cumbrian novel Lizzie Lorton of Greyrigg there. In 1867 the couple separated in a friendly way, the husband going to America, Eliza going back to her life as a London writer. She returned briefly to Cumbria and to her childhood home in 1889, to feel "half in a dream here. It is Keswick and yet not Keswick, as I am Eliza Lynn and yet not Eliza Lynn". She usually lived in London, but about three years before her death retired to Brougham House, Malvern. She died at Queen Anne's Mansions, London, on 14 July 1898, and her ashes were scattered in the Crosthwaite churchyard

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Women Novelists of Queen Victoria's Reign - A Book of Appreciations is an unchanged, high-quality reprint of the original edition .Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Amymone V1: A Romance Of The Days Of Pericles (1848) is a historical romance novel written by Eliza Lynn Linton. The story is set in ancient Greece during the time of Pericles, the famous Athenian statesman and general. The protagonist of the novel is Amymone, a young woman who is forced to flee her home in Sparta after her father is killed in a battle. She seeks refuge in Athens, where she becomes embroiled in the political and social intrigues of the city. Along the way, she falls in love with a young Athenian nobleman named Euthymenes, but their relationship is threatened by the machinations of a jealous rival. The novel is notable for its vivid descriptions of ancient Greek life and culture, as well as its portrayal of strong, independent female characters. It is the first volume in a two-part series, and was well-received by contemporary critics for its engaging plot and colorful characters.In Three Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Eliza Lynn Linton was an important female writer of the 19th century. 'The Witches of Scotland' was a succesful and chilling tale, which remains popular amongst horror fans. Many of the earliest stories of witchcraft and black magic, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

St John Aylott's life is in turmoil. With his social status already under threat, even his virtuous wife Isola is questioning his authority. Influenced by her tomboyish cousin, journalist Jane Osborn, who provides female solidarity and strong opinions, Isola fights to assert her subjectivity over a tyrannical husband; meanwhile Jane is forced to adjust to the masculine world of work on a daily newspaper.Sowing the Wind was Eliza Lynn Linton's first critically successful novel. Written during the breakdown of her marriage, it is openly, and often painfully, autobiographical. With its themes of inheritance, concealed identity, madness, and domestic violence, Linton's novel epitomises the sensation genre.The Athenaeum reviewer concluded: "The primary idea of the book is ingenious, and it is consistently kept in view throughout the narrative. We recommend readers in search of an uncommon novel to send for Sowing the Wind." The Saturday Review was terrified by the "dark hints of what would happen if women, instead of men, had the making of the laws".This edition includes a critical introduction, explanatory footnotes, bibliography, and additional contextual material.

Critical edition of Eliza Lynn Linton's semi-autobiographical novel in which she adopts a male persona in order to recount her relationships with other women. The edition includes an introduction, explanatory footnotes and extracts from other relevant works.

The first New Woman novel by Eliza Lynn Linton. Perdita Winstanley, the novel's protagonist, struggles to balance the competing demands of her snobbish, conservative mother and sisters, her radical friends in the women's rights movement, and an admirable but low-born chemist and his family.