Bøger af Elizabeth Cleghorn Gaskell

There is a mill by the Neckar-side, to which many people resort for coffee, according to the fashion which is almost national in Germany. There is nothing particularly attractive in the situation of this mill; it is on the Mannheim (the flat and unromantic) side of Heidelberg. The river turns the mill-wheel with a plenteous gushing sound; the out-buildings and the dwelling-house of the miller form a well-kept dusty quadrangle. Again, further from the river, there is a garden full of willows, and arbours, and flower-beds not well kept, but very profuse in flowers and luxuriant creepers, knotting and looping the arbours together. In each of these arbours is a stationary table of white painted wood, and light moveable chairs of the same colour and material.

Cranford is one of the better-known novels of the 19th-century English writer Elizabeth Gaskell. It was first published, irregularly, in eight instalments, between December 1851 and May 1853, in the magazine Household Words, which was edited by Charles Dickens. It was then published, with minor revision, in book form in 1853.In the years following Elizabeth Gaskell's death the novel became immensely popular. The book is narrated by Mary Smith, a young woman who frequently visits the town and, when away, remains abreast of events through correspondence with the other characters. The first chapter introduces the leading women of Cranford, idiosyncratic yet endearing characters who hope to preserve their lifestyles (and all-important social customs) from change. Rowena Fowler, possessor of a red silk umbrella, conservatively considers an heir while her infirm body has outlived her kin. Miss Betty Barker is also determined to preserve the past, but in the form of her cow, which she sews pyjamas for, as it lost all of its hair after falling into a lime-pit. As for Miss Deborah Jenkyns, she establishes the norms and customs by which the town must abide. However, when Captain Brown moves to town, he challenges the women's rules of politeness. First, he openly admits his own poverty. This is particularly awful to Miss Deborah Jenkyns, whom Brown also offends by finding Charles Dickens a better writer than Jenkyns' preferred "Dr. Johnson" (Samuel Johnson). Nevertheless, Brown's warm manner subdues his detractors' contention of his supposed social awkwardness; therefore, they allow him to bypass custom and visit before noon. Brown also has two daughters: Miss Brown, an ill-tempered woman with hardened features, and Miss Jessie, who has an innocent face and, like her father, is naive to Cranford's rules. For instance, Miss Jessie boasts that her uncle can provide her with large amounts of Shetland wool. When aristocratic Miss Jamieson overhears, she takes exception to Miss Jessie putting on airs.

Round the Sofa is an 1859 2-volume collection consisting of a novel with a story preface and five short stories by Elizabeth Gaskell. The two volumes were published by Sampson Low, Son & Co. in London. The 1859 2-volume set is unillustrated. The first volume consists of the novel My Lady Ludlow prefaced by a short story Round the Sofa, which is used to provide a framework for the telling of My Lady Ludlow and the disparate stories. Mrs. Dawson tells the story of "My Lady Ludlow" and then five other narrators gathered around the sofa each tell a story. The second volume consists of the short stories An Accursed Race, The Doom of the Griffiths, Half a Life-time Ago, The Poor Clare, and The Half-Brothers. The novel and three of the short stories were first published in Household Words. The Doom of the Griffiths was first published in Harper's New Monthly Magazine in January 1858.The Half-Brothers was first published in The Dublin University Magazine in November 1858. Elizabeth Cleghorn Gaskell, (née Stevenson; 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Brontë. Some of Gaskell's best known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865).Gaskell was born Elizabeth Cleghorn Stevenson on 29 September 1810 in Lindsey Row, Chelsea, at the house which is now 93 Cheyne Walk.She was the youngest of eight children; only she and her brother John survived infancy. Her father, William Stevenson, a Unitarian from Berwick-upon-Tweed, was minister at Failsworth, Lancashire, but resigned his orders on conscientious grounds and moved to London in 1806 with the intention of going to India after he was appointed private secretary to the Earl of Lauderdale, who was to become Governor General of India. That position did not materialise, however, and instead Stevenson was nominated Keeper of the Treasury Records. His wife, Elizabeth Holland, came from a family from the English Midlands that was connected with other prominent Unitarian families, including the Wedgwoods, the Martineaus, the Turners and the Darwins. When she died 13 months after giving birth to her youngest daughter, she left a bewildered husband who saw no alternative for Elizabeth but to be sent to live with her mother's sister, Hannah Lumb, in Knutsford, Cheshire. While she was growing up, Elizabeth's future was uncertain, as she had no personal wealth and no firm home, though she was a permanent guest at her aunt and grandparents' house. Her father married Catherine Thomson in 1814 and they had a son, William (born 1815), and a daughter, Catherine (born 1816). Although Elizabeth spent several years without seeing her father, to whom she was devoted, her older brother John often visited her in Knutsford. John was destined for the Royal Navy from an early age, like his grandfathers and uncles, but he had no entry and had to join the Merchant Navy with the East India Company's fleet.John went missing in 1827 during an expedition to India...........

Full text.A Gothic short story about a cursed family and set in Wales.The Doom of the Griffiths depends ostensibly for its plot on the supernatural, the effects of a curse. In this case, however, th curse is not linked directly with the action; it was a Griffiths of nine generations back who had earned the malediction through his treachery.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

It is a great thing for a lad when he is first turned into the independence of lodgings. I do not think I ever was so satisfied and proud in my life as when, at seventeen, I sate down in a little three-cornered room above a pastry-cook's shop in the county town of Eltham. My father had left me that afternoon, after delivering himself of a few plain precepts, strongly expressed, for my guidance in the new course of life on which I was entering. I was to be a clerk under the engineer who had undertaken to make the little branch line from Eltham to Hornby. My father had got me this situation, which was in a position rather above his own in life; or perhaps I should say, above the station in which he was born and bred; for he was raising himself every year in men's consideration and respect. He was a mechanic by trade, but he had some inventive genius, and a great deal of perseverance, and had devised several valuable improvements in railway machinery. He did not do this for profit, though, as was reasonable, what came in the natural course of things was acceptable; he worked out his ideas, because, as he said, 'until he could put them into shape, they plagued him by night and by day.' But this is enough about my dear father; it is a good thing for a country where there are many like him. He was a sturdy Independent by descent and conviction; and this it was, I believe, which made him place me in the lodgings at the pastry-cook's. The shop was kept by the two sisters of our minister at home; and this was considered as a sort of safeguard to my morals, when I was turned loose upon the temptations of the county town, with a salary of thirty pounds a year.

The novel begins in the 1790s in the coastal town of Monkshaven (modeled on Whitby, England) against the background of the practice of impressment during the early phases of the Napoleonic Wars. Sylvia Robson lives happily with her parents on a farm, and is passionately loved by her rather dull Quaker cousin Philip. She, however, meets and falls in love with Charlie Kinraid, a dashing sailor on a whaling vessel, and they become secretly engaged. When Kinraid goes back to his ship, he is forcibly enlisted in the Royal Navy by a press gang, a scene witnessed by Philip. Philip does not tell Sylvia of the incident nor relay to her Charlie's parting message and, believing her lover is dead, Sylvia eventually marries her cousin.

Round the Sofa is an 1859 2-volume collection consisting of a novel with a story preface and five short stories by Elizabeth Gaskell. The two volumes were published by Sampson Low, Son & Co. in London. The 1859 2-volume set is unillustrated. The first volume consists of the novel My Lady Ludlow prefaced by a short story Round the Sofa, which is used to provide a framework for the telling of My Lady Ludlow and the disparate stories. Mrs. Dawson tells the story of "My Lady Ludlow" and then five other narrators gathered around the sofa each tell a story. The second volume consists of the short stories An Accursed Race, The Doom of the Griffiths, Half a Life-time Ago, The Poor Clare, and The Half-Brothers. The novel and three of the short stories were first published in Household Words. The Doom of the Griffiths was first published in Harper's New Monthly Magazine in January 1858.The Half-Brothers was first published in The Dublin University Magazine in November 1858. Elizabeth Cleghorn Gaskell, (née Stevenson; 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Brontë. Some of Gaskell's best known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865).Gaskell was born Elizabeth Cleghorn Stevenson on 29 September 1810 in Lindsey Row, Chelsea, at the house which is now 93 Cheyne Walk.She was the youngest of eight children; only she and her brother John survived infancy. Her father, William Stevenson, a Unitarian from Berwick-upon-Tweed, was minister at Failsworth, Lancashire, but resigned his orders on conscientious grounds and moved to London in 1806 with the intention of going to India after he was appointed private secretary to the Earl of Lauderdale, who was to become Governor General of India. That position did not materialise, however, and instead Stevenson was nominated Keeper of the Treasury Records. His wife, Elizabeth Holland, came from a family from the English Midlands that was connected with other prominent Unitarian families, including the Wedgwoods, the Martineaus, the Turners and the Darwins. When she died 13 months after giving birth to her youngest daughter, she left a bewildered husband who saw no alternative for Elizabeth but to be sent to live with her mother's sister, Hannah Lumb, in Knutsford, Cheshire. While she was growing up, Elizabeth's future was uncertain, as she had no personal wealth and no firm home, though she was a permanent guest at her aunt and grandparents' house. Her father married Catherine Thomson in 1814 and they had a son, William (born 1815), and a daughter, Catherine (born 1816). Although Elizabeth spent several years without seeing her father, to whom she was devoted, her older brother John often visited her in Knutsford. John was destined for the Royal Navy from an early age, like his grandfathers and uncles, but he had no entry and had to join the Merchant Navy with the East India Company's fleet.John went missing in 1827 during an expedition to India...........

Wives and Daughters is a novel by Elizabeth Gaskell, first published in the Cornhill Magazine as a serial from August 1864 to January 1866. When Mrs Gaskell died suddenly in 1865, it was not quite complete, and the last section was written by Frederick Greenwood. The story revolves around Molly Gibson, only daughter of a widowed doctor living in a provincial English town in the 1830s.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Moorland CottageElizabeth GaskellNovellas and CollectionsElizabeth Cleghorn Gaskell, née Stevenson (29 September 1810 -- 12 November 1865), often referred to simply as Mrs Gaskell, was an English novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and are of interest to social historians as well as lovers of literature. Gaskell's The Life of Charlotte Bronte, published in 1857, was the first biography of that author.'If you take the turn to the left, after you pass the lyke-gate at Combehurst Church, you will come to the wooden bridge over the brook; keep along the field-path which mounts higher and higher, and, in half a mile or so, you will be in a breezy upland field, almost large enough to be called a down, where sheep pasture on the short, fine, elastic turf. You look down on Combehurst and its beautiful church-spire. After the field is crossed, you come to a common, richly colored with the golden gorse and the purple heather, which in summer-time send out their warm scents into the quiet air. The swelling waves of the upland make a near horizon against the sky; the line is only broken in one place by a small grove of Scotch firs, which always look black and shadowed even at mid-day, when all the rest of the landscape seems bathed in sunlight. The lark quivers and sings high up in the air; too high -- in too dazzling a region for you to see her. Look! she drops into sight; but, as if loth to leave the heavenly radiance, she balances herself and floats in the ether. Now she falls suddenly right into her nest, hidden among the ling, unseen except by the eyes of Heaven, and the small bright insects that run hither and thither on the elastic flower-stalks. With something like the sudden drop of the lark, the path goes down a green abrupt descent; and in a basin, surrounded by the grassy hills, there stands a dwelling, which is neither cottage nor house, but something between the two in size. Nor yet is it a farm, though surrounded by living things. It is, or rather it was, at the time of which I speak, the dwelling of Mrs. Browne, the widow of the late curate of Combehurst. There she lived with her faithful old servant and her only children, a boy and girl. They were as secluded in their green hollow as the households in the German forest-tales. Once a week they emerged and crossed the common, catching on its summit the first sounds of the sweet-toned bells, calling them to church. Mrs. Browne walked first, holding Edward's hand.'

"Oh! 't is hard, 't is hard to be working The whole of the live-long day, When all the neighbours about one Are off to their jaunts and play. "There's Richard he carries his baby, And Mary takes little Jane, And lovingly they'll be wandering Through fields and briery lane." -MANCHESTER SONG. There are some fields near Manchester, well known to the inhabitants as "Green Heys Fields," through which runs a public footpath to a little village about two miles distant. In spite of these fields being flat, and low, nay, in spite of the want of wood (the great and usual recommendation of level tracts of land), there is a charm about them which strikes even the inhabitant of a mountainous district, who sees and feels the effect of contrast in these commonplace but thoroughly rural fields, with the busy, bustling manufacturing town he left but half-an-hour ago. Here and there an old black and white farmhouse, with its rambling outbuildings, speaks of other times and other occupations than those which now absorb the population of the neighbourhood. Here in their seasons may be seen the country business of haymaking, ploughing, etc., which are such pleasant mysteries for townspeople to watch: and here the artisan, deafened with noise of tongues and engines, may come to listen awhile to the delicious sounds of rural life: the lowing of cattle, the milkmaid's call, the clatter and cackle of poultry in the farmyards. You cannot wonder, then, that these fields are popular places of resort at every holiday time; and you would not wonder, if you could see, or I properly describe, the charm of one particular stile, that it should be, on such occasions, a crowded halting place. Close by it is a deep, clear pond, reflecting in its dark green depths the shadowy trees that bend over it to exclude the sun. The only place where its banks are shelving is on the side next to a rambling farmyard, belonging to one of those old world, gabled, black and white houses I named above, overlooking the field through which the public footpath leads. The porch of this farmhouse is covered by a rose-tree; and the little garden surrounding it is crowded with a medley of old-fashioned herbs and flowers, planted long ago, when the garden was the only druggist's shop within reach, and allowed to grow in scrambling and wild luxuriance-roses, lavender, sage, balm (for tea), rosemary, pinks and wallflowers, onions and jessamine, in most republican and indiscriminate order. This farmhouse and garden are within a hundred yards of the stile of which I spoke, leading from the large pasture field into a smaller one, divided by a hedge of hawthorn and blackthorn; and near this stile, on the further side, there runs a tale that primroses may often be found, and occasionally the blue sweet violet on the grassy hedge bank.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Cranford is one of the better-known novels of the 19th-century English writer Elizabeth Gaskell. It was first published, irregularly, in eight instalments, between December 1851 and May 1853, in the magazine Household Words, which was edited by Charles Dickens.

Ruth is a young orphan girl working in a respectable sweatshop for the overworked Mrs Mason. She is selected to go to a ball to repair torn dresses. At the ball she meets the aristocratic Henry Bellingham, a rake figure who is instantly attracted to her. They meet again by chance and form a secret friendship; on an outing together they are spotted by Mrs Mason who, fearing for her shop's reputation, dismisses Ruth.

Elizabeth Gaskell (1810-1865) was a well known British novelist at one of the peak eras for female writers in England. A novelist and short story writer at the height of the Victorian Era, Gaskell's novels weave a comprehensive, detailed image of the lives of all kinds of different classes in society during that age, ranging from the very poor to the cream of the aristocratic crop. Of course, given the era in which she wrote, Mrs. Gaskell's writing included a wonderful style of prose that still continues to please literary critics, even while discussing the general themes of the day like religion and poverty. While novels like North and South dazzled readers, her short stories, particularly Gothic ghost stories, caught the eye of no less a writer than Charles Dickens, who helped get her stories published during the middle of the 19th century.

Cranford is a witty portrait of small town life in early-Victorian England. The story unfolds through the eyes of Mary Smith, a young woman who observes the comedic struggles of two middle aged sisters in their efforts to maintain a level of refined dignity amid poverty.

Elizabeth Gaskell was a British author during the Victorian era, and her novels are notable for detailed descriptions of the different classes of society in 19th century Britain.

You know, my dears, that your mother was an orphan, and an only child; and I daresay you have heard that your grandfather was a clergyman up in Westmoreland, where I come from. I was just a girl in the village school, when, one day, your grandmother came in to ask the mistress if there was any scholar there who would do for a nurse-maid; and mighty proud I was, I can tell ye, when the mistress called me up, and spoke of me being a good girl at my needle, and a steady, honest girl, and one whose parents were very respectable, though they might be poor. I thought I should like nothing better than to serve the pretty young lady, who was blushing as deep as I was, as she spoke of the coming baby, and what I should have to do with it. However, I see you don't care so much for this part of my story, as for what you think is to come, so I'll tell you at once. I was engaged and settled at the parsonage before Miss Rosamond (that was the baby, who is now your mother) was born. To be sure, I had little enough to do with her when she came, for she was never out of her mother's arms, and slept by her all night long; and proud enough was I sometimes when missis trusted her to me. There never was such a baby before or since, though you've all of you been fine enough in your turns; but for sweet, winning ways, you've none of you come up to your mother. She took after her mother, who was a real lady born; a Miss Furnivall, a grand-daughter of Lord Furnivall's, in Northumberland. I believe she had neither brother nor sister, and had been brought up in my lord's family till she had married your grandfather, who was just a curate, son to a shopkeeper in Carlisle - but a clever, fine gentleman as ever was - and one who was a right-down hard worker in his parish, which was very wide, and scattered all abroad over the Westmoreland Fells. When your mother, little Miss Rosamond, was about four or five years old, both her parents died in a fortnight - one after the other. Ah! that was a sad time. My pretty young mistress and me was looking for another baby, when my master came home from one of his long rides, wet and tired, and took the fever he died of; and then she never held up her head again, but just lived to see her dead baby, and have it laid on her breast, before she sighed away her life. My mistress had asked me, on her death-bed, never to leave Miss Rosamond; but if she had never spoken a word, I would have gone with the little child to the end of the world.

Round the Sofa is an 1859 2-volume collection consisting of a novel with a story preface and five short stories by Elizabeth Gaskell. The two volumes were published by Sampson Low, Son & Co. in London. The 1859 2-volume set is unillustrated. The first volume consists of the novel My Lady Ludlow prefaced by a short story Round the Sofa, which is used to provide a framework for the telling of My Lady Ludlow and the disparate stories. Mrs. Dawson tells the story of "My Lady Ludlow" and then five other narrators gathered around the sofa each tell a story. The second volume consists of the short stories An Accursed Race, The Doom of the Griffiths, Half a Life-time Ago, The Poor Clare, and The Half-Brothers. The novel and three of the short stories were first published in Household Words. The Doom of the Griffiths was first published in Harper's New Monthly Magazine in January 1858.The Half-Brothers was first published in The Dublin University Magazine in November 1858. Elizabeth Cleghorn Gaskell, (née Stevenson; 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Brontë. Some of Gaskell's best known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865).

Mary Barton is the first novel by English author Elizabeth Gaskell, published in 1848. The story is set in the English city of Manchester between 1839 and 1842, and deals with the difficulties faced by the Victorian working class. It is subtitled "A Tale of Manchester Life". The novel begins in Manchester, where we are introduced to the Bartons and the Wilsons, two working-class families. John Barton is a questioner of the distribution of wealth and the relations between rich and poor. Soon his wife dies-he blames it on her grief over the disappearance of her sister Esther. Having already lost his son Tom at a young age, Barton is left to raise his daughter, Mary, alone and now falls into depression and begins to involve himself in the Chartist, trade-union movement. Chapter 1 takes place in countryside where Moss Side is now. Mary takes up work at a dressmaker's (her father having objected to her working in a factory) and becomes subject to the affections of hard-working Jem Wilson and Harry Carson, son of a wealthy mill owner. She fondly hopes, by marrying Carson, to secure a comfortable life for herself and her father, but immediately after refusing Jem's offer of marriage she realises that she truly loves him. She therefore decides to evade Carson, planning to show her feelings to Jem in the course of time. Jem believes her decision to be final, though this does not change his feelings for her. Meanwhile, Esther, a "street-walker," returns to warn John Barton that he must save Mary from becoming like her. He simply pushes her away, however, and she's sent to jail for a month on the charge of vagrancy. Upon her release she talks to Jem with the same purpose. He promises that he will protect Mary and confronts Carson, eventually entering into a fight with him, which is witnessed by a policeman passing by. Not long afterwards, Carson is shot dead, and Jem is arrested for the crime, his gun having been found at the scene. Esther decides to investigate the matter further and discovers that the wadding for the gun was a piece of paper on which is written Mary's name. She visits her niece to warn her to save the one she loves, and after she leaves Mary realises that the murderer is not Jem but her father. She is now faced with having to save her lover without giving away her father. With the help of Job Legh (the intelligent grandfather of her blind friend Margaret), Mary travels to Liverpool to find the only person who could provide an alibi for Jem - Will Wilson, Jem's cousin and a sailor, who was with him on the night of the murder. Unfortunately, Will's ship is already departing, so that, after Mary chases after the ship in a small boat, the only thing Will can do is promise to return in the pilot ship and testify the next day. During the trial, Jem learns of Mary's great love for him. Will arrives in court to testify, and Jem is found "not guilty". Mary has fallen ill during the trial and is nursed by Mr Sturgis, an old sailor, and his wife. When she finally returns to Manchester she has to face her father, who is crushed by his remorse. He summons John Carson, Harry's father, to confess to him that he is the murderer. Carson is still set on justice, but after turning to the Bible he forgives Barton, who dies soon afterwards in Carson's arms. Not long after this Esther comes back to Mary's home, where she, too, soon dies. Jem decides to leave England, where, his reputation damaged, it would be difficult for him to find a new job. The novel ends with the wedded Mary and Jem, their little child, and Mrs Wilson living happily in Canada. News comes that Margaret has regained her sight and that she and Will, soon to be married, will visit. Elizabeth Cleghorn Gaskell, (Stevenson, 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist and short story writer. ...

The story centers on a country lawyer, Edward Wilkins, and his daughter Ellinor. Edward has an artistic and literary personality, unsuited to his social position as the son of a successful lawyer who takes over his father's practice in the provincial town of Hamley. His legal representation of the local gentry and nobility leads him to try fitting into their social circles, only to be mocked and treated with derision. He develops a drinking problem and spends more money than he can afford to in his attempts to be an equal to his clients. His bad habits lead to problems in his business, and Edward is forced to take on a junior partner named Mr. Dunster. At the same time, Ellinor becomes engaged to a young upcoming country gentleman named Ralph Corbet. Corbet initiates the engagement partly through love of Ellinor and partly because of a promise of money from Edward. Edward continues to drink and overspend, leading to a confrontation with Mr. Dunster. In the heat of the argument, Edward strikes Mr. Dunster, killing him. Ellinor and a family servant named Dixon help Edward to bury the body in their flower garden.

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As a writer, Elizabeth Gaskell often sought to cast light on the stark differences between social classes in the Victorian era. But in the remarkable novella "The Poor Clare," she takes issues of class, socioeconomic status, and religious differences out of the drawing room and embeds them in a spine-tingling tale of gothic suspense.

Elizabeth Cleghorn Gaskell 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist and short story writer.Susan and Michael were to be married in April. He had already gone to take possession of his new farm, three or four miles away from Yew Nook--but that is neighbouring, according to the acceptation of the word in that thinly-populated district, --when William Dixon fell ill. He came home one evening, complaining of head-ache and pains in his limbs.

When Death is present in a household on a Christmas Day, the very contrast between the time as it now is, and the day as it has often been, gives a poignancy to sorrow-a more utter blankness to the desolation. James Leigh died just as the far-away bells of Rochdale Church were ringing for morning service on Christmas Day, 1836. A few minutes before his death, he opened his already glazing eyes, and made a sign to his wife, by the faint motion of his lips, that he had yet something to say. She stooped close down, and caught the broken whisper, "I forgive her, Annie! May God forgive me!"

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Elizabeth Gaskell's classic 1861 gothic novella is a fictionalised account of the 1692 Salem witch trials.

Ruth is Elizabeth Gaskell's tale of an orphaned girl who falls into the hands of an unscrupulous man and finds herself in the usual predicament that such girls face. What might, in our time, be a difficulty but barely raise an eyebrow, was, in Victorian times, a serious path to ruin for both the girl and her resultant child. Illegitimacy was not just a mistake, it was a sin, and the attitude of society was particularly cruel toward the woman involved, regardless of age, in this case 16, or circumstance, alone in the world and innocently naive. (Sara)

North and South is a social novel published in 1854 by English writer Elizabeth Gaskell. With Wives and Daughters (1865) and Cranford (1853), it is one of her best-known novels and was adapted for television three times (1966, 1975 and 2004). The 2004 version renewed interest in the novel and attracted a wider readership.Gaskell's first novel, Mary Barton (1848), focused on relations between employers and workers in Manchester from the perspective of the working poor; North and South uses a protagonist from southern England to present and comment on the perspectives of mill owners and workers in an industrializing city. The novel is set in the fictional industrial town of Milton in the north of England. Forced to leave her home in the tranquil, rural south, Margaret Hale settles with her parents in Milton. She witnesses the brutal world wrought by the Industrial Revolution, seeing employers and workers clashing in the first strikes. Sympathetic to the poor (whose courage and tenacity she admires and among whom she makes friends), she clashes with John Thornton: a nouveau riche cotton-mill owner who is contemptuous of his workers. The novel traces her growing understanding of the complexity of labour relations and their influence on well-meaning mill owners and her conflicted relationship with John Thornton. Gaskell based her depiction of Milton on Manchester, where she lived as the wife of a Unitarian minister. (wikipedia.org)