Bøger af Elizabeth Sewell

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""Impressions of Rome, Florence and Turin"" is a travelogue written by Elizabeth Sewell in 1862. The book is a detailed account of the author's experiences and observations during her travels to three of Italy's most famous cities - Rome, Florence, and Turin. Sewell provides vivid descriptions of the cities' architecture, art, and culture, as well as the people she encountered during her journey. She also shares her thoughts on the political and social climate of Italy at the time. The book is a fascinating insight into the Italy of the mid-19th century, and a testament to Sewell's keen eye for detail and her love of travel.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Impressions of Rome, Florence and Turin"" is a travelogue written by Elizabeth Sewell in 1862. The book provides a detailed account of her experiences while travelling through Italy's three major cities - Rome, Florence and Turin. Sewell's vivid descriptions of the cities' architecture, art, culture and history provide readers with a rich understanding of Italy's past and present. She also offers her opinions on the social and political landscape of Italy during the mid-19th century. The book is a valuable resource for anyone interested in Italian history, culture and art, and is a must-read for those planning a trip to Italy.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A wondrously written book of literary criticism and philosophy that maps the relationship between poetry and natural history, connecting verse from poets such as Shakespeare and Rainer Maria Rilke to the work of scientists and theorists like Francis Bacon and Michael Polanyi.Taking its bearings from the Greek myth of Orpheus, whose singing had the power to move the rocks and trees and to quiet the animals, Elizabeth Sewell’s The Orphic Voice transforms our understanding of the relationship between mind and nature. Myth, Sewell argues, is not mere fable but an ancient and vital form of reflection that unites poetry, philosophy, and natural science: Shakespeare with Francis Bacon and Giambattista Vico; Wordsworth and Rilke with Michael Polanyi. All these members of the Orphic company share a common perception that “discovery, in science and poetry, is a mythological situation in which the mind unites with a figure of its own devising as a means toward understanding the world.” Sewell’s visionary book, first published in 1960, presents brilliantly illuminating readings of A Midsummer Night’s Dream and Rilke’s Sonnets to Orpheus, among other masterpieces, while deepening our understanding not only of poetry and the history of ideas but of the biological reach of the mind.