Bøger af Ellen Potter

Weeks after discovering the Nigh and leaving her brother behind, Nell and her friends are given the opportunity to become Watchers, but they must pass three challenging trials with their Nigh creatures called Fates, while also evading the Minister and her Magicians.

Move over, Junie B. Jones! Piper Green is back in her fourth chapter-book adventure, and it could take her all the way to China. Suitcase? Check. Passport? Check. Magic X-ray vision glasses from the Fairy Tree? Check, check, check! Piper Green's class is taking a school trip to China-well, they're taking a "pretend" trip, on a "pretend" airplane. And when all the kids in the class announce they've been on a plane plenty of times, Piper says she has, too. After all, it's just a pretend trip, right? But when Piper gets chosen to be a flight attendant, her little fib suddenly feels like a very big problem. Could the X-ray vision glasses Piper found in the Fairy Tree help her out? "Following in the fine tradition of spunky girls-Ramona, Amber Brown, Judy Moody, Clementine-Piper Green is set to make some friends in the early chapter book world." -School Library Journal's 100 Scope Notes "Piper has a winning combination of stubbornness, loyalty, and independence." -Publishers Weekly, starred review

A tribe of odd-looking Sasquatches flee their cursed cave and take refuge with Hugo, but when Hugo invites Nobb, one of the strange squidges, to Boone's birthday party, the result is near-disaster.

Hugo, a young sasquatch, and his friend Gigi use a Monster Detector to find a Green Whistler, but when Hugo's human friend, Boone, joins in, surprises are in store.

Outrageously funny and smart, this story of an obese boy who takes on his bullies is as heartwarming as it is clever.Twelve-year-old Owen Birnbaum is the fattest kid in school. But he's also a genius who invents cool contraptions, like a TV that shows the past. Something happened two years ago that he needs to see. But genius or not, there is much Owen can't outthink. Like his gym coach, who's on a mission to humiliate him. Or the way his Oreos keep disappearing from his lunch. He's sure that if he can only get the TV to work, things will start to make sense. But it will take a revelation for Owen, not science, to see the answers are not in the past, but the present. That no matter how large he is on the outside, he doesn't have to feel small on the inside.With her trademark humor, Ellen Potter has created a larger-than-life character and story whose weight is immense when measured in heart.

LEARN HOW TO WRITE LIKE THE EXPERTS, FROM THE EXPERTS. Practical advice in a perfect package for young aspiring writers.After receiving letters from fans asking for writing advice,accomplished authors Anne Mazer and Ellen Potter joined together to create this guidebook for young writers. The authors mix inspirational anecdotes with practical guidance on how to find a voice, develop characters and plot,make revisions, and overcome writer's block. Fun writing prompts will help young writers jump-start their own projects, and encouragement throughout will keep them at work.

Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth.Despite the best efforts of her uncle's assistants, Roo discovers the house's hidden room-a garden with a tragic secret. Inspired by The Secret Garden, this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write. Read the Q&A with Ellen Potter from Publisher's Weekly on writing a novel inspired by The Secret Garden By Sally LodgeJan 12, 2011In 2003, Ellen Potter made a lively splash onto the scene with her middle-grade novel Olivia Kidney. She went on to write three sequels about that enchantingly quirky heroine, as well as two other novels, Slob and The Kneebone Boy. Most recently, the author tapped into memories of her own childhood reading to pen The Humming Room, a novel inspired by Frances Hodgson Burnett's The Secret Garden. Set in a mansion-a former children's tuberculosis sanitarium-on an island in the St. Lawrence River, the story centers on Roo, a prickly orphan who goes to live with her aloof uncle, and befriends Phillip, his troubled son, and Jack, a local boy. Potter talks about how this novel took shape.Is it safe to assume that The Secret Garden was an important book to you as a child?Obviously, I loved the novel as a kid. What really struck me was that when I went back to read it as an adult, the story not only held up, but I discovered elements in it I had never noticed before. It felt very fresh, and surprisingly layered in a way I hadn't realized as a child.Was that an unusual reaction for you to have to a book you revisit from your childhood?Yes, very unusual for me. A lot of times when I go back to books I loved when I was young I don't quite understand what it was that I loved about them. Rereading The Secret Garden, I felt a lot like Mary feels when she visits her garden. She's always finding something new popping up-something delightful or surprising. I've reread The Secret Garden every year as an adult. I have a battered copy on my bookshelf-it's really quite a mess! The experience of reading the novel keeps deepening for me.How did you tackle the actual writing of The Humming Room?The idea of writing a contemporary version of The Secret Garden was very exciting to me, yet at the same time it was very, very intimidating. I knew I needed to follow the original story line-or that I wanted to-but I knew I had to make it different enough that it would be worthwhile for people to read my novel. My editor, Jean Feiwel, was great and kept encouraging me to have at it, to go anywhere that I felt I had to go with it.Did you set parameters for yourself, in terms of working within Burnett's original storyline?I actually kept trying to swerve away from the original story, but it wasn't easy. There's something about The Secret Garden that kept me rooted in the original storyline, which was difficult for me. I don't plot my novels-I move along with my characters. For the first time I had a story already set out for me, which was very challenging.Would you say that you heard Burnett's voice in your head as you wrote?Yes. I feel I know The Secret Garden so well that I could kind of riff on it like a jazz musician. I know it in my core, and could take the essence and work with that. Still, I love the original novel so much that it was psychologically a very tough book to write. Though I think whenever I finish a book I always say it's the hardest thing I've ever written!You obviously did branch out from the original, with the setting to begin with. Why choose an island on the St. Lawrence?I went back and forth on the setting, actually. At first I thought of perhaps setting it in New York City, but that didn't work. At the time I began writing the novel I was living in the Thousand Islands, and was spending a lot of time on the St. Lawrence. The river is so very beautiful, and it struck me as similar in some ways to the moor in The Secret Garden.Similar in what ways?The St. Lawrence seems a vast expanse of gray, the way the moor is a vast expanse of purple. But if you stop and look closely at the river, it's incredibly changeable and moody-and sometimes violent. But it's always surprising. And it occurred to me that this would be a perfect setting for The Humming Room. On top of that, there are quite a few mansions in the Thousand Islands with ghost stories attached to them. It's quite incredible.So that inspired your mansion setting, with mysterious humming noises and an abandoned garden hidden within it?Yes, and I decided to make the mansion a defunct sanitarium, because I wanted there to be a ghostly presence, an eerie echo, in the house. One of the things I loved in The Secret Garden, and tried to put in my novel, was that there was a consciousness to everything-the house, the moor, and the garden. They are really characters themselves. In my novel, I wanted to give this same consciousness and self-awareness to the mansion, the river, and the garden, to give them personalities.How did you set out to make Roo, Jack, and Phillip distinct from-and have a more modern sensibility than-Burnett's characters?One thing I remember about Mary and Dickon is that there was a little squeak of romance in their relationship, but it was so understated. As a child, I remember wanting more romance in the book. So I brought out a bit more romance between Roo and Jack. It's a young romance and entirely innocent, but it's there. With Phillip, my Colin character, I tried at first to make his ailment physical, like Colin's, but that didn't work, so I decided to give Phillip a more mental affliction, which worked better for the story. And like Mary, Roo starts off as a not very likable character-she's a pretty tough customer. That's unusual for a heroine, and I loved that about The Secret Garden. But before long Mary begins to blossom, and that happens to Roo as well.Have you tackled another writing project since finishing The Humming Room?Yes. I'm working on a series for younger readers, for Feiwel and Friends. It's directed at boys-though I think girls will like it, too. I have a son who is seven, and I've been noticing for a while how few very engaging books there are for boys around that age. They somehow get the short shrift. Boys at that age who are big readers are reading books like Diary of a Wimpy Kid, which deal with middle-school issues that seven-year-olds are not yet concerned about. So I'm trying to write something along those lines, but more appropriate for younger kids. As I write, I've been trying out scenes on my son. I wait for his giggle, and if it comes, I keep that part in the book. Luckily, it's a method that seems to be working quite well!-Publisher's Weekly, January 2012

Life in a small town can be pretty boring when everyone avoids you like the plague. But after their father unwittingly sends them to stay with an aunt who's away on holiday, the Hardscrabble children take off on an adventure that begins in the seedy streets of London and ends in a peculiar sea village where, according to legend, a monstrous half-beast boy roams the woods. . . .In this wickedly dark, unusual, and compelling novel, Ellen Potter masterfully tells the tale of one deliciously strange family and a secret that changes everything.

This funny, affecting new series about the friendship between a young Sasquatch and a young boy is a celebration of the spirit of adventure and the courage to leave behind the safe and familiar.