Bøger af Emile Zola

"L'Assommoir" est un roman écrit par Émile Zola, l'un des chefs de file du mouvement littéraire naturaliste en France. Publié en 1877, il s'agit du septième roman de la série des "Rougon-Macquart", une série de vingt romans qui explore les aspects divers de la société française à l'époque du Second Empire.L'histoire de "L'Assommoir" se déroule dans les quartiers populaires de Paris et met en scène Gervaise Macquart, une blanchisseuse qui lutte pour survivre dans un environnement difficile. Le roman décrit de manière réaliste la misère, la déchéance et les problèmes sociaux auxquels sont confrontés les personnages.Gervaise, malgré de bonnes intentions, sombre dans l'alcoolisme, entraînant sa propre déchéance et celle de sa famille. Le roman examine les thèmes de la pauvreté, de la classe ouvrière, de l'alcoolisme, de la lutte pour la survie et de la destruction de la dignité humaine.Émile Zola utilise le naturalisme pour dépeindre les personnages et leur environnement de manière crue et sans fard. "L'Assommoir" est considéré comme l'un des romans naturalistes les plus puissants et les plus sombres de Zola, décrivant de manière frappante les réalités brutales de la vie des classes laborieuses de l'époque.

Le samedi suivant, Coupeau, qui n'était pas rentré dîner, amena Lantier vers dix heures. Ils avaient mangé ensemble des pieds de mouton, chez Thomas, à Montmartre.Faut pas gronder, la bourgeoise, dit le zingueur. Nous sommes sages, tu vois¿ Oh! il n'y a pas de danger avec lui; il vous met droit dans le bon chemin.Et il raconta comment ils s'étaient rencontrés rue Rochechouart. Après le dîner, Lantier avait refusé une consommation au café de la Boule noire, en disant que, lorsqu'on était marié avec une femme gentille et honnête, on ne devait pas gouaper dans tous les bastringues. Gervaise écoutait avec un petit sourire. Bien sûr, non, elle ne songeait pas à gronder; elle se sentait trop gênée. Depuis la fête, elle s'attendait bien à revoir son ancien amant un jour ou l'autre; mais, à pareille heure, au moment de se mettre au lit, l'arrivée brusque des deux hommes l'avait surprise; et, les mains tremblantes, elle rattachait son chignon roulé dans son cou.Tu ne sais pas, reprit Coupeau, puisqu'il a eu la délicatesse de refuser dehors une consommation, tu vas nous payer la goutte¿ Ah! tu nous dois bien ça!

For the first time n history, The Complete Short Stories of Emile Zola are collected in one multi-volume set.

Eine junge Frau...Eine heftige Leidenschaft...Und eine dramatische Familiengeschichte. Ein Blatt Liebe (französisch Une page d'amour) ist ein Roman von Émile Zola aus dem Jahre 1877 und zugleich der achte Teil des zwanzigbändigen Rougon-Macquart-Zyklus.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ L'affaire Dreyfus: Lettre À La France Émile Zola E. Fasquelle, 1898 History; Europe; France; History / Europe / France

La jauría es la continuación de La fortuna de los Rougon. Es la segunda novela de la saga novelesca Les Rougon-Macquart. Es una obra que se puede leer independiente del resto, al igual que ocurre con otras de la misma serie. La jauría se centra en el delirio de la vida: el esplendor del que gozan sus protagonistas y la sociedad a la que pertenecen generan, según palabras del autor, "la pintura auténtica del derrumbamiento de una sociedad".

La taberna apareció por vez primera en 1877 y constituyó el primer gran éxito Zola y una importante inyección económica. El autor se convirtió en una celebridad literaria y a su alrededor se agruparon una serie de escritores que se decían discípulos suyos. Definida por el propio Zola como "una obra de verdad, la primera novela sobre el pueblo que no miente y que huele a pueblo", es una tremebunda historia ambientada en el mundo obrero que presenta la destrucción de un hombre por el alcohol.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire." The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in installments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the non-reading public, spurred on by some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zola's touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of L'Assommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde.

This is a new edition of "The Assommoir (L'Assommoir), The Prelude to 'Nana'," originally published in 1885 by Vizetelly & Co., of London, England. Part of Adeptio's Unforgettable Classic Series, this is not a facsimile reprint. Obvious typographical errors have been carefully corrected and the entire text has been reset and redesigned by Adeptio Editions to enhance readability, while respecting the original edition. The novel is principally the story of Gervaise Macquart, who is featured briefly in the first novel in the series, La Fortune des Rougon, running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. "The Assommoir" is considered one of Zola's masterpieces! The novel-a study of alcoholism and poverty in the working-class districts of Paris-was a huge commercial success and helped establish Zola's fame and reputation throughout France and the world. About the Author: Émile-Édouard-Charles-Antoine Zola (1840-1902) was a journalist, a novelist, a playwright, and a political activist. He was one of the most influential French novelists of the 19th century and the founder of the literary and theatrical school of naturalism. Zola was a major figure in the political liberalization of France. During his youth in the south of France, Zola befriended Paul Cézanne, his schoolmate and future renowned Post-Impressionist painter-best known for his incredibly varied painting style that influenced 20th century abstract art. Zola's first book, Contes à Ninon (Stories for Ninon), was a collection of short stories dedicated to his imaginary childhood love, Ninon. He published his debut novel in 1865, La Confession de Claude, an autobiographical work that chronicled a man falling in love with a sex worker. The book drew the attention of the public as well as of the police, and it was banned in the social circles, causing Zola to lose his job. Zola went on to write Thérèse Raquin (1867), his first major novel, which delves into intrigue, adultery, and murder; and the dark love story Madeleine Férat (1868), his last novel before he started his masterful Rougon-Macquart 20-novel series. Émile Zola's works include novels, dramas, poetry, and criticism, among which is his famous Les Rougon-Macquart (1871-1893), a cycle of twenty novels which depict various aspects of life and society, such as The Fortune of the Rougons (La Fortune des Rougon) originally published in 1871 and the first novel of the series; The Rush For The Spoil (La Curée), in 1872; The Conquest of Plassans (La Conquête de Plassans), in 1874; The Assommoir - The Prelude to Nana (L'Assommoir), in 1877, the seventh novel of the series, about the suffering of the Parisian working-class; Nana (1880), the ninth installment, which deals with prostitution; Piping Hot! (Pot-Bouille), in 1882, the tenth novel of the cycle and Zola's most sarcastic satire, which describes daily life in a newly constructed block of flats in late nineteenth-century Paris; The Ladies Paradise (1883), the eleventh novel (original title: Au Bonheur des Dames), which focuses on Octave Mouret, who, in Piping Hot!, meets Caroline Hédouin, the owner of a small silk shop; Germinal (1885), the thirteenth novel in the series, which depicts the mining industry and is considered by some as his masterpiece; and The Soil (La Terre), in 1887-all published by Adeptio Editions. Zola's open letter to French president Félix Faure, under the headline J'Accuse...!, published on the front page of the newspaper L'Aurore on January 13, 1898, charging various French officials with a "terrible miscarriage of justice," reopened the case of the Jewish army officer, Captain Alfred Dreyfus, who had been sentenced to Devil's Island. For that, Zola was himself sentenced to a year in prison but fled to England, returning one year later after Dreyfus' name had been cleared. Dreyfus was reinstated as officer and decora

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Novels: The Fortune Of The Rougons. 1898; Volume 1 Of Novels; emile Zola emile Zola, Eliza E. Chase Ernest Alfred Vizetelly Chatto & Windus, 1898 Literary Criticism; European; French; Literary Criticism / European / French

""Rymas: Romanas"" yra pranc�����zi�����ko ra�����ytojo Emilio Zolos knyga, i�����versta ���� lietuvi������ kalb���� 1909 metais. ������i knyga pasakoja apie jaun���� poet����, kuris kovoja su savo aistra poezijai ir meil����s santyki������ sud����tingumu. Knyga apra�����o XIX a. vidurio Pranc�����zijos kult�����rin���� aplink���� ir kelia klausimus apie men����, meil���� ir moral����. Tai yra vienas i����� Zolos k�����rini������, kuriame jis nagrin����ja socialinius ir psichologinius klausimus. Knyga yra ra�����yta skland�����ia ir ����traukian����ia proza, kuri gali patikti tiek literat�����ros m����g����jams, tiek ir tiems, kurie domisi Pranc�����zijos kult�����ra ir istorija.This Book Is In Lithuanian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

""Rymas: Romanas"" yra vienas i����� garsiausi������ pranc�����z������ ra�����ytojo Emilio Zolos k�����rini������. ������i knyga buvo i�����leista 1909 metais ir versta ���� lietuvi������ kalb����. Ji pasakoja apie jaun���� poet����, kuris svajoja tapti garsiu ra�����ytoju, bet susiduria su sunkumais, kurie trukdo jam pasiekti savo tiksl����. Knygoje nagrin����jami socialiniai klausimai, tokie kaip skurdas, nelygyb���� ir klasin����s skirtumos, taip pat aptariama menin����s k�����rybos procesas ir jo reik�����m���� visuomenei. ""Rymas: Romanas"" yra ����domus ir aktuali knyga, kuri���� verta skaityti visiems, kurie domisi literat�����ra, menin����mis k�����rybomis ir socialiniais klausimais.This Book Is In Lithuanian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Émile Édouard Charles Antoine Zola naît rue Saint-Joseph à Paris le 2 avril 1840 d'un père italien et d'une mère française. Il est le fils unique de François Zola, natif de Venise, et d'Émilie Aubert, native de Dourdan. Son père, ingénieur de travaux publics, ancien officier subalterne italien, soumissionne la construction d'un système d'amenée d'eau potable à Aix-en-Provence. Il crée avec des partenaires financiers la société du canal Zola. Il meurt de pneumonie en 1847. Émilie Aubert, sa mère, totalement démunie, s'occupe de l'orphelin avec la grand-mère de l'enfant, Henriette Aubert. Restée proche de son fils jusqu'à sa mort en 1880, elle a fortement influencé son oeuvre et sa vie quotidienne.

This is a new edition of "Nana, Sequel to The Assommoir (L'Assommoir)," originally published in 1880 by T.B. Peterson & Brothers, of Philadelphia, U.S.A. Part of Adeptio's Unforgettable Classic Series, this is not a facsimile reprint. Obvious typographical errors have been carefully corrected and the entire text has been reset and redesigned by Adeptio Editions to enhance readability, while respecting the original edition. Nana is a continuation of The Assommoir (L'Assommoir); but Nana in no way resembles The Assommoir. It is elaborated with the same care; it is as real, as intense, and as bold as its predecessor, but it places before us a totally different world, and with all the "brutal justice of a photograph." This time we are not conducted to the workshop and to the forge-to homes of poverty and drunkenness-or to the terrible places where the liquor that stupefies and embrutes is sold. Émile Zola, instead; gives us in Nana, a careful study of the manners and life of that class, whose principal business in life is to be amused, which class, ordinary romance-writers designate as "men of elegant leisure." About the Author: Émile-Édouard-Charles-Antoine Zola (1840-1902) was a journalist, a novelist, a playwright, and a political activist. He was one of the most influential French novelists of the 19th century and the founder of the literary and theatrical school of naturalism. Zola was a major figure in the political liberalization of France. During his youth in the south of France, Zola befriended Paul Cézanne, his schoolmate and future renowned Post-Impressionist painter-best known for his incredibly varied painting style that influenced 20th century abstract art. Zola's first book, Contes à Ninon (Stories for Ninon), was a collection of short stories dedicated to his imaginary childhood love, Ninon. He published his debut novel in 1865, La Confession de Claude, an autobiographical work that chronicled a man falling in love with a sex worker. The book drew the attention of the public as well as of the police, and it was banned in the social circles, causing Zola to lose his job. Zola went on to write Thérèse Raquin (1867), his first major novel, which delves into intrigue, adultery, and murder; and the dark love story Madeleine Férat (1868), his last novel before he started his masterful Rougon-Macquart 20-novel series. Émile Zola's works include novels, dramas, poetry, and criticism, among which is his famous Les Rougon-Macquart (1871-1893), a cycle of twenty novels which depict various aspects of life and society, such as The Fortune of the Rougons (La Fortune des Rougon) originally published in 1871 and the first novel of the series; The Rush For The Spoil (La Curée), in 1872; The Conquest of Plassans (La Conquête de Plassans), in 1874; The Assommoir - The Prelude to Nana (L'Assommoir), in 1877, the seventh novel of the series, about the suffering of the Parisian working-class; Nana (1880), the ninth installment, which deals with prostitution; Piping Hot! (Pot-Bouille), in 1882, the tenth novel of the cycle and Zola's most sarcastic satire, which describes daily life in a newly constructed block of flats in late nineteenth-century Paris; The Ladies Paradise (1883), the eleventh novel (original title: Au Bonheur des Dames), which focuses on Octave Mouret, who, in Piping Hot!, meets Caroline Hédouin, the owner of a small silk shop; Germinal (1885), the thirteenth novel in the series, which depicts the mining industry and is considered by some as his masterpiece; and The Soil (La Terre), in 1887-all published by Adeptio Editions. Zola's open letter to French president Félix Faure, under the headline J'Accuse...!, published on the front page of the newspaper L'Aurore on January 13, 1898, charging various French officials with a "terrible miscarriage of justice," reopened the case of the Jewish army officer, Captain Alfred Dreyfus, who had been sentenced to Devil's Island.

Émile Édouard Charles Antoine Zola naît rue Saint-Joseph à Paris le 2 avril 1840 d'un père italien et d'une mère française. Il est le fils unique de François Zola, natif de Venise, et d'Émilie Aubert, native de Dourdan. Son père, ingénieur de travaux publics, ancien officier subalterne italien, soumissionne la construction d'un système d'amenée d'eau potable à Aix-en-Provence. Il crée avec des partenaires financiers la société du canal Zola. Il meurt de pneumonie en 1847. Émilie Aubert, sa mère, totalement démunie, s'occupe de l'orphelin avec la grand-mère de l'enfant, Henriette Aubert. Restée proche de son fils jusqu'à sa mort en 1880, elle a fortement influencé son oeuvre et sa vie quotidienne.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Grâce charme, entraînement, et des efforts diligents Octave Mouret est devenu le directeur de l'un des meilleurs nouveaux grands magasins à Paris, Au Bonheur des Dames. Suprêmement conscient de la puissance de sa position, Mouret cherche à exploiter le désir que sa marchandise luxuriance affichée suscite chez les dames qui achètent, et les aspirations des jeunes assistants féminins qu'il emploie. Tracer les débuts de l'économie et de la société bourgeoise capitaliste, Zola capture en détail somptueux les clients avides et le personnel commérages, et l'obsession de l'image, la mode, et la satisfaction qui était un phénomène de la société de consommation française du XIXe siècle. De tous les romans de Zola, cela peut être celui qui a le plus d'intérêt pour notre propre temps.

Émile Édouard Charles Antoine Zola naît rue Saint-Joseph à Paris le 2 avril 1840 d'un père italien et d'une mère française. Il est le fils unique de François Zola, natif de Venise, et d'Émilie Aubert, native de Dourdan. Son père, ingénieur de travaux publics, ancien officier subalterne italien, soumissionne la construction d'un système d'amenée d'eau potable à Aix-en-Provence. Il crée avec des partenaires financiers la société du canal Zola. Il meurt de pneumonie en 1847. Émilie Aubert, sa mère, totalement démunie, s'occupe de l'orphelin avec la grand-mère de l'enfant, Henriette Aubert. Restée proche de son fils jusqu'à sa mort en 1880, elle a fortement influencé son oeuvre et sa vie quotidienne.

L'Assomoir, written by French writer Emile Zola (1840-1902) in 1877. Zola, one of the most influential writers of the literary school of naturalism and a contributor to the development of theatrical naturalism.

La mort d'Olivier Bécaille raconte l'histoire d'un homme que l'on croit mort et qui est enterré vivant. Un texte est magistral. La montée de l'angoisse d'Olivier en particulier est remarquablement décrite. On se met très aisément dans la peau d'Olivier ce qui est à la fois dérangeant et totalement palpitant. le texte est admirablement écrit. le style de Zola est incomparable. Naturaliste, il dépeint toute la mécanique psychologique à L'oeuvre. le texte est raconté à la première personne ce qui ne laisse aucun doute au lecteur sur l'être du narrateur.

This Is A New Release Of The Original 1902 Edition.

Émile Édouard Charles Antoine Zola naît rue Saint-Joseph à Paris le 2 avril 1840 d'un père italien et d'une mère française. Il est le fils unique de François Zola, natif de Venise, et d'Émilie Aubert, native de Dourdan. Son père, ingénieur de travaux publics, ancien officier subalterne italien, soumissionne la construction d'un système d'amenée d'eau potable à Aix-en-Provence. Il crée avec des partenaires financiers la société du canal Zola. Il meurt de pneumonie en 1847. Émilie Aubert, sa mère, totalement démunie, s'occupe de l'orphelin avec la grand-mère de l'enfant, Henriette Aubert. Restée proche de son fils jusqu'à sa mort en 1880, elle a fortement influencé son oeuvre et sa vie quotidienne.

Emile Zola clôt sa saga par un roman rempli d'espoir: le grand écrivain du naturalisme, connu pour ses histoires sombres et ses personnages déchus (Gervaise dans L'assommoir, Jacques Lantier dans La bête humaine signe ici un beau roman d'amour. Le docteur Pascal, spécialiste de l'hérédité, écrit une thèse sur l'atavisme, en prenant exemple sur sa famille: c'est l'occasion pour Zola de rappeler la généalogie des Rougon-Macquart et les tares de la famille héritées de l'ancêtre Jean Macquart, mort à l'asile de combustion interne ! Alors que les Rougon symbolisent l'ascension sociale (Voir son origine dans l'excellent La fortune des Rougon), les Macquart symbolisent la déchéance produite par l'alcoolisme: le docteur tend à affirmer que l'alcoolisme est une tare liée à l'hérédité.

Der Totschlager ist ein Roman von Emil Zola, der 1882 ver������ffentlicht wurde. Das Buch ist Teil von Zolas Rougon-Macquart-Serie und spielt im Paris des 19. Jahrhunderts. Es erz�����hlt die Geschichte von Gervaise Macquart, einer jungen Frau aus der Provinz, die nach Paris kommt, um ein besseres Leben zu f�����hren. Sie heiratet Coupeau, einen Handwerker, und sie bekommen zwei Kinder. Doch ihr Leben wird von Armut und Alkoholismus �����berschattet. Gervaise ger�����t in die F�����nge des Absinths und verliert ihren Job. Coupeau verletzt sich bei einem Arbeitsunfall und wird s�����chtig nach Morphium. Die Familie zerbricht und Gervaise wird zur Prostituierten. Der Roman beschreibt das Leben der Pariser Arbeiterklasse und den Kampf gegen Armut und Alkoholismus. Der Totschlager ist ein realistischer Roman, der die sozialen Probleme der Zeit aufgreift und die Auswirkungen der Industrialisierung auf die Gesellschaft zeigt.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.