Bøger af Eric Ames

Over the course of his career, legendary director Werner Herzog (b. 1942) has made almost sixty films and given more than eight hundred interviews. This collection features the best of these, focusing on all the major films, from Signs of Life and Aguirre, the Wrath of God to Grizzly Man and Cave of Forgotten Dreams. When did Herzog decide to become a filmmaker? Who are his key influences? Where does he find his peculiar themes and characters? What role does music play in his films? How does he see himself in relation to the German past and in relation to film history? And how did he ever survive the wrath of Klaus Kinski? Herzog answers these and many other questions in twenty-five interviews ranging from the 1960s to the present. Critics and fans recognized Herzog's importance as a young German filmmaker early on, but his films have attained international significance over the decades. Most of the interviews collected in this volume-some of them from Herzog's production archive and previously unpublished-appear in English for the very first time. Together, they offer an unprecedented look at Herzog's work, his career, and his public persona as it has developed and changed over time.

The story of Waco's modern era starts with a disaster and ends with rebirth. In 1953, a record-setting tornado swept through the city's downtown, killing 114 people and destroying a century's worth of original buildings. From the devastation came an ambitious urban renewal project, an explosion in suburban developments, and several cycles of waning and revitalization in the downtown area. Baylor University's steady growth in academic excellence and national exposure kept the city on the map. The images in this book detail the milestones and memories of a proud city founded in the 1840s, and they highlight achievements both personal and civic.

Aguirre, the Wrath of God (Aguirre, der Zorn Gottes) is and perhaps always will be Werner Herzog's most important film. Aguirre is not a history film in the narrow sense, but it does engage a specific episode in the conquest of the New World, and it explores that history in terms of vision.

Carl Hagenbeck was the nineteenth century's foremost animal trader and ethnographic showman, known for his enormously popular displays of people, animals, and artefacts gathered from all corners of the globe. This book locates Hagenbeck's myriad enterprises in the context of colonialism and nascent globalization; and ethnography and anthropology.