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Syndrome probes the history and rhetoric by which Puerto Rico became an "unincorporated territory" and its peoples pathologized subjects. In a reckoning with the world's oldest colony and the only nationality to have a psychological disorder named after it, this is a poetry that lyrically evokes a counter-diagnosis.
The mambi is the foremost icon of Cuba's past and present. Scrutinizing how this figure has been aesthetically rendered in literature, historiography, cinema, and monuments, Eric Morales-Franceschini teases out the emancipatory promises that the story of Cuba Libre came to embody in the twentieth-century popular imagination.
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