Bøger af Esteban Echeverría

Como es sabido, Esteban Echeverría dejó entre sus papeles inéditos en prosa una obra titulada Cartas a un amigo. Son un intento de novela epistolar y confidencia disfrazada de realidad autobiográfica. Las Cartas a un amigo -treinta y tres en total- pudieron haber sido escritas hacia 1830-1832.Las Cartas a un amigo de Esteban Echeverría recogen episodios de la vida del autor, como la pérdida de su madre, reflexiones que, a la postre, son el germen de muchas de sus ideas o, incluso aspectos tan íntimos como la fascinación ante una mujer virtuosa. Echeverría relata estos sucesos en unas epístolas que prefiguran el estilo exaltado de su obra La Cautiva.

Dogma socialista y otras páginas políticas es uno de los primeros manifiestos del socialismo en América. Se trata de un socialismo peculiar, que marca distancia con las fuerzas políticas tradicionales de la Argentina del siglo XIX y que tiene un talante literario. Para Esteban Echeverría la literatura daría un nuevo perfil a un continente en ascenso, aunque parecía tratarse de una pretensión futura. Así lo dice en su Dogma:A fines de mayo del año de 1837 se propuso el que subscribe promover el establecimiento de una Asociación de jóvenes, que quisieran consagrarse a trabajar por la patria.La sociedad argentina entonces estaba dividida en dos facciones irreconciliables por sus odios como por sus tendencias, que se habían largo tiempo despedazado en los campos de batalla: la facción federal vencedora, que se apoyaba en las masas populares y era la expresión genuina de sus instintos semibárbaros y la facción unitaria, minoría vencida, con buenas tendencias, pero sin bases locales de criterio socialista, y algo antipática por sus arranques soberbios de exclusivismo y supremacía.Había, entretanto, crecido, sin mezclarse en esas guerras fratricidas, ni participar de esos odios, en el seno de esa sociedad una generación nueva, que por su edad, su educación, su posición debía aspirar y aspiraba a ocuparse de la cosa pública.Incluimos en este volumen breve además los siguientes ensayo de Esteban Echeverría:Ojeada retrospectivaDogma socialista de la Asociación de MayoCartas a don Pedro de Ángelis editor del Archivo Americano.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Los consuelos", de Esteban Echeverría. Esteban Echeverría fue escritor y poeta argentino, que introdujo el romanticismo en su país (1805-1851)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"Cartas a un amigo", de Esteban Echeverría. Esteban Echeverría fue escritor y poeta argentino, que introdujo el romanticismo en su país (1805-1851)

"La cautiva", de Esteban Echeverría. Esteban Echeverría fue escritor y poeta argentino, que introdujo el romanticismo en su país (1805-1851)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Rimas De Estevan Echeverria ... Esteban Echeverría Imprenta Argentina, 1837

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Era la tarde, y la hora en que el sol la cresta dora de los Andes. El Desierto inconmensurable, abierto, y misterioso a sus pies se extiende; triste el semblante, solitario y taciturno como el mar, cuando un instante al crepúsculo nocturno, pone rienda a su altivez.Gira en vano, reconcentra su inmensidad, y no encuentra la vista, en su vivo anhelo, do fijar su fugaz vuelo, como el pájaro en el mar. Doquier campos y heredades del ave y bruto guaridas, doquier cielo y soledades de Dios sólo conocidas, que Él sólo puede sondar. A veces, la tribu errante, sobre el potro rozagante, cuyas crines altaneras flotan al viento ligeras, lo cruza cual torbellino, y pasa; o su toldería sobre la grama frondosa asienta, esperando el día duerme, tranquila reposa, sigue veloz su camino.

La correspondencia de Esteban Echeverría echa luz sobre la trayectoria de uno de los intelectuales más trascendentes del Río de la Plata en el siglo XIX. Esta colección de cartas abarca el período entre 1825 y 1850, es decir que se extiende entre los veinte años del autor y la antesala de su muerte, ya siendo hace tiempo una figura reconocida.Se incluyen cartas enviadas a otras personas notables, como Juan María Gutiérrez, Mariquita Sánchez, Juan Bautista Alberdi y Domingo Faustino Sarmiento.El epistolario unificado de Echeverría es indispensable para conocer los entretelones de los ambientes literarios y políticos de Argentina y Uruguay durante aquella época.Esteban Echeverría (Buenos Aires, 1805 - Montevideo 1851) fue un escritor argentino.Autor prolífico, Echeverría está detrás de uno de los cuentos fundantes de la literatura realista rioplatense –"El matadero", publicado póstumamente–. En vida dio a conocer otras obras muy reconocidas, como "La cautiva" y "El dogma socialista". Propagó las ideas del romanticismo como miembro de la llamada Generación del ´37, que impulsó el Salón Literario, emblemático círculo cultural y político.Echeverría integraba el bando unitario en la guerra civil que sacudía a la incipiente República Argentina. Era un acérrimo opositor a Juan Manuel de Rosas y murió tras diez años de exilio en Uruguay. Sus ideas influirían en algunos redactores importantes de la Constitución argentina de 1853.

El matambre nace pegado a ambos costillares del ganado vacuno y al cuero que le sirve de vestimenta; así es que, hembras, machos y aun capones tienen sus sendos matambres, cuyas calidades comibles varían según la edad y el sexo del animal: macho por consiguiente es todo matambre cualquiera que sea su origen, y en los costados del toro, vaca o novillo adquiere jugo y robustez. Las recónditas transformaciones nutritivas y digestivas que experimenta el matambre, hasta llegar a su pleno crecimiento y sazón, no están a mi alcance: naturaleza en esto como en todo lo demás de su jurisdicción, obra por sí, tan misteriosa y cumplidamente que sólo nos es dado tributarle silenciosas alabanzas.

Las Cartas a un amigo de Esteban Echeverria recogen episodios de la vida del autor, como la perdida de su madre, o la fascinacion ante una mujer virtuosa. Echeverria relata estos sucesos en unas epistolas que prefiguran el estilo exaltado de su obra La cautiva.

Echeverria's classic poem La cautiva in a new, annotated editionThough critisized by the Martin Fierro supporting authors such as Leopoldo Lugones as a romantisized vision of the Pampa, Echeverria's poem is still considered a cornerstone of the Latin American poetry, depicting the human drama of the Southern cone frontier life.

The first English translation of an Argentinean classic.Argentina, 1839. A young man dies for his political beliefs when attacked by a mob in a slaughteryard used to butcher cattle.The story takes place at the height of Juan Manuel de Rosas' reign of terror. Though fictional, it is an open indictment of that brutal regime and the first masterwork of Latin-American literature, orginally published twenty years after the author's death. El matadero, or The Slaughteryard, is reputed to be the most widely studied school text in Spanish-speaking South America.Available now for the first time in a modern English translation this is a story that in well over a century has lost none of its freshness and popularity. This edition is the fruit of years of research into little-known corners of Argentine literature and history, including an extensive glossary, the story's rare first printed version, and an appendix of reports by early English travellers to the River Plate, including Charles Darwin.This is an uncompromising and unforgettable story of huge force and power which richly deserves a wide English-speaking audience.