Bøger af Esther Demoulin

For the first time in recent history, a publication on Alberto Giacometti and his work is being released in Denmark. The book is published in connection with the exhibition "Alberto Giacometti – What Meets the Eye" and has been created through an exclusive collaboration between the Fondation Giacometti in Paris and SMK in Copenhagen.In the catalog, readers get up close to Giacometti's works and the research concept behind the exhibition. The catalog includes key, newly translated original texts by philosopher Jean-Paul Sartre and Giacometti himself, along with four current articles by Danish and French researchers. Notably, it also features illustrations of the exhibition's works in a new, improved quality, presented in a way that supports the research points and the exhibition's concept.The focal point is Giacometti's break with the surrealist environment, of which he was a part until 1934-35, and the affinity seen between his late work and post-war phenomenologically inspired thinkers such as Simone de Beauvoir, Jean-Paul Sartre, and Maurice Merleau-Ponty. In addition to presenting the thinking and experiences that underlie Giacometti's artistic method, the book also provides insight into post-war Paris, the places, and personalities that Giacometti surrounded himself with.

For første gang i nyere tid udkommer en publikation på dansk om Alberto Giacometti og hans arbejde. Bogen udgives i forbindelse med udstillingen Alberto Giacometti – Hvad øjet ser og er blevet til i et eksklusivt samarbejde mellem Fondation Giacometti i Paris og SMK i København. I kataloget kommer man helt tæt på Giacomettis værker og forskningsideen bag udstillingen. Kataloget rummer centrale, nyoversatte originaltekster af filosoffen Jean-Paul Sartre og Giacometti selv, fire aktuelle artikler af danske og franske forskere og ikke mindst illustrationer af udstillingens værker i ny, forbedret kvalitet, præsenteret på en måde, der underbygger forskningspointerne og udstillingens ide. Omdrejningspunktet er Giacomettis brud med det surrealistiske miljø, som han var en del af indtil 1934-35, og det slægtskab, som man gerne ser mellem hans sene værk og efterkrigstidens fænomenologisk inspirerede tænkere som Simone de Beauvoir, Jean-Paul Sartre og Maurice Merleau-Ponty. Ud over at præsentere den tænkning og de erfaringer, der lå bag Giacomettis kunstneriske metode, giver bogen også et indblik i efterkrigstidens Paris, de steder og personligheder Giacometti omgav sig med.