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Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation.
I choose to take back my life.My life.Medea is a wife and a mother. For the sake of her husband, Jason, she's left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day's grace. It's time enough. She exacts an appalling revenge and destroys everything she holds dear.Ben Power's version of Euripides' tragedy Medea premiered at the National Theatre, London, in July 2014.
Medea, whose magical powers helped Jason and the Argonauts take the Golden Fleece, remains one of the strongest female characters ever to appear on stage. In the play she kills her own children. Plays for Performance Series.
Few contemporary poets elicit such powerful responses from readers and critics as the author. The New York Times Book Review calls her work "personal, necessary, and important," while Publishers Weekly say she is "nothing less than brilliant." This book deals with her works.
Three classic Greek tragedies are translated and critically introduced by Edith Hamilton.
First published in 1939, this book presents R. C. Trevelyan's English metrical translation of Euripides' Medea. The aim of the text was to reproduce the form, phrasing and movement of the original for the benefit of readers without knowledge of Greek.
Offers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.
Offers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.
Offers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.
Offers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.
Offers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.
Euripides' powerful investigation of religious ecstasy and the resistance to it is an argument for moderation, rejecting the lures of pure reason as well as pure sensuality. Plays for Performance Series.
Euripides (c. 485-406 BCE) has been prized in every age for his emotional and intellectual drama. Eighteen of his ninety or so plays survive complete, including Medea, Hippolytus, and Bacchae, one of the great masterpieces of the tragic genre. Fragments of his lost plays also survive.
The first playwright of democracy, Euripides wrote with enduring insight and biting satire about social and political problems of Athenian life. In contrast to his contemporaries, he brought an exciting--and, to the Greeks, a stunning--realism to the "pure and noble form" of tragedy. For the first time in history, heroes and heroines on the stage were not idealized: as Sophocles himself said, Euripides shows people not as they ought to be, but as they actually are.
This volume collects for the first time four plays of Euripides in the acclaimed Greek Tragedy in New Translations series, each previously published individually: Alcestis, Medea, Helen, and Cyclops.
This anthology contains three of Euripides' tragedies: "Medea" concerns an abandoned wife who murders her children; "The Phoenician Women" adds a further twist to the story of Oedipus and Jocasta; and "Bacchae" is a macabre play about the power of Dionysos and unreason.
Euripides (Ancient Greek: ΕυÏιπιδης) (ca. 480 BC - 406 BC) was the last of the three great tragedians of classical Athens (the other two being Aeschylus and Sophocles). Ancient scholars thought that Euripides had written ninety-five plays, although four of those were probably written by Critias. Eighteen or nineteen of Euripides' plays have survived complete. There has been debate about his authorship of Rhesus, largely on stylistic grounds and ignoring classical evidence that the play was his.[1] Fragments, some substantial, of most of the other plays also survive. More of his plays have survived than those of Aeschylus and Sophocles together, because of the unique nature of the Euripidean manuscript tradition. This book, "The Medea Of Euripides", by Euripides, is a replication of a book originally published before 1910. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. This book was created using print-on-demand technology. Thank you for supporting classic literature.
As bleak and agonizing a portrait of war as ever to appear on the stage,The Trojan Women is a masterpiece of pathos as well as a timeless and chilling indictment of war's brutality. Plays for Performance Series.
Euripides (c. 485-406 BCE) has been prized in every age for his emotional and intellectual drama. Eighteen of his ninety or so plays survive complete, including Medea, Hippolytus, and Bacchae, one of the great masterpieces of the tragic genre. Fragments of his lost plays also survive.
This volume collects for the first time four plays of Euripides in the acclaimed Greek Tragedy in New Translations series, each previously published individually: Alcestis, Medea, Helen, and Cyclops.
In "Andromache", Euripides depicts the aftermath of the Trojan war, when Andromache, the widow of Hector, has a fruitful, but illicit affair with the son of Achilles. The ensuing power-struggle with Hermione, the wronged wife, is re-told in this collaboration between a poet and a classicist.
One of the most powerful dramas ever written, Hecuba is a vital examination of the psychology of the powerful and the powerless in time of conflict. Euripides' Hecuba, in this translation by Tony Harrison, premiered at the Albery Theatre in March 2005 as part of the RSC's London season.
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