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A study of the nineteenth century response in the intersections of dance, literature and medicine, to the connections between illness, madness, poetry and performance with a view to illuminating French literature and culture in the nineteenth century, dance history and feminist performance theory and modern medicine. In the WRITING SCIENCE series.
This work traces the abstraction and anonymity of the bodies making machines dance, in the codes of modernisms graphic and choreographic and in the streamlined gestures of industry, avant-garde art and entertainment.
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