Bøger af Ford Madox Ford

The Inheritors: An Extravagant Story (1901) is a quasi-science fiction novel on which Ford Madox Ford and Joseph Conrad collaborated. It looks at society's mental evolution and what is gained and lost in the process. Written before the first World War, its themes of corruption and the effect of the 20th Century on British aristocracy appeared to predict history. It was first published in London by William Heinemann and later the same year in New York by McClure, Phillips & Co. In the novel, the metaphor of the "fourth dimension" is used to explain a societal shift from a generation of people who have traditional values of interdependence, being overtaken by a modern generation who believe in expediency, callously using political power to bring down the old order. Its narrator is an aspiring writer who himself makes a similar transition at a personal level only to feel he has lost everything.

'The Bishop of Rome--' Thomas Cranmer began a hesitating speech. In the pause after the words the King himself hesitated, as if he poised between a heavy rage and a sardonic humour. He deemed, however, that the humour could the more terrify the Archbishop-and, indeed, he was so much upon the joyous side in those summer days that he had forgotten how to browbeat. 'Our holy father, ' he corrected the Archbishop. 'Or I will say my holy father, since thou art a heretic--' Cranmer's eyes had always the expression of a man's who looked at approaching calamity, but at the King's words his whole face, his closed lips, his brows, the lines from his round nose, all drooped suddenly downwards. 'Your Grace will have me write a letter to the-to his-to him--' The downward lines fixed themselves, and from amongst them the panic-stricken eyes made a dumb appeal to the griffins and crowns of his dark green hangings, for they were afraid to turn to the King. Henry retained his heavy look of jocularity: he jumped at a weighty gibe- 'My Grace will have thy Grace write a letter to his Holiness.'

This Is A New Release Of The Original 1918 Edition.

Ford Madox Ford (born Ford Hermann Hueffer 17 December 1873 - 26 June 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature.

His portrait of Catherine Howard, impulsive, warm-hearted, truth-speaking, yet daring admidst the most un-principled intrigue, is singularly attractive and life-like, making an admirable foil to the grimly-conceived Lady Mary.

Ford Madox Ford was a prolific English novelist and poet in the early 20th century. Ford wrote the best-selling novel The Good Soldier, as well as the Fifth Queen trilogy and the Parade's End series. Privy Seal: His Last Venture is the second novel in the Fifth Queen trilogy. The book details a battle for power between Katharine, Throckmorton, and Cromwell.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a new release of the original 1949 edition.

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Magister Nicholas Udal, the Lady Mary's pedagogue, was very hungry and very cold. He stood undecided in the mud of a lane in the Austin Friars. The quickset hedges on either side were only waist high and did not shelter him. The little houses all round him of white daub with grey corner beams had been part of the old friars' stables and offices. All that neighbourhood was a maze of dwellings and gardens, with the hedges dry, the orchard trees bare with frost, the arbours wintry and deserted. This congregation of small cottages was like a patch of common that squatters had taken; the great house of the Lord Privy Seal, who had pulled down the monastery to make room for it, was a central mass. Its gilded vanes were in the shape of men at arms, and tore the ragged clouds with the banners on their lances. Nicholas Udal looked at the roof and cursed the porter of it. 'He could have given me a cup of hypocras, ' he said, and muttered, as a man to whom Latin is more familiar than the vulgar tongue, a hexameter about 'pocula plena.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Good Soldier" is a 1915 novel by English novelist and editor Ford Madox Ford. It is set just before World War I and chronicles the tragedies of the lives of two seemingly perfect couples. The novel is told using a series of flashbacks in non-chronological order, a literary technique pioneered by Ford. It also makes use of the device of the unreliable narrator, as the main character gradually reveals a version of events that is quite different from what the introduction leads you to believe. The novel was loosely based on two incidents of adultery and on Ford's messy personal life

Ford Madox Ford (born Ford Hermann Hueffer 17 December 1873 - 26 June 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature. Ford is now remembered for his novels The Good Soldier (1915), the Parade's End tetralogy (1924-28) and The Fifth Queen trilogy (1906-08). The Good Soldier is frequently included among the great literature of the 20th century, including the Modern Library 100 Best Novels, Ford was born in Wimbledon[5] to Catherine Madox Brown and Francis Hueffer, the eldest of three; his brother was Oliver Madox Hueffer. Ford's father, who became music critic for The Times, was German and his mother English. His paternal grandfather Johann Hermann Hüffer was first to publish Westphalian poet and author Annette von Droste-Hülshoff. Ford used the name of Ford Madox Hueffer, but in 1919 he changed it to Ford Madox Ford (allegedly after World War I because "Hueffer" sounded too Germanic in honour of his grandfather, the Pre-Raphaelite painter Ford Madox Brown, whose biography he had written. In 1889, after the death of his father, Ford and Oliver went to live with their grandfather in London. Ford graduated from the University College School in London, but never attended university.

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The Fifth Queen Trilogy by Ford Madox Ford. Ford Madox Ford's Fifth Queen Trilogy, telling the story of Katharine Howard at the court of Henry VIII, is considered by some to be his best work. The Fifth Queen trilogy is a series of connected historical novels by English novelist Ford Madox Ford. It consists of three novels, The Fifth Queen; And How She Came to Court (1906), Privy Seal (1907) and The Fifth Queen Crowned (1908), which present a highly fictionalised account of Katharine Howard's arrival at the Court of Henry VIII, her eventual marriage to the king, and her death. Katharine Howard is introduced in the first book as a devout Roman Catholic, impoverished, young noblewoman escorted by her fiery cousin Thomas Culpeper. By accident, she comes to the attention of the king, in a minor way at first, is helped to a position as a lady in waiting for the then bastard Lady Mary, Henry's eldest daughter, by her old Latin tutor Nicholas Udal. Udal is a spy for Thomas Cromwell, the Lord Privy Seal.

This is a new release of the original 1928 edition.

Ford Madox Ford (born Ford Hermann Hueffer 17 December 1873 - 26 June 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature. Ford is now remembered for his novels The Good Soldier (1915), the Parade's End tetralogy (1924-28) and The Fifth Queen trilogy (1906-08). The Good Soldier is frequently included among the great literature of the 20th century, including the Modern Library 100 Best Novels, Ford was born in Wimbledon[5] to Catherine Madox Brown and Francis Hueffer, the eldest of three; his brother was Oliver Madox Hueffer. Ford's father, who became music critic for The Times, was German and his mother English. His paternal grandfather Johann Hermann Hüffer was first to publish Westphalian poet and author Annette von Droste-Hülshoff. Ford used the name of Ford Madox Hueffer, but in 1919 he changed it to Ford Madox Ford (allegedly after World War I because "Hueffer" sounded too Germanic in honour of his grandfather, the Pre-Raphaelite painter Ford Madox Brown, whose biography he had written. In 1889, after the death of his father, Ford and Oliver went to live with their grandfather in London. Ford graduated from the University College School in London, but never attended university.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.