Bøger af Frances Burney

EVELINA TELLS THE STORY OF A YOUNG GIRL, FRESH FROM THE PROVINCES, WHOSE INITIATION INTO THE WAYS OF THE WORLD IS FREQUENTLY PAINFUL, THOUGH IT LEADS TO SELF-DISCOVERY, MORAL GROWTH, AND FINALLY, HAPPINESS. THIS NOVEL REVEALS SUPERBLY THE LIFE AND TEMPER OF EIGHTEENTH-CENTURY ENGLAND, AS SEEN THROUGH THE CURIOSITY OF IT YOUNG HEROINE.

This Is A New Release Of The Original 1907 Edition.

"Cecilia" from Frances Burney. Known as Fanny Burney, English novelist, diarist and playwright (1752-1840).

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes". Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her £2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black". Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840.

Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes". Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her £2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black". Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840.

Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes". Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her £2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black". Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840.

Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes". Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her £2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black". Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840.

Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes". Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her £2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black". Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840.

Cecilia, subtitled Memoirs of an Heiress, is the second novel by English author Frances Burney, set in 1779 and published in 1782. The novel, about the trials and tribulations of a young upper class woman who must negotiate London society for the first time and who falls in love with a social superior, belongs to the genre of the novel of manners. A panoramic novel of eighteenth-century London, Cecilia was highly successful with at least 51 editions Cecilia, or Memoirs of an Heiress was published in July 1782. Frances Burney began working on the novel in 1780, after her father, Dr. Charles Burney, and her literary mentor, Samuel Crisp, suppressed her play entitled The Witlings. Her father had concerns that the play, a comedic satire of bluestocking(s), would offend "real people" whom he depended on for artistic patronage, particularly Elizabeth Montagu. This disappointment and the pressure to produce a second novel in order to capitalize on the success of her first work Evelina, seems to have placed considerable strain on Burney, and may have colored the tone and content of Cecilia.[3] It seems that the Cecilia Stanley of The Witlings became the Cecilia Beverley of Cecilia

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Cecilia, subtitled Memoirs of an Heiress, is the second novel by English author Frances Burney, set in 1779 and published in 1782. The novel, about the trials and tribulations of a young upper class woman who must negotiate London society for the first time and who falls in love with a social superior, belongs to the genre of the novel of manners. A panoramic novel of eighteenth-century London, Cecilia was highly successful with at least 51 editions.Cecilia, or Memoirs of an Heiress was published in July 1782. Frances Burney began working on the novel in 1780, after her father, Dr. Charles Burney, and her literary mentor, Samuel Crisp, suppressed her play entitled The Witlings. Her father had concerns that the play, a comedic satire of bluestocking(s), would offend "real people" whom he depended on for artistic patronage, particularly Elizabeth Montagu. This disappointment and the pressure to produce a second novel in order to capitalize on the success of her first work Evelina, seems to have placed considerable strain on Burney, and may have colored the tone and content of Cecilia.[3] It seems that the Cecilia Stanley of The Witlings became the Cecilia Beverley of Cecilia.Cecilia opens with the beautiful 20-year-old heroine, Cecilia Beverley, saying goodbye to her country home to go on a journey to London. She is an orphan heiress (£3000 a year as soon as she becomes of age, with a smaller personal fortune of £10,000). A stipulation in her uncle's will requires whomever she marries to take her surname, that is, become Mr. Beverley. Cecilia goes to live with one of her three guardians, Mr. Harrel, but is invited first to her friend Mr. Monckton's house for breakfast. Mr. Monckton has married an old, ugly woman for her money, but secretly regrets his decision after meeting Cecilia-a woman who combines wealth with beauty and youth. Mr. Monckton wants to marry Cecilia as soon as his own wife dies. He is afraid that Cecilia might fall in love or forget him while in London, and warns her continually to be careful of all 'temptations.' At his house she meets Mr. Morrice, a young lawyer who tries to flatter everyone who is important; Captain Aresby, who likes to compliment ladies in fancy words; and Mr. Belfield, a clever, lively, proud young man who can't settle down. Mr. Monckton's wife and her poor companion, Miss Bennet, who helps Mr. Monckton with his schemes, are also there. Cecilia notes the sharp behavior of an old man sitting quietly in the corner. She also does not understand why Lady Margaret (Mr. Monckton's wife) dislikes her so much. Mr. Harrel is the husband of Cecilia's childhood friend, Priscilla. But Cecilia is sad to see that Mrs. Harrel doesn't care about her, and has become silly, worldly, and profligate. On her arrival, Mrs. Harrel presents her to her "friends," and every day is filled with parties and London amusements which soon tire Cecilia. She sees Captain Aresby and Mr. Morrice again, and is introduced to many people, such as the insolent Sir Robert Floyer, who soon begins to pursue her for her money; Mrs. Harrel's gentle, serious, and shy brother Mr. Arnott, who falls in love with her; the sturdier of characters, Mr. Gosport; the frivolous and very chatty Miss Larolles; and the proud, silent Miss Leeson, but she cannot truly be attached to any of them. Mr. Monckton visits her, and she greets him with a real happiness which delights him.

Camilla, subtitled A Picture of Youth, is a novel by Frances Burney, first published in 1796. Camilla deals with the matrimonial concerns of a group of young people: Camilla Tyrold and her sisters, the sweet tempered Lavinia and the deformed, but extremely kind, Eugenia, and their cousin, the beautiful Indiana Lynmere - and in particular, with the love affair between Camilla herself and her eligible suitor, Edgar Mandlebert. They have many hardships, however, caused by misunderstandings and mistakes, in the path of true love.

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