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Three years ago, Sarah Kennedy thought she was hired as a translator for a corporate military prison in Baghdad, only to discover that she would be acting as an interrogator instead, retrieving information from prisoners of war-by any means necessary. Now, Lily Strauss, a disgraced reporter in the waning days of newspaper journalism, must uncover Sarah's story, cutting through webs of corporate lies and government deception until finally faced with the choice between her own journalistic ideals, and the devastating consequences of telling the truth. ON THE HEAD OF A PIN, a new political thriller, is an exploration of who watches the watchers, and what happens when they look away. "Frank Winters is a promising playwright." Frank Scheck, New York Post "Expert, thrilling, and surefooted as anything on stage in New York City this season! Vividly told, vividly acted, vividly directed-ON THE HEAD OF A PIN sweeps us away!" Theaterscene.net "Captivating-this is a play to place on your `must see' list!" Theatre Reviews Limited "A fast-paced, straight-on, suspenseful script-these `strange men' definitely promise a broad appeal to theatre audiences!' Galo Magazine
STUDENT BODY (High School Edition) is the alternate version of STUDENT BODY (College Edition), which is reviewed below. In the words of the author, the two plays are "utterly similar, yet wildly different". "Sexual assault on college campuses...addressing the problem is thornier than it sounds. Should campuses adjudicate cases, or only police? What if the victim wants privacy or nobody's really sure what happened at all? These tricky questions propel the action in STUDENT BODY, Frank Winters's compelling drama... A group of buddies is hanging out in their campus's scrappy theater, surrounded by plywood and power tools, when a freshman arrives seeking advice. She has discovered video on her camera from last week's party, and amid the revelry is footage of what looks like a rape. Should she call the cops? Delete the file? What if the apparent victim was willing-or the apparent rapist was someone they know? As the group debates, argues, and eventually votes (then votes again, and again) on what to do, stories from that night emerge, revealing that everyone present played some role in what happened, and everyone has something to lose. ...Winters constructs it succinctly, keeping the focus on the difficult ethical questions, not on teary confessions of knowledge or guilt. After all, if nailing one culprit solved much, it wouldn't make for such interesting drama."Miriam Felton-Dansky, The Village Voice
"Sexual assault on college campuses...addressing the problem is thornier than it sounds. Should campuses adjudicate cases, or only police? What if the victim wants privacy or nobody's really sure what happened at all? These tricky questions propel the action in STUDENT BODY, Frank Winters's compelling drama... A group of buddies is hanging out in their campus's scrappy theater, surrounded by plywood and power tools, when a freshman arrives seeking advice. She has discovered video on her camera from last week's party, and amid the revelry is footage of what looks like a rape. Should she call the cops? Delete the file? What if the apparent victim was willing-or the apparent rapist was someone they know? As the group debates, argues, and eventually votes (then votes again, and again) on what to do, stories from that night emerge, revealing that everyone present played some role in what happened, and everyone has something to lose. ...Winters constructs it succinctly, keeping the focus on the difficult ethical questions, not on teary confessions of knowledge or guilt. After all, if nailing one culprit solved much, it wouldn't make for such interesting drama."Miriam Felton-Dansky, The Village Voice
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