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In his final book, the celebrated poet Fred Chappell reflects on life and the beyond. Details drawn from daily actions, religion, classical myth, and the Appalachian landscape adorn this autumnal collection that unearths connections both strong and tenuous among apparently disparate subjects, all percolated with Chappell's signature wit and warm vision. A student's observation that "Poems are how we see with our eyes closed" comes to resemble an icon of sorrow. A stairway to heaven ends with a jug of wine. Memories assume shifting appearances. Often written in traditional sonnet forms, Chappell's poems display astonishing technical skill and indefatigable humanity as they gaze on the challenges of life and the great unknown. A spirited and friendly farewell, Ever After shows an accomplished and much-beloved American writer gracing us with poems of remarkable originality, craft, and insight.
Ancestors and Others collects selected stories from the legendary southern writer, Fred ChappellIn this collection, Fred Chappell shows his mastery across a range of genres. Featuring folk fables in the Twain tradition, realistic stories of growing up in remote Appalachia, stories of family, kin, and community, and tales of the fantastic and spooky, this book will delight fans and surprise new readers.
Farewell, I'm Bound to Leave You is rich with the music of the Southern mountains and the stories of their people. Jess Kirkman's grandmother is dying, and Jess remembers the tales she and his mother have passed down to him--a chorus of women's voices that sing and share and celebrate the common song of life.
This story of a day in the life of Joe Robert Kirkman, a North Carolina mountain schoolteacher, sly prankster, country philosopher, and family man, won the hearts of readers and reviewers across the country.
Inspired by ancient, modern, and contemporary writings, Fred Chappell's sprightly new collection of verse, As If It Were, presents tales, anecdotes, pointed stories, and aphorisms to spark the conscience of readers young and old.
In this sharply innovative collection, Fred Chappell layers words and images to create a new and dramatic poetic form- the poem-within-a-poem. Like the shadow box in the volume's title, each piece consists of an inner world contained, framed, supported by an outer - the two interdependent, sometimes supplementary, often contrary.
This collection of satiric verse takes its title from that thoroughly southern term meaning "irreverent retort" or "scoffing observation." Whether addressing the political, the poetical, or the practical, Fred Chappell brandishes his lexical sword, ribbing our shortcomings, offering tonic advice, and occasionally shedding a tear for fallen ideals.
A celebration of close literary friendships among seven eminent American poets- Fred Chappell, Kelly Cherry, R.H.W. Dillard, Brendan Galvin, George Garrett, David R. Slavitt, and Henry Taylor. The affection, fun, and mutual respect of this happy association of poets have resulted in this anthology.
Fred Chappell has long been considered one of the South's finest writers of both fiction and poetry. C not only provides abundant justification for that assessment but also makes clear the inadequacy of geographical stricture; Chappell is indeed a writer of world-class stature.
Although Fred Chappell has long been recognized as a novelist of talent and achievement, his poetry has been known to only a few because he has chosen to publish little. Now, in this collection, his work becomes widely available for the first time. The subjects of these poems range from the poet's love for his wife and son to that hallowed American institution, the skin flick; from baseball to blues. From "Trios II" to the slaughter of pigs. Their forms vary from short lyrics, often humorous or ironic, to longer narratives, more serious and intense. All in all, it is a stunning performance by a consummate artist in his first appearance.
In a noteworthy career Fred Chappell has created a body of verse that will likely endure as long as the North Carolina mountains that are the setting of so many of his poems. With Source, his newest collection, Chappell again reveals himself as a mature and gifted poet writing at the peak of his powers.
With this poem, Fred Chappell takes his readers far from the southern landscape and familiar passions of his acclaimed Midquest tetralogy. He tells instead of a medieval castle ruled by a mad king and peopled by bitter, scheming grotesques and melancholy weaklings who cower at the sound of the sweet, sad voice of truth that haunts their nights.
Fred Chappell's The Gaudy Place is perhaps the first novel to depict the society of the street people of the New South and their relationship to the middle class. For its wry portrayal of displacement and injustice this novel was awarded the Sir Walter Raleigh Prize. The street-smart teenager Arkie triggers the events of the story with his ambition to rise in economic status. He proposes business deals to the prostitute Clemmie and the successful con man Oxie, a hustler who aspires to political office. When the prank of a middle-class teenager, Linn Harper, offers Oxie the surprising opportunity to gain a foothold in respectable society, an unexpected climax reveals the interdependence of all social levels in a culture too quickly changing from a rural to an urban character. Here is a small world in which quick wits and wily survival skills are necessary and admirable, even though the race is not always to the swift. Originally published in 1973, The Gaudy Place is drily humorous, darkly ironic, fast-moving, and entertaining. Its best strength is its gallery of sharply drawn, fondly observed characters unknowingly at odds with one another.
Like all relations, the extended family in Fred Chappell's Family Gathering has its foibles and strengths- oddballs and know-it-alls, hussies and historians, sparring spouses and model marriages. More than anything, this family loves gossip.
Fred Chappell continues to astonish. First and Last Words revives the traditional practice of supplying new prologue and epilogue poems to classic works of literature. The poems invite renewed acquaintance with familiar works and authors.
Funny and also deeply touching, I Am One of You Forever is the story of a young boy's coming of age. Set in the hills and hollows of western North Carolina in the years around World War II, it tells of ten-year-old Jess and his family, who usher him into the adult world, with all its attendant joys and sorrows, knowledge and mystery.
Solitary, graceful, and contemplative, cats have inspired poets from Charles Baudelaire to Margaret Atwood to serve as their chroniclers and celebrants. With Familiars, Fred Chappell proves himself a worthy addition to the fellowship of poets who have sought to immortalize their beloved cats.
Together now, the four poems River, Bloodfire, Wind Mountain and Earthsleep counterpoint one another in a grand symphony, Midquest. In what he has referred to as "something like a verse novel," Fred Chappell has summoned up the rich veins of memory and brings this to bear on the contemporary sensibility.
A Southeast Booksellers Association Best Book of the YearJess Kirkman returns to the North Carolina mountain town of his boyhood to tend to his ailing mother, and clean out his deceased father's workroom. What he discovers there leads him-and the reader-on an unforgettable journey through the secret life of Jess's father, Joe Robert, which culminates in a moment of profound mystery and comedy.
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