Bøger af Friedrich Kerst

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Ludwig van Beethoven (1770-1827) is widely considered to be one of the pre-eminent classical music figures of the Western world. This German musical genius created numerous works that are firmly entrenched in the repertoire. Except for a weakness in composing vocal and operatic music (to which he himself admitted, notwithstanding a few vocal works like the opera "Fidelio" and the song "Adelaide,"), Beethoven had complete mastery of the artform. He left his stamp in 9 symphonies, 5 piano concertos, 10 violin sonatas, 32 piano sonatas, numerous string quartets and dozens of other key works. Many of his works are ingeniously imaginative and innovative, such as his 3rd symphony (the "Eroica"), his 9th Violin Sonata (the "Kreutzer"), his "Waldstein" piano sonata, his 4th and 5th piano concertos, or his "Grosse Fugue" for string quartet. (Of course, each of Beethoven's works adds its own unique detail to Beethoven's grand musical paradigm.) It is difficult to sum up briefly what his musical works represent or symbolize, since taken together they encompass a vast system of thought. Generally, however, those who apprehend his music sense that it reflects their own personal yearnings and sufferings. It egoistically, and always intelligently, "discusses" with its listener his or her feelings in the wake of personal failure and personal triumph, from the lowest depths of despair to the highest heights of happy or triumphant fulfilment. In his music, he represents the feelings felt by those attempting to achieve their goals within their societies, whether they are competing for love, status, money, power, mates and/or any other things individuals feel naturally inclined to attempt to acquire.

This classic Mozart biography will be a revelation for fans of Mozart and classical music in general. The story of the great composer is revealed here from the words of the man himself. "The great German composer Wolfgang Amadeus Mozart (1756-1791) was not only a musical genius, but was also one of the preeminent geniuses of the Western world. He defined in his music a system of musical thought and an entire state of mind that were unlike any previously experienced."

Beethoven Im Eigenen Wort by Friedrich Kerst. This book is a reproduction of the original book published in 1904 and may have some imperfections such as marks or hand-written notes.

TABLE OF CONTENTSEditor's note The significance of Mozart Chips from the workshop Concerning the opera musical pedagogics Touching musical performances Expressions critical Opinions concerning others Wolfgang, the german Self-respect and honor At home and abroad Love and friendship Worldly wisdom In suffering Morals Religion

The composer himself offers intriguing glimpses of his life and personality in excerpts from letters to family and friends. Extensive annotations provide background for thoughts on music, religion, love, other matters.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - - The German composer Wolfgang Amadeus Mozart (1756-1791) was not only a musical genius, but was also one of the pre-eminent geniuses of the Western world. He defined in his music a system of musical thought and an entire state of mind that were unlike any previously experienced. A true child prodigy, he began composing at age 5 and rapidly developed his unmistakable style; by 18 he was composing works capable of altering the mind-states of entire civilizations. Indeed, he and his predecessor Bach accomplished the Olympian feat of adding to the human concepts of civility and civilization. So these two were not just musical geniuses, but geniuses of the humanities. Mozart's music IS civilization. It encompasses all that is humane about an idealized civilization. And it probably was Mozart's main purpose to create and propagate a concept of a great civilization through his music. He wanted to show his fellow Europeans, with their garbage-polluted citystreets, their violent mono-maniacal leaders and their stifling, non- humane bureaucracies, new ideas on how to run their civilizations properly. He wanted them to hear and feel a sense of civilized movement, of the musical expressions of man moving as he would if upholding the highest values of idealized societies. One need only listen to the revolutionary opening bars of his famous Eine Kleine Nachtmusik to see this.