Bøger af Gabriele Basilico

Returns to Beirut by Gabriele Basilico, in the words of the curator Giovanna Calvenzi is the book that "should be [...] "definitive" to remember a deep and passionate relationship that has linked Gabriele Basilico to the city of Beirut, which over the years has also become one of the central cornerstones of his commitment to photography. In addition to a long work in the archive of re-reading of all that Basilico has achieved, "accomplices" of the various journeys have also been invited to exercise their memories. The wide selection of black and white and colour photographs is introduced by texts by Gabriele Basilico, Giovanna Calvenzi, Tanino Musso, Fouad Elkoury, Gabriel Bauret, Christian Caujolle, Alessandro Ferrario, Rita Capezzuto and a Chronology by Farian Sabahi. Thus, page after page, we discover the work carried out by Gabriele Basilico on the occasion of four photographic missions to Beirut in 1991, 2003, 2008 and 2011. In 1991 he was involved by the Hariri Foundation and the Lebanese writer Dominique Eddé in a project that aimed at the photographic documentation of the central area of the city of Beirut at the end of the devastating Civil war that had torn the city apart for fifteen years. With him are called five other photographers: Raymond Depardon, Josef Koudelka, Robert Frank, René Burri and Fouad Elkoury. Basilico moves in the center of the devastated and still undermined capital with the gaze that has characterized all his production, attentive to the transformations of the contemporary landscape, to form and identity of cities and metropolises from an architectural point of view, of course, but above all social. Since then, hewill decorate Beirut three more times. In 2003 on behalf of the architecture magazine Domus, directed by Stefano Boeri, to record the reconstruction of the city through urban views corresponding to the photos taken in the 1991. In 2008, when on the occasion of the inauguration of one of his exhibitions at the Planet Discovery Center continues to record the reconstruction of the city. And finally in 2011, when the Hariri Foundation called him again to document the Beirut rebuilt together with Fouad Elkoury, Klavdij Sluban and Robert Polidori. The photographer's eye thus rests on a city that changes in its appearance and soul, linking itself to that of Basilico who will write: "The practice of returning creates a singular sentimental disposition: like waiting for a desired appointment, an awakening of memory for places, objects, people, as if the engine of a machine stopped for some time were rekindled. For Beirut it was even more."

Basilico photographs places which are suspended in time, without a history or a future, and this indetermination is precisely where their beauty and interest lay. These are images that reflect upon the end of the industrial cycle, upon the ruin-both physical and ideological-of modernity. They are an attempt to understand a new environment arisen from the ashes of industrial spaces and compact cities. Basilico's photographic career changed direction the day he decided to start a project on the urban and suburban buildings in south of Milan, an area which had been protagonist of "the Italian miracle" during the fifties but which the oil crisis had emptied. This emptiness turned these industrial buildings in "landscape monuments", captured in their transit towards dissolving themselves into another world. This interpretation of "ruin" reaches its peak with his images of Beirut, where he shoots ruin itself. Basilico photographs that go forward and reverse between nature and urban, that neutral space left in the middle, those terrain-vagues where city planing has succumbed to the conurbation's incoherent expansion.