Bøger af Garry Thomas Morse

A sweeping exploration of the prairie in its many permutations: from aesthetic motif to the site of colonization and development.

In Rogue Cells, Oober Mann emerges from his cryobed on high alert in New Haudenosaunee, a nation at war with the mysterious territory Nutella during a critical election year. Citizens here live in dread of celebrities who carry out terrorist actions in defence of their own fundamentalist belief systems, including Stratford-upon-Avonists, whose guerrilla conflicts stem from slight variations of Shakespearian texts; Drumhellerists, whose discovery of some dinosaur bones results in a polygamous sect; and Chaos!tologists whose divine teachings are to be found in an obscure book with questionable authorship. Mixed up in an assassination plot being investigated by ISM (Insurgent Saddo Management) and DNA-specialist cops, Mann begins to wonder about the nature of reality and even about the new woman in his life, a femme fatale known only as the Librarian.It is the Age of Aquarium in the speculative "e;green"e; dystopia of Carbon Harbour. Omni-magnate Cornelius Quartz is overseeing the merger between Bildung Endustries and Foreign Objects, but is distracted by an imminent double wedding for himself and his daughter; by the loss of his best promoter and lover to his rival, Zirconium Bluff; and by working conditions in the rehashing core and on wind pharms for hardlucks who harvest bio-material to produce architecture, clothing, and other swag for a luxury class of hardcore gamers (they pay for "e;pollution fantasies"e; with carbon credits on extended getaways to Putridworld). Threats to these halcyon days include a new religion publicized by Minor and his daughter Diminuenda that is "e;Old Testament-style,"e; Mr. Goo's long-awaited release of the "e;MeMeMe"e; device, an interstellar pipeline project, the proliferation of aquacukes and giant composting worms that are rapidly running out of garbage, a word virus cultivated by the last carbon-based poet, and the controversial awarding of the Ignoble Prize. Rogue Cells / Carbon Harbour resumes The Chaos! Quincunx novel series.

In tribute to the surrealist narrative techniques of Andr Breton and Robert Desnos, Minor Episodes documents the serial adventures of Minor, the ubiquitous "e;everymogul"e; who embodies the economic one percent and keeps musically erotic quixotics on tap. Having entered a "e;rent in time"e; that gives each chapter an alternate reality, Minor swaggers through an undersea casino, in-flight blockbuster, bawdy Western, and Kafkaesque job hunt, cavorting with billboard queen Bb Lala and country-music legend Faith Faith, when not dressing down his shifty sidekick, The Concierge, or haunting the intensely disinterested songstress Miss Sharp. However, danger looms in the form of The Stropper, a serial killer fresh out of a shaving promotion, and an enigmatic ginger-beer icon who has retired from a satisfying life of culinary assassinations.Major Ruckus, a contrapuntal text and parody of the speculative fiction genre, celebrates the stylistic techniques of William S. Burroughs and Robert Anton Wilson, following a frenzied struggle by various parties to obtain an essential time-travel component, a struggle that includes psychic "e;dicks,"e; universal call-center operators, aboriginal eroticists, lubricant heiresses, rogue advertisement animations, pornography censors, and alien sperm-bank clones, all to the horrified fascination of hapless meta-writer Oober Mann. But ultimately it is Carl Sagan who creates the most confusion, when his prudish doodle of a woman is sent into space aboard the Voyager probe, triggering a plan to "e;assist"e; Earth's declining population through extraterrestrials in the guise of census takers.Minor Episodes and Major Ruckus introduce The Chaos! Quincunx series.Garry Thomas Morse is a Governor General's Awardnominated poet and fiction writer.

With breathtaking virtuosity, Garry Thomas Morse sets out to recover the appropriated, stolen and scattered world of his ancestral people.

An homage to Jack Spicer, but also a tribute to his Orphic conception of the serial poem, "After Jack."

Since the debut of Garry Thomas Morses first collection deemed experimental fiction, Death in Vancouver has drawn fervid enthusiasm from many West Coast writers and artists. Set in Vancouver, B.C., this gathering of stories superimposes aspects of literary classics on local urban space to express increasing dissonance and alienation in the groaning necropolis that is the contemporary global city.One Helen is a woman subject to poetic idealization who reveals her own interior monologue on Bloomsday in Another Helen in this two-part romantic comedy where love may arrive too late. In Nailed, an incident from The Book of Judges becomes zagadka without razgadka, or one of Gogols riddles without resolution. Salt Chip Boy presents homogenized global jargon from an Orwellian vision of a future Vancouver where denizens controlled by implanted desiccants enter virtual worlds to enjoy vintage language and scenarios. In Two Scoops, an attractive reporter investigates a government-funded project that involves supermarket products and sexual hallucinations. In The Book, a Dostoyevskian drunkard contemplates Mallarms suggestion that everything exists to end up in a book while en route to the stone that drives men mad as described in Pauline Johnsons Legends of Vancouver. Dry Gray, who takes his name from a burger chain receipt while trying to stay sober, grapples with lingering questions from an Aspergers test.These stories culminate in the title novella, a restatement of Thomas Manns Death in Venice in which a retired ballet dancer called Padam falls under the spell of a young man in the lounge of the Istoria (fictional double to the Sylvia Hotel). When a hotel renovation leads Padam to believe that cosmetic injections will resolve his unrequited passion, he finds himself suddenly face to face with an unslaked desire for historical vengeance in the beak of a First Nations bird monster.