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2021 marks Dylan's 80th birthday and his 60th year in the music world. It invites us to look back on his career and the multitudes that it contains. Is he a song and dance man? A political hero? A protest singer? A self-portrait artist who has yet to paint his masterpiece? Is he Shakespeare in the alley? The greatest living exponent of American music? An ironsmith? Internet radio DJ? Poet (who knows it)? Is he a spiritual and religious parking meter? Judas? The voice of a generation or a false prophet, jokerman, and thief? Dylan is all these and none.The essays in this book explore the Nobel laureate's masks, collectively reflecting upon their meaning through time, change, movement, and age. They are written by wonderful and diverse set of contributors, all here for his 80th birthday bash: celebrated Dylanologists like Michael Gray and Laura Tenschert; recording artists such as Robyn Hitchcock, Barb Jungr, Amy Rigby, and Emma Swift; and 'the professors' who all like his looks: David Boucher, Anne Margaret Daniel, Ray Monk, Galen Strawson, and more. Read it on your toaster!
This book relates Hegel to preceding and succeeding political philosophers. The relevance of Hegel to contemporary political philosophy is highlighted in essays which compare Hegel to Lyotard and Rawls.
David Boucher and Gary Browning provide a multi-faceted analysis of the political art of Bob Dylan. They do not tackle Dylan from a single standpoint but collectively question how Dylan's work relates to the theory and practice of politics.
Collingwood reviews Collingwood's thought via his own rethinking of Hegel. Collingwood is seen as avoiding the pitfalls of Hegel's teleological historicism by developing an open and contestable reading of the rationality of liberal civilization, which neither reduces practice to theory nor philosophy to history.
This book relates Hegel to preceding and succeeding political philosophers. The relevance of Hegel to contemporary political philosophy is highlighted in essays which compare Hegel to Lyotard and Rawls.
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