Bøger af George Bernard Shaw

Imprisonment is a play written by the renowned playwright and Nobel laureate, George Bernard Shaw. The play revolves around the story of a wealthy man named Edwin Reardon, who is imprisoned for debt. While in prison, Reardon meets a young woman named Nina, who is also imprisoned for debt. As the two get to know each other, they begin to develop feelings for each other, despite their different backgrounds and circumstances.The play explores themes of love, class, and societal expectations. It also delves into the concept of imprisonment, both physical and emotional, and how it affects individuals and their relationships. Through the characters of Reardon and Nina, Shaw highlights the struggles of those who are marginalized and oppressed by society.Imprisonment is a thought-provoking and insightful play that showcases Shaw's mastery of language and his ability to tackle complex themes with nuance and depth. It is a must-read for fans of Shaw's work and anyone interested in exploring the complexities of human relationships and societal structures.Issued By The Department Of Christian Social Service Of The National Council Of The Protestant Episcopal Church.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""On Going To Church"" is a book written by George Bernard Shaw and published in 1909. The book is a collection of essays and speeches by Shaw on the topic of religion and the role of the church in society. Shaw was known for his controversial views on religion, and this book is no exception. In it, he argues that the church is a relic of the past and that modern society has no need for it. He also criticizes the church for its role in perpetuating social inequality and for its refusal to adapt to changing times. Despite its provocative content, ""On Going To Church"" is a thought-provoking and insightful book that challenges readers to reconsider their own beliefs about religion and its place in society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Arms and the Man by George Bernard Shaw The play takes place during the 1885 Serbo-Bulgarian War. Its heroine, Raina Petkoff, is a young Bulgarian woman engaged to Sergius Saranoff, one of the heroes of that war, whom she idolizes. One night, a Swiss mercenary soldier in the Serbian army, Captain Bluntschli, climbs in through her bedroom balcony window and threatens to shoot Raina if she gives the alarm. When Russian/Bulgarian troops burst in to search the house for him, Raina hides him so that he won't be killed. He asks her to remember that "nine soldiers out of ten are born fools." In a conversation after the soldiers have left, Bluntschli's attitude towards war and soldiering (pragmatic and practical as opposed to Raina's idealistic views) shocks her, especially after he admits that he uses his ammunition pouches to carry chocolates rather than cartridges for his pistol. When the search dies down, Raina and her mother Catherine sneak Bluntschli out of the house, disguised in an old housecoat.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The story of Henry Higgins, a professor of phonetics who makes a bet with his friend Colonel Pickering that he can successfully pass off a Cockney flower girl, Eliza Doolittle, as a refined society lady by teaching her how to speak with an upper class accent and training her in etiquette. In the process, Higgins and Eliza grow close, but she ultimately rejects his domineering ways and declares she will marry Freddy Eynsford-Hill - a young, poor, gentleman.

When a Salvation Army officer learns that her father, a wealthy armaments manufacturer, has donated lots of money to her organization, she resigns in disgust but eventually sees the truth of her father's reasoning that social iniquity derives from poverty; it is only through accumulating wealth and power that people can help each other.

Great Catherine: Whom Glory Still Adores is a 1913 one-act play by Irish dramatist George Bernard Shaw. It was written between two of his other 1913 plays, Pygmalion and The Music Cure. It tells the story of a prim British visitor to the court of the sexually uninhibited Catherine the Great of Russia.

Man and Superman is a four-act drama written by George Bernard Shaw in 1903. The series was written in response to calls for Shaw to write a play based on the Don Juan theme. Man and Superman opened at the Royal Court Theatre in London on 23 May 1905, but it omitted the third act. A part of the act, Don Juan in Hell (Act 3, Scene 2), was performed when the drama was staged on 4 June 1907 at the Royal Court. The play was not performed in its entirety until 1915, when the Travelling Repertory Company played it at the Lyceum Theatre, Edinburgh.

John Bull's Other Island is a comedy about Ireland, written by George Bernard Shaw in 1904. Shaw himself was born in Dublin, yet this is one of only two plays of his where he thematically returned to his homeland, the other being O'Flaherty V.C.

How He Lied to Her Husband is a one-act comedy play by George Bernard Shaw, who wrote it, at the request of actor Arnold Daly, over a period of four days while he was vacationing in Scotland in 1904.

This collection chronicles the fiction and non fiction classics by the greatest writers the world has ever known. The inclusion of both popular as well as overlooked pieces is pivotal to providing a broad and representative collection of classic works.

Getting Married is a play by George Bernard Shaw. First performed in 1908, it features a cast of family members who gather together for a marriage. The play analyses and satirises the status of marriage in Shaw's day, with a particular focus on the necessity of liberalising divorce laws.

Fanny's First Play, being but a potboiler, needs no preface. But its lesson is not, I am sorry to say, unneeded. Mere morality, or the substitution of custom for conscience was once accounted a shameful and cynical thing: people talked of right and wrong, of honor and dishonor, of sin and grace, of salvation and damnation, not of morality and immorality. The word morality, if we met it in the Bible, would surprise us as much as the word telephone or motor car.

Book Excerpt: would be an awful lark to bolt," said Gully, with a chuckle. "But," he added, seriously, "if you really mean it, by George, I'll go too! Wilson has just given me a thousand lines; and I'll be hanged if I do them.""Gully," said Cashel, his eyes sparkling, "I should like to see one of those chaps we saw on the common pitch into the doctor--get him on the ropes, you know."Gully's mouth watered. "Yes," he said, breathlessly; "particularly the fellow they called the Fibber. Just one round would be enough for the old beggar. Let's come out into the playground; I shall catch it if I am found here."IIThat night there was just sufficient light struggling through the clouds to make Panley Common visible as a black expanse, against the lightest tone of which a piece of ebony would have appeared pale. Not a human being was stirring within a mile of Moncrief House, the chimneys of which, ghostly white on the side next the moon, threw long shadows on the silver-gray slates. The stiRead More

Caesar and Cleopatra, a play written in 1898 by George Bernard Shaw, was first staged in 1901 and first published with Captain Brassbound's Conversion and The Devil's Disciple in his 1901 collection, Three Plays for Puritans. It was first performed at Newcastle-on-Tyne on March 15, 1899. The first London production was at the Savoy Theatre in 1907. The famous scene in which Cleopatra, concealed in a rolled-up carpet, is smuggled into Caesar's presence was credited by Otto Skorzeny as the inspiration for his doing the same to his kidnapping victim Miklós Horthy, Jr. in 1944 during Operation Panzerfaust. Shaw wants to prove that it was not love but politics that drew Cleopatra to Julius Caesar. He sees the Roman occupation of ancient Egypt as similar to the British occupation that was occurring during his time. Caesar understands the importance of good government, and values these things above art and love. Shaw's philosophy has often been compared to that of Nietzsche. Their shared admiration for men of action shows itself in Shaw's description of Caesar's struggle with Pompey. In the prologue, the god Ra says, "the blood and iron ye pin your faith on fell before the spirit of man; for the spirit of man is the will of the gods." A second theme, apparent both from the text of the play itself and from Shaw's lengthy notes after the play, is Shaw's belief that people have not been morally improved by civilization and technology. A line from the prologue clearly illustrates this point. The god Ra addresses the audience and says, "ye shall marvel, after your ignorant manner, that men twenty centuries ago were already just such as you, and spoke and lived as ye speak and live, no worse and no better, no wiser and no sillier." Another theme is the value of clemency. Caesar remarks that he will not stoop to vengeance when confronted with Septimius, the murderer of Pompey. Caesar throws away letters that would have identified his enemies in Rome, instead choosing to try to win them to his side. Pothinus remarks that Caesar doesn't torture his captives. At several points in the play, Caesar lets his enemies go instead of killing them. The wisdom of this approach is revealed when Cleopatra orders her nurse to kill Pothinus because of his "treachery and disloyalty" (but really because of his insults to her). This probably contrasts with historical fact. The murder enrages the Egyptian crowd, and but for Mithridates' reinforcements would have meant the death of all the protagonists. Caesar only endorses the retaliatory murder of Cleopatra's nurse because it was necessary and humane.

Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to publications@publicdomain.org.uk This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via DMCA@publicdomain.org.uk

Pygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1913. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence.

Caesar and Cleopatra is a play written in 1898 by George Bernard Shaw that depicts a fictionalized account of the relationship between Julius Caesar and Cleopatra. It was first published with Captain Brassbound's Conversion and The Devil's Disciple in Shaw's 1901 collection Three Plays for Puritans. It was first performed in a single staged reading at Newcastle upon Tyne on 15 March 1899, to secure the copyright. The play was produced in New York in 1906 and in London at the Savoy Theatre in 1907

The story centers on the relationship between Mrs. Kitty Warren, a rich woman, described by the author as "in general, an old and brilliant presenter of a black woman" and her daughter, Vivie. Mrs. Warren is a middle-aged woman whose daughter educated in Cambridge, Vivie, is horrified to discover the sinister way in which her mother acquired her fortune. The two strong women make a brief reconciliation when Mrs. Warren explains her impoverished youth, which originally led her to prostitution. Vivie forgives her mother until she learns that the highly profitable business is still running.

Candida, a comedy by playwright George Bernard Shaw, was written in 1894 and first published in 1898, as part of his Plays Pleasant. The central characters are clergyman James Morell, his wife Candida and a youthful poet, Eugene Marchbanks, who tries to win Candida's affections. The play questions Victorian notions of love and marriage, asking what a woman really desires from her husband. The cleric is a Christian Socialist, allowing Shaw-himself a Fabian Socialist-to weave political issues, current at the time, into the story. Shaw attempted but failed to have a London production of the play put on in the 1890s, but there were two small provincial productions. However, in late 1903 actor Arnold Daly had such a great success with the play that Shaw would write by 1904 that New York was seeing "an outbreak of Candidamania". The Royal Court Theatre in London performed the play in six matinees in 1904. The same theatre staged several other of Shaw's plays from 1904 to 1907, including further revivals of Candida. The play is set in the northeast suburbs of London in the month of October. It tells the story of Candida, the wife of a famous clergyman, the Reverend James Mavor Morell. Morell is a Christian Socialist, popular in the Church of England, but Candida is responsible for much of his success. Candida returns home briefly from a trip to London with Eugene Marchbanks, a young poet who wants to rescue her from what he presumes to be her dull family life. Marchbanks is in love with Candida and believes she deserves something more than just complacency from her husband. He considers her divine, and his love eternal. In his view, it is quite improper and humiliating for Candida to have to attend to petty household chores. Morell believes Candida needs his care and protection, but the truth is quite the contrary. Ultimately, Candida must choose between the two gentlemen. She reasserts her preference for the "weaker of the two" who, after a momentary uncertainty, turns out to be her husband Morell. The play was first performed at the Theatre Royal, South Shields on 30 March 1895. It was revived by the Independent Theatre Company, at Her Majesty's, Aberdeen on 30 July 1897. It was first performed in London at the Stage Society, The Strand, on 1 July 1900. However, it was not until late 1903, when Arnold Daly mounted a production in New York that the play became a success. Daly's production was quickly followed by one in London. The first public performance in London was on 26 April 1904, at the Royal Court The play was so popular in 1904 that the phenomenon was referred to as "Candidamania". In the words of The New York Sun, A new complaint has become widespread. It may be described as 'Candidamania.' It is a contagious disease, frequently caught in street cars, elevated trains, department stores, restaurants, and other places where people talk about what they did the night before. 'Have you seen Candida?' is the question of the hour. Thousands are dragging their friends to see Mr. Shaw's play."

The Devil's Disciple is an 1897 play written by Irish dramatist George Bernard Shaw.Set in Colonial America during the Revolutionary era, the play tells the story of Richard Dudgeon, a local outcast and self-proclaimed "Devil's disciple". In a twist characteristic of Shaw's love of paradox, Dudgeon sacrifices himself in a Christ-like gesture despite his professed Infernal allegiance.The Devil's Disciple is an 1897 play written by Irish dramatist George Bernard Shaw. The play is Shaw's eighth, and after Richard Mansfield's original 1897 American production it was his first financial success, which helped to affirm his career as a playwright. It was published in Shaw's 1901 collection Three Plays for Puritans together with Captain Brassbound's Conversion and Caesar and Cleopatra. Set in Colonial America during the Revolutionary era, the play tells the story of Richard Dudgeon, a local outcast and self-proclaimed "Devil's disciple". In a twist characteristic of Shaw's love of paradox, Dudgeon sacrifices himself in a Christ-like gesture despite his professed Infernal allegiance.Dick Dudgeon is an outcast from his family in colonial Websterbridge, New Hampshire. He returns their hatred with scorn. After the death of his father, Dick returns to his childhood home to hear the reading of his father's will, much to his family's dismay. Anthony Anderson, the local minister, treats him with courtesy despite Dick's self-proclaimed apostasy, but Dick's "wickedness" appalls Anderson's wife Judith. To everyone's surprise, it is revealed that Dick's father secretly changed his will just before he died, leaving the bulk of his estate to Dick. Dick promptly evicts his mother from her home, but also invites his cousin Essie (the illegitimate daughter of Dick's never-do-well uncle Peter), orphaned by the hanging of her father as a rebel by the British, to stay as long as she wants. At the end of the Act, Dick proclaims himself also a rebel against the British and scorns his family as cowards when they flee his home. He warns Anderson that the approaching army hanged his uncle in error, believing him to be a man of highest respect, unaware of his ill repute, and that Anderson will be the example set in Websterbridge.

Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to publications@publicdomain.org.uk This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via DMCA@publicdomain.org.uk

George Bernard Shaw was an Irish playwright and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama, and he wrote more than 60 plays. He was also an essayist, novelist and short story writer. Nearly all his writings address prevailing social problems, but have a vein of comedy which makes their stark themes more palatable. Issues which engaged Shaw's attention included education, marriage, religion, government, health care, and class privilege.

Augustus Does His Bit, A True to Life Farce is a comic one-act play by George Bernard Shaw about a dim-witted aristocrat who is outwitted by a female spy during World War I.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

George Bernard Shaw was an Irish playwright, socialist, and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama. Over the course of his life he wrote more than 60 plays. Nearly all his plays address prevailing social problems, but each also includes a vein of comedy that makes their stark themes more palatable. In these works Shaw examined education, marriage, religion, government, health care, and class privilege. An ardent socialist, Shaw was angered by what he perceived to be the exploitation of the working class. He wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthy lifestyles. For a short time he was active in local politics, serving on the London County Council. In 1898, Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. They settled in Ayot St. Lawrence in a house now called Shaw's Corner. He is the only person to have been awarded both a Nobel Prize for Literature (1925) and an Oscar (1938). The former for his contributions to literature and the latter for his work on the film "Pygmalion" (adaptation of his play of the same name). Shaw wanted to refuse his Nobel Prize outright, as he had no desire for public honours, but he accepted it at his wife's behest. She considered it a tribute to Ireland. He did reject the monetary award, requesting it be used to finance translation of Swedish books to English. Shaw died at Shaw's Corner, aged 94, from chronic health problems exacerbated by injuries incurred by falling.

Androcles and the Lion is a 1912 play written by George Bernard Shaw. The play is Shaw's retelling of the tale of Androcles, a slave who is saved by the requiting mercy of a lion. In the play, Shaw portrays Androcles to be one of the many Christians being led to the Colosseum for torture. Characters in the play exemplify several themes and takes on both modern and supposed early Christianity, including the cultural clash between Jesus' teachings and traditional Roman values.Androcles or Androclus is the name given by some sources to the main character of a common folktale that is included in the Aarne-Thompson classification system as type 156.[1] The story reappeared in the Middle Ages as "The Shepherd and the Lion" and was then ascribed to Aesop's Fables. It is numbered 563 in the Perry Index and can be compared to Aesop's The Lion and the Mouse in both its general trend and in its moral of the reciprocal nature of mercy.George Bernard Shaw (26 July 1856 - 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan(1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma and Caesar and Cleopatra.Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not a republican, castigated British policy on Ireland in the postwar period. These stances had no lasting effect on his standing or productivity as a dramatist; the inter-war years saw a series of often ambitious plays, which achieved varying degrees of popular success. In 1938 he provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award. His appetite for politics and controversy remained undiminished; by the late 1920s he had largely renounced Fabian Society gradualism and often wrote and spoke favourably of dictatorships of the right and left-he expressed admiration for both Mussolini and Stalin. In the final decade of his life he made fewer public statements, but continued to write prolifically until shortly before his death, aged ninety-four, having refused all state honours, including the Order of Merit in 1946.Since Shaw's death scholarly and critical opinion about his works has varied, but he has regularly been rated among British dramatists as second only to Shakespeare; analysts recognise his extensive influence on generations of English-language playwrights. The word Shavian has entered the language as encapsulating Shaw's ideas and his means of expressing them.During the first decade of the twentieth century, Shaw secured a firm reputation as a playwright.

The tale begins with a humorous description of student antics at a girl's school then changes focus to a seemingly uncouth laborer who, it soon develops, is really a wealthy gentleman in hiding from his overly affectionate wife. He needs the freedom gained by matrimonial truancy to promote the socialistic cause, to which he is an active convert. Once the subject of socialism emerges, it dominates the story, allowing only space enough in the final chapters to excoriate the idle upper class and allow the erstwhile schoolgirls, in their earliest maturity, to marry suitably.