Bøger af George Etherege

She Woud if She Coud is a witty and risqué Restoration-era comedy by Sir George Etherege. The play tells the story of a young widow named Lady Cockwood who is determined to find a new husband. The play is rich with clever dialogue and double entendres and offers a glimpse into the world of the Restoration court. This edition includes an introduction that places the play in its historical and literary context.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""She Would, If She Could"" is a comedic play written by George Etherege in 1735. The story revolves around the character of Lady Wishfort, a wealthy and vain widow who is determined to marry off her daughter, Millamant, to Sir Wilfull Witwoud. However, Millamant is in love with Mirabell, a young man who is determined to win her hand despite the obstacles in his way.The play is set in London and is a satire on the social conventions of the time. Etherege uses witty dialogue and humorous situations to poke fun at the upper classes and their obsession with status and wealth. The play also explores themes of love, marriage, and deception.""She Would, If She Could"" was a popular play in its time and is considered one of Etherege's best works. It has been adapted for the stage and screen numerous times and is still performed today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Love In A Tub Sir George Etherege Arthur Wilson Verity J. C. Nimmo, 1888

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

The most perfectly poised of Restoration comedies, The Man of Mode is a finished exercise in dramatic sprezzatura, matching the beguiling 'easiness' and 'complaisance' of its central character. Its seemingly casual construction and breaches of comic decorum mask an artistic control designed to upset the complacency of our moral, social and aesthetic assumptions, luring us into sympathy for a character whose dangerous 'wildness' we should deplore.The modernised play text is accompanied by incisive commentary notes, while the introduction unpacks the complexity of the Restoration's political and theatrical context, analyses the play's performance history and demonstrates Etherege's linguistic artistry.

First staged in 1676, "The Man of Mode" is perhaps the most typical 'Restoration Comedy'. This title is published alongside a revival of this play at the National Theatre, staged by the Artisitic Director, Nicholas Hytner.

After the restoration of King Charles II to the British throne in 1660, dramatists experienced new freedom in an age that broke from the strict morality of puritan rule and in which elegance and wit became the chief virtues. Irreverent, licentious and cynical, the three plays collected here hold up a mirror to this dazzling era and satirize the gulf between appearances and reality. In Etherege's The Man of Mode (1676), the womanizing Dorimant meets his match when he falls in love with the unpretentious Harriet, while Wycherley's The Country Wife (c. 1675) depicts the rakish Horner who fakes impotence to fool trusting husbands into giving him easy access to their wives. And in Congreve's Love for Love (1695), the extravagant Valentine can only win his beloved Angelica if he loses his inheritance.