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Some of the criticism was bitter and some ridiculous (one critic wrote, "Manet, who ought not to have forgotten the panic caused by his black cat in Olympia, has borrowed a parrot from his friend Courbet and placed it on a perch beside a young lady in a pink dressing gown. These realists are capable of anything!"), some knowledgeable and some not. Mr. Hamilton's book assesses the range of these reactions, and the result is an illuminating study of the relation of Manet's painting and its principles to the contemporary practices of 19th-century French art.
Traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The book covers various areas including works of Impressionism, Cubism, Constructivism and Surrealism.
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