Bøger af George Melville Baker

Reprint of the original, first published in 1875.

This book is a humorous play that satirizes the conventions and cliches of melodrama and adventure literature. The main character, Reginald, is a stereotypical hero who sets out to rescue his girlfriend from bandits and danger. However, the plot twists and turns as the other characters play with Reginald's expectations and create absurd situations. The play is a fun and light-hearted entertainment for readers and audiences alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Capuletta is a burlesque play by George Melville Baker, first performed in New York in 1868. It parodies the story of Romeo and Juliet, as well as the conventions of opera and melodrama, with outrageous humor and musical numbers. It was a popular entertainment of its time, and remains a fascinating example of Victorian popular culture.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sylvia's Soldier: A Comedy In Two Acts ...; The Amateur Drama George Melville Baker Lee & Shepard, 1868

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Baker's School Entertainments; Baker's School Entertainments; George Melville Baker George Melville Baker W.H. Baker & Co., 1902

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Premium Speaker: Comprising Fresh Selections In Poetry And Prose, Humorous, Pathetic, Patriotic, For Reading Clubs, School Declamation, Home And Public Entertainments, Containing The Selections Published In The Reading Club, Volume 4; The Premium Speaker: Comprising Fresh Selections In Poetry And Prose, Humorous, Pathetic, Patriotic, For Reading Clubs, School Declamation, Home And Public Entertainments, Containing The Selections Published In The Reading Club; George Melville Baker George Melville Baker Lee, 1882 Language Arts & Disciplines; General; Language Arts & Disciplines / General; Readers and speakers

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Baker's Temperance Dialogues: Humorous Dramatic And Instructive ... George Melville Baker Walter H. Baker & Co., 1909

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Duchess of Dublin: A Farce Scene. Dr. Aconite's ofice. Table, a display of vials, one' or two books, writing materials, (to. Chair, L. Of table. Two chairs back. Small table, with chair beside it. Maggie discovered dusting. Her left hand is wrapped in a thick covering. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Past Redemption: A Drama in Four Acts Maynard. Act I. Mixed pants and vest, blue striped shirt, collar rolled over vest, without necktie, straw hat, bald gray wig, heavy gray side-whiskers. Act II. And IV. Add a dark coat. Harry Maynard. Act I. Neat gray suit, with game-bag, felt hat, leggings, Act III. White shirt without collar, rusty black pants, and coat out at elbows, unshorn face, hollow eyes. Act IV. Light pants, dark vest and coat, with white overcoat, high-colored handkerchief thrown about the neck, felt hat. Robert Thornton. Act I. Light gray suit, leggings, game-bag, felt hat, heavy watch-chain, and full black beard and moustache. Act II. Handsome black suit, black hat, light overcoat on his arm. Act III. Fashionable suit, with a liberal display of jewelry. Act IV. Dirty black pants, torn at the knee, white shirt, soiled and ragged, showing a red shirt beneath; rough grizzled beard and wig; pale and haggard; dark, ragged coat. Tom Larcom. Act I. And II. Rough farmer's suit. Act III. Flashy mixed suit, false moustache and chin-whiskers. Act IV. Neat suit with overcoat and felt hat. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"Nevada" from George Melville Baker. Playwright and publisher in Boston (1832-1890).

A Drama in Three Acts George Melville Baker George Melville Baker (1832-1890) was a playwright and publisher in Boston, Massachusetts, in the 19th century. He worked for Lee & Shepard publishers, then opened his own imprint. "George M. Baker & Co." issued works by authors such as Henry M. Baker, F.E. Chase, [1] and Herbert Pelham Curtis. Baker's company ceased in 1885, succeeded by his brother's "Walter H. Baker & Co."[2][3] George Baker also performed with comedian Henry C. Barnabee, appearing in "lyceum entertainments" in New England.[4] He belonged to the Mercantile Library Association.[5] He married Emily Bowles in 1858;[6] children included novelist Emilie Loring, playwright Rachel Baker Gale, and screenwriter Robert Melville Baker.

Excerpt from Gentlemen of the Jury: A Farce Precise (at table). Gentlemen, be seated. (all sit.) Before we discuss the case with which we have been ia trusted, perhaps we had better take a. Vote. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Ebenezer. O, it is! This is the mysterious abode of my runaway son. Well, I don't see anything very inviting here; a few miserable chairs, a rickety lounge, a mean little table- Clap. Come, come, sir; don't abuse my furniture. Eben. O, pooh, pooh! What business have you harboring a runaway scamp who ought to be at home, you old, gray-headed ruffian? Clap. Come, come, sir; once for all, I won't be abused in my own house. If your son chooses to hire a room in my house, to pay handsomely for the same, and to behave himself in a gentlemanly manner, here he stops just as long as he pays, you old heathen. Eben. Old heathen! Confound you, do you know who you are talking to, Mr. Claptrap? Clap. Clapboard, sir; Clapboard is my name. Eben. Do you know who you are talking to? Clap. I've a pretty good idea. Some fiery old lunatic just escaped from Bedlam. Eben. Fire and fury! I'll break this cane over your head, insolent! Clap. Do; and then I'll throw you and the pieces down those stairs, catamount! Eben. (Aside.) O, this won't do. (Aloud.) I beg your pardon, Mr. Claptrap. Clap. Clapboard, sir. Eben. Mr. Clapboard, I was a little hasty. You must attribute it to the anxiety of a devoted parent. I have a son.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Nelly (throwing brush on lounge). That will do for to-day. It's time Carlos were back from the post-office. I am anxious to obtain a letter from my invisible adorer, Dixon Dolby. How my good brother would open his eyes if he knew the extent of my wickedness. Three months ago, six of us girls at school, desirous of acquiring proficiency in correspondence, agreed to write to gentlemen whom we had never met, but whom we knew by reputation to be gentlemen. My choice was my brother's chum before his marriage, Dixon Dolby. My plan succeeded admirably. He answered the note signed, Rosa Bean. The most tender and impassioned epistles followed on both sides, until at last he had the impudence to request an exchange of photographs. I consented, but was not fool enough to allow him to discover my identity; so, to secure his, I sent instead a photograph of my brother's wife. I knew they had never met, but they must; and when they do, won't there be fun. I only hope I shall be at the denouement. Ah! here's Carlos. (Enter CARLOS, C., with two letters and a paper.) Well, Carlos, what success? Carlos (putting letters behind him). Hey? What'll you give to know? Ought to give a feller somethin' purty sweet, cos I ran all the way. Nelly. Indeed I will, Carlos. My warmest thanks and my sweetest smile. Carlos. Is that all? Well, here's a letter (gives her a letter). Nelly. O, thank you, Carlos. You're a dear, good boy (takes letter, and sits in arm-chair, L.).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ "A Drop Too Much" A Farce George Melville Baker G.M. Baker & Co., 1876 Self-Help; Substance Abuse & Addictions; Alcoholism; Self-Help / Substance Abuse & Addictions / Alcoholism

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Temperance Drama: A Series Of Dramas, Comedies, And Forces, For Temperance Exhibitions, And Home And School Entertainment George Melville Baker Lee and Shepard, 1874 Self-Help; Substance Abuse & Addictions; Alcoholism; Self-Help / Substance Abuse & Addictions / Alcoholism; Temperance

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Plays: Pamphlet Box.]; Plays: Pamphlet Box.]; George Melville Baker George Melville Baker G.M. Baker, 1876

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A Precious Pickle George Melville Baker W.H. Baker & Co., 1876

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Champion Of Her Sex George Melville Baker W.H. Baker & Co., 1874

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.