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As the Crow Flies comes out of George Monteiro's twenty-year fascination with the crows that have shared his Connecticut environs, giving much less attention to him than he gives to them. Part observation, part response, part meditation, these poems offer a range of poetic techniques to match the many moods and states of mind in which Monteiro has encountered the crows of Connecticut.
The least known of the great European Modernist poets of the twentieth century, Fernando Pessoa was born in 1888. A virtuoso of poetic voices, he created a coterie of distinct heteronyms, individual voices for whom he created full biographies and full bodies of work that were not only distinctive and original but so distinguished that several have earned an honored place in the annals of world poetry. The Pessoa Chronicles-a collection, a scrapbook, an accumulation, an offering, take your pick-had its beginning as a book around 1990. Some of the entries in The Pessoa Chronicles are expressed in the (imagined) voice of Pessoa speaking for himself or that of one of his heteronyms. Many others are in an unidentified voice, usually indistinguishable from Monteiro's.
Jorge de Sena was an undisputed giant of twentieth-century Portuguese letters. In the essays gathered in this collection, George Monteiro deftly weaves together his readings of Sena's poetry and prose, both literary and critical, with evidence drawn from Sena's biographical archive, focusing in particular on his Brazilian and US years.
There's No Word for SAUDADE contains twenty-one essays aimed at a readership interested in cultural and historical materials, including those relate to Portuguese America.
Caldo Verde Is Not Stone Soup identifies elements of an emerging Portuguese American culture in the United States.
Brings together almost all of the known interviews Elizabeth Bishop gave over a period of thirty years. Included also are a few selected pieces based on conversations with her. All together they allow her ardent and admiring readers a rewarding, close-up encounter with one of America's great writers.
Explores allusions, sources, echoes and affinities in Henry James' vast body of work as critical ways to discover and interpret his artistic purposes and literary intentions. It ranges over the vast corpus of his fiction, including stories, novellas and novels published in the leading journals of the day on both sides of the Atlantic.
"A poem is best read in the light of all the other poems ever written."
Fernando Pessoa (1888--1935) is perhaps the most engaging of the great Western modernists of this century.
Of the great epic poets in the Western tradition, Luis Vaz de Camoes (c. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Camoes.
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