Bøger af George Moore

The Lake is a novel written by George Moore, a renowned Irish novelist, poet, and playwright. The story is set in the early 20th century and follows the life of a young woman named Marcella, who is torn between two men - her husband, Robert, and her lover, George. Marcella is a wealthy and beautiful woman who is unhappy in her marriage to Robert, a successful businessman who is more interested in his work than his wife.George, on the other hand, is a struggling artist who is deeply in love with Marcella. The two begin an affair, and Marcella finds herself torn between her love for George and her duty to her husband and family. As the story unfolds, Marcella's relationships with both men become increasingly complicated, and she must make a difficult decision about her future.Moore's writing style is elegant and sophisticated, and he explores themes of love, duty, and morality in a nuanced and thought-provoking way. The Lake is a timeless classic that continues to captivate readers with its complex characters and timeless themes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

George Augustus Moore (24 February 1852 - 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo. He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Émile Zola.His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist.George Moore was born in Moore Hall in 1852. As a child, Moore enjoyed the novels of Walter Scott, which his father read to him. He spent a good deal of time outdoors with his brother, Maurice George Moore, and also became friendly with the young Willie and Oscar Wilde, who spent their summer holidays at nearby Moytura. Oscar was to later quip of Moore: "He conducts his education in public". His father had again turned his attention to horse breeding and in 1861 brought his champion horse, Croagh Patrick, to England for a successful racing season, together with his wife and nine-year-old son. For a while George was left at Cliff's stables until his father decided to send George to his alma mater facilitated by his winnings. Moore's formal education started at St. Mary's College, Oscott, a Catholic boarding school near Birmingham where he was the youngest of 150 boys. He spent all of 1864 at home, having contracted a lung infection brought about by a breakdown in his health. His academic performance was poor while he was hungry and unhappy. In January 1865, he returned to St. Mary's College with his brother Maurice, where he refused to study as instructed and spent time reading novels and poems.That December the principal, Spencer Northcote, wrote a report that: "he hardly knew what to say about George." By the summer of 1867 he was expelled, for (in his own words) 'idleness and general worthlessness', and returned to Mayo. His father once remarked, about George and his brother Maurice: "I fear those two redheaded boys are stupid", an observation which proved untrue for all four boys.

My excuse for modifying the title of this book is, that A Drama in Muslin has long seemed to me to be the vulgar one among the titles of my many books. But to change the title of a book that has been in circulation, however precarious, for more than thirty years, is not permissible, and that is why I rejected the many titles that rose up in my mind while correcting the proofs of this new edition. In Neophytes, Débutantes, and The Baiting of Mrs. Barton, readers would have divined a new story, but the dropping out of the unimportant word 'drama' will not deceive the most casual follower of literature. The single word 'muslin' is enough.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a new release of the original 1927 edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Coming of Gabrielle is a novel written by George Moore. The story revolves around a young woman named Gabrielle who is orphaned and left to fend for herself in the world. She is taken in by a wealthy family who provide her with a comfortable life, but she is not content with this and yearns for something more.Gabrielle's desire for a more fulfilling life leads her to become involved in the suffragette movement and she becomes an active campaigner for women's rights. She also falls in love with a young man named Stephen who shares her passion for social justice.As Gabrielle becomes more involved in the suffragette movement, she faces opposition from those who do not believe in equal rights for women. This leads to conflict and danger for Gabrielle and those around her.Throughout the novel, Moore explores themes of social justice, gender equality, and the struggle for personal fulfillment. The Coming of Gabrielle is a thought-provoking and engaging novel that offers insight into the struggles of women in the early 20th century.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Confessions of a Young Man (1886 in French; 1888 in English) is a memoir by Irish novelist George Moore who spent about 15 years in his teens and 20s in Paris and later London as a struggling artist. The book is notable as being one of the first English writings which named important emerging French Impressionists; for its literary criticism; and depictions of bohemian life in Paris during the 1870s and 1880s.In writing style The Confessions of a Young Man is presented as a novel, with a hero named Dayne, but the reader assumes in essence it is an autobiography, a true "confession".Dayne (i.e. Moore) went to Paris as a teenager, and almost becomes a full Parisian nearly forgetting the English language after 15 years. He sketches, with a frankness now jubilant, now cynical, the luscious "vie de Boheme" that Paris alone could offer the young man of health and wealth who loved art.Amid scenes splendid, squalid, or bizarre, move students, cabotins, painters, poets, pale enthusiasts starving for the sake of an idea, actresses, women of fashion, courtesans, clubmen, and spectators.Artistic endeavour and perfumed vice mingle in fraternity; everything is unusual, irregular, fantastic.Dayne emerges from the ordeal of this environment but little changed.For him the enticements of the flesh are not more powerful than those of art.One week he is beguiling the hours in some salon or alcove, the next he is incandescent with aspiration.So the years pass; and at last, having saturated himself with the French theories of literary and graphic art which are bound up with the names of Flaubert, Goncourts, Zola, Degas, and Manet, he one day learns with tragic certainty that he is not destined to be a painter, and he courageously admits that all this periodic, frenzied effort has been misdirected.[1] Then we have interludes of philosophy and literary criticism; the philosophy perhaps not of much account; the criticism often original, epigrammatic, sometimes of an astounding penetration, and always literary. Later, Dayne is driven by adverse circumstances to London and to a lodging in the Strand, where the book ends.Dayne's ideas about art and his temperament can be seen in characteristic passages like the following: "For art was not for us then as it is now-a mere emotion, right or wrong only in proportion to its intensity; we believed then in the grammar of art, perspective, anatomy, and la jambe qui forte.".... George Augustus Moore (24 February 1852 - 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo.He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Émile Zola. His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist. George Moore was born in Moore Hall in 1852. As a child, Moore enjoyed the novels of Walter Scott, which his father read to him.He spent a good deal of time outdoors with his brother, Maurice George Moore, and also became friendly with the young Willie and Oscar Wilde, who spent their summer holidays at nearby Moytura. Oscar was to later quip of Moore: "He conducts his education in public". His father had again turned his attention to horse breeding and in 1861 brought his champion horse, Croagh Patrick, to England for a successful racing season, together with his wife and nine-year-old son......

The man who crashed my lecture had a familiar face, and the aura of an ancient enemy. As he watched me with his cold eyes, fear made it difficult to concentrate. He had hunted me from long ago, far back into the distant past when an Evenki tribesman had fallen in love with a shaman woman. "The Shaman Cycle" is a story of shamanic realism featuring concepts of reincarnation and immortality. It contains mature themes and dark aspects. It is not suitable for a young audience.

1916. Irish novelist, playwright, poet and critic, his epic The Brook Kerith begins: It was at the end of a summer evening, long after his usual bedtime, that Joseph, sitting on his grandmother's knee, heard her tell that Kish having lost his asses sent Saul, his son, to seek them in the land of the Benjamites and the land of Shalisha, whither they might have started. But they were not in these lands, Son, she continued, nor in Zulp, whither Saul went afterwards, and being then tired out with looking for them he said to the servant: we shall do well to forget the asses, lest my father should ask what has become of us. See other titles by this author available from Kessinger Publishing............... George Augustus Moore (24 February 1852 - 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo. He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Émile Zola.His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist.George Moore was born in Moore Hall in 1852. As a child, Moore enjoyed the novels of Walter Scott, which his father read to him. He spent a good deal of time outdoors with his brother, Maurice George Moore, and also became friendly with the young Willie and Oscar Wilde, who spent their summer holidays at nearby Moytura. Oscar was to later quip of Moore: "He conducts his education in public". His father had again turned his attention to horse breeding and in 1861 brought his champion horse, Croagh Patrick, to England for a successful racing season, together with his wife and nine-year-old son. For a while George was left at Cliff's stables until his father decided to send George to his alma mater facilitated by his winnings. Moore's formal education started at St. Mary's College, Oscott, a Catholic boarding school near Birmingham where he was the youngest of 150 boys. He spent all of 1864 at home, having contracted a lung infection brought about by a breakdown in his health. His academic performance was poor while he was hungry and unhappy. In January 1865, he returned to St. Mary's College with his brother Maurice, where he refused to study as instructed and spent time reading novels and poems.That December the principal, Spencer Northcote, wrote a report that: "he hardly knew what to say about George." By the summer of 1867 he was expelled, for (in his own words) 'idleness and general worthlessness', and returned to Mayo. His father once remarked, about George and his brother Maurice: "I fear those two redheaded boys are stupid", an observation which proved untrue for all four boys.............

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This Is A New Release Of The Original 1919 Edition.

Three hundred yards of smooth, broad, white road leading from Henfield, a small town in Sussex. The grasses are lush, and the hedges are tall and luxuriant. Restless boys scramble to and fro, quiet nursemaids loiter, and a vagrant has sat down to rest though the bank is dripping with autumn rain. How fair a prospect of southern England! Land of exquisite homeliness and order; land of town that is country, of country that is town; land of a hundred classes all deftly interwoven and all waxing to one class-England. Land encrowned with the gifts of peaceful days-days that live in thy face and the faces of thy children.

Looking back over the twenty years since "Celibates" was first published I find that the George Moore of the earlier year is the George Moore of to-day. The novelist of 1895 and the novelist of 1915 are one and the same person. Each is really interested in himself; each is more concerned with how the world and its humanity appear to him than how they appear to the casual observer or how they may be in themselves. The writer is always expressing himself through the facts and personalities which have stirred his imagination to creative effort. George Moore has never been a reporter or a philosopher; he has always been an artist.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Oaths, vociferations, and the slamming of cab-doors. The darkness was decorated by the pink of a silk skirt, the crimson of an opera-cloak vivid in the light of a carriage-lamp, with women's faces, necks, and hair. The women sprang gaily from hansoms and pushed through the swing-doors. It was Lubini's famous restaurant. Within the din was deafening. "What cheer, 'Ria! 'Ria's on the job," roared thirty throats, all faultlessly clothed in the purest linen. They stood round a small bar, and two women and a boy endeavoured to execute their constant orders for brandies-and-sodas. They were shoulder to shoulder, and had to hold their liquor almost in each other's faces. A man whose hat had been broken addressed reproaches to a friend, who cursed him for interrupting his howling. Issued from this saloon a long narrow gallery set with a single line of tables, now all occupied by reproaches to a friend, who cursed him for interrupting his howling. Issued from this saloon a long narrow gallery set with a single line of tables, now all occupied by supping courtesans and their men. An odour of savouries, burnt cheese and vinegar met the nostrils, also the sharp smell of a patchouli-scented handkerchief drawn quickly from a bodice; and a young man protested energetically against a wild duck which had been kept a few days over its time. Lubini, or Lubi, as he was called by his pals, signed to the waiter, and deciding the case in favour of the young man, he pulled a handful of silver out of his pocket and offered to toss three lords, with whom he was conversing, for drinks all round.

Vale is a novel written by the Irish author George Moore. It tells the story of a young man named Maurice Vale who is struggling to find his place in the world. Maurice is an artist who is passionate about his work, but he is also plagued by doubts and insecurities. He falls in love with a young woman named Florence and they begin a tumultuous relationship that is marked by jealousy and mistrust. As Maurice tries to navigate his way through the complexities of love and art, he is forced to confront his own limitations and weaknesses. The novel is a poignant exploration of the human condition, and it offers a powerful commentary on the nature of love, creativity, and the search for meaning in life. Moore's writing is characterized by its vivid imagery, sharp wit, and insightful observations about the world around us. Vale is a timeless classic that continues to resonate with readers today.1914. Vale is one of the three-volumes in Irish novelist, playwright, poet and critic George Moore's famous three-volume semi autobiographical work, Hail and Farewell, a highly entertaining account of his experiences in Ireland. The three volumes are named: Ave, Salve and Vale. Vale begins: It was about the time of the publication of my letter to the Irish Times, mentioned in the last pages of Salve, that I received from the French Consul an invitation to dinner to meet the Secretary of the Consulate, M. Orange, a young man, a poet, au moins il a publie un volume de vers chez Lemerre. The Meaulles, Monsieur et Madame, are among my pleasantest memories of Dublin, and on the night in question, when it was time to bid our host and hostess goodnight, I suggested to Orange that we should walk back to Dublin together, thinking that perhaps he might like to talk French poetry with me. See other titles by this author available from Kessinger Publishing.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Confessions of a Young Man is a memoir by Irish novelist George Moore who spent about 15 years in his teens and 20s in Paris and later London as a struggling artist. The book is notable as being one of the first English writings which named important emerging French Impressionists; for its literary criticism; and depictions of bohemian life in Paris during the 1870s and 80s

Modern Painting, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Mike Fletcher: A Novel by George Moore has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.