Bøger af George Perle

Argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. This book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples. It also discusses new developments in the theory and practice of twelve-tone tonality.

Focuses on the two operas of Alban Berg. If you have ever had any questions about Berg's opera Wozzeck, this book answers them for you. Each paragraph, each quoted music example, each analysis moves the argument forward in a clear incisive manner.

In its analytical sophistication, its critical insights and in the implications which it has for our understanding not only of Alban Berg but of a whole body of post-diatonic music, this title presents us with a sophisticated musical analysis of the composer.

Taking us into a composer's workshop, this title reevaluates what we call 'twentieth-century music' - a term used to refer to modern or contemporary music that represents a radical break from the tonal tradition, or 'common practice', of the preceding three centuries.