Bøger af George Santayana

The following volume is composed of a number of papers written at various times and already partially printed; they are now revised and gathered together in the hope that they may lead the reader, from somewhat different points of approach, to a single idea. This idea is that religion and poetry are identical in essence, and differ merely in the way in which they are attached to practical affairs. Poetry is called religion when it intervenes in life, and religion, when it merely supervenes upon life, is seen to be nothing but poetry. It would naturally follow from this conception that religious doctrines would do well to withdraw their pretension to be dealing with matters of fact. That pretension is not only the source of the conflicts of religion with science and of the vain and bitter controversies of sects; it is also the cause of the impurity and incoherence of religion in the soul, when it seeks its sanctions in the sphere of reality, and forgets that its proper concern is to express the ideal. For the dignity of religion, like that of poetry and of every moral ideal, lies precisely in its ideal adequacy, in its fit rendering of the meanings and values of life, in its anticipation of perfection; so that the excellence of religion is due to an idealization of experience which, while making religion noble if treated as poetry, makes it necessarily false if treated as science. Its function is rather to draw from reality materials for an image of that ideal to which reality ought to conform, and to make us citizens, by anticipation, in the world we crave.

This is a new release of the original 1923 edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This Is A New Release Of The Original 1906 Edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Lucifer: A Theological Tragedy is a philosophical work written by George Santayana and published in 1899. The book is a dramatic retelling of the biblical story of Lucifer, the fallen angel who rebelled against God and was cast out of heaven. Santayana's version of the story is a philosophical exploration of the nature of evil, free will, and the relationship between God and humanity. The book is divided into three parts, with the first part introducing the character of Lucifer and his rebellion against God. The second part explores the consequences of Lucifer's rebellion, including the fall of man and the existence of evil. The final part of the book examines the possibility of redemption and the role of free will in the human experience.Throughout the book, Santayana uses a combination of philosophical arguments and poetic language to explore the themes of the story. He draws on a variety of philosophical traditions, including Platonism, Christianity, and Nietzschean philosophy, to create a complex and nuanced interpretation of the story of Lucifer.Overall, Lucifer: A Theological Tragedy is a thought-provoking and challenging work that explores some of the most fundamental questions of human existence. It is a must-read for anyone interested in philosophy, theology, or the nature of evil.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This Is A New Release Of The Original 1896 Edition.

This is a new release of the original 1927 edition.

This Is A New Release Of The Original 1910 Edition.

This is a new release of the original 1927 edition.

Sonnets And Other Verses is a collection of poems written by George Santayana and published in 1896. The book mainly consists of sonnets, which are 14-line poems with a specific rhyme scheme and meter. The sonnets cover a range of topics, including love, nature, philosophy, and spirituality. In addition to the sonnets, the book also includes other types of poems such as ballads, odes, and lyrics. These poems explore similar themes as the sonnets, but with different styles and structures. Santayana was a philosopher and writer who was known for his works on aesthetics, ethics, and metaphysics. His poetry reflects his philosophical ideas and often explores the relationship between the individual and the natural world. Overall, Sonnets And Other Verses is a collection of thought-provoking and beautifully written poems that showcase Santayana's talent as a poet and his philosophical insights.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The outbreak of war in the year 1914 found me by chance in England, and there I remained, chiefly at Oxford, until the day of the peace. During those five years, in rambles to Iffley and Sandford, to Godstow and Wytham, to the hospitable eminence of Chilswell, to Wood Eaton or Nuneham or Abingdon or Stanton Harcourt, Crossing the stripling Thames at Bab-lock-hithe, these Soliloquies were composed, or the notes scribbled from which they have been expanded. Often over Port Meadow the whirr of aeroplanes sent an iron tremor through these reveries, and the daily casualty list, the constant sight of the wounded, the cadets strangely replacing the undergraduates, made the foreground to these distances. Yet nature and solitude continued to envelop me in their gentleness, and seemed to remain nearer to me than all that was so near. They muffled the importunity of the hour; perhaps its very bitterness and incubus of horror drove my thoughts deeper than they would otherwise have ventured into the maze of reflection and of dreams. It is a single maze, though we traverse it in opposite moods, and distinct threads conduct us; for when the most dire events have assumed their punctiform places in the history of our lives, where they will stand eternally, what are they but absurd episodes in a once tormenting dream?

'Character and Opinion in the United States' is his comprehensive critique of American thought and civilization and reflects the detached cosmopolitan perspective that lent his criticism its characteristic objectivity and strength. Santayana's subject here is the conflict of materialism and idealism in American life.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Skip again some five hundred years, and there is another change of scene. The Teutonic races that had previously conquered Europe have begun to dominate and understand themselves. They have become Protestants, or protesters against the Roman world. An infinite fountain of life seems to be unlocked within their bosom. They turn successively to the Bible, to learning, to patriotism, to industry, for new objects to love and fresh worlds to conquer; but they have too much vitality, or too little maturity, to rest in any of these things. A demon drives them on; and this demon, divine and immortal in its apparent waywardness, is their inmost self. It is their insatiable will, their radical courage. Nay, though this be a hard saying to the uninitiated, their will is the creator of all those objects by which it is sometimes amused, and sometimes baffled, but never tamed. Their will summons all opportunities and dangers out of nothing to feed its appetite for action; and in that ideal function lies their sole reality. Once attained, things are transcended. Like the episodes of a spent dream, they are to be smiled at and forgotten; the spirit that feigned and discarded them remains always strong and undefiled; it aches for new conquests over new fictions. This is romanticism.

This Is A New Release Of The Original 1900 Edition.

What is exaggeration to one class of minds and perceptions, is plain truth to another. That which is commonly called a long-sight, perceives in a prospect innumerable features and bearings non-existent to a short-sighted person. I sometimes ask myself whether there may occasionally be a difference of this kind between some writers and some readers; whether it is always the writer who colours highly, or whether it is now and then the reader whose eye for colour is a little dull? On this head of exaggeration I have a positive experience, more curious than the speculation I have just set down. It is this: I have never touched a character precisely from the life, but some counterpart of that character has incredulously asked me: "Now really, did I ever really, see one like it?" All the Pecksniff family upon earth are quite agreed, I believe, that Mr Pecksniff is an exaggeration, and that no such character ever existed. I will not offer any plea on his behalf to so powerful and genteel a body, but will make a remark on the character of Jonas Chuzzlewit.

A good portrait of Locke would require an elaborate background. His is not a figure to stand statuesquely in a void: the pose might not seem grand enough for bronze or marble. Rather he should be painted in the manner of the Dutch masters, in a sunny interior, scrupulously furnished with all the implements of domestic comfort and philosophic enquiry: the Holy Bible open majestically before him, and beside it that other revelation-the terrestrial globe. His hand might be pointing to a microscope set for examining the internal constitution of a beetle: but for the moment his eye should be seen wandering through the open window, to admire the blessings of thrift and liberty manifest in the people so worthily busy in the market-place, wrong as many a monkish notion might be that still troubled their poor heads. From them his enlarged thoughts would easily pass to the stout carved ships in the river beyond, intrepidly setting sail for the Indies, or for savage America.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known as George Santayana (December 16, 1863 - September 26, 1952), was a philosopher, essayist, poet, and novelist. He wrote in English and is generally considered an American man of letters. At the age of forty-eight, Santayana left his position at Harvard and returned to Europe permanently, never to return to the United States. His last will was to be buried in the Spanish Pantheon of the Cimitero Monumentale del Verano in Rome. Santayana is known for famous sayings, such as "Those who cannot remember the past are condemned to repeat it", and "Only the dead have seen the end of war." Santayana is broadly included among the pragmatists with Harvard University colleagues William James and Josiah Royce. He said that he stood in philosophy "exactly where [he stood] in daily life." In this book: The Sense of Beauty, Being the Outlines of Aesthetic Theory Three Philosophical Poets, Lucretius, Dante, and Goethe Character and Opinion in the United States Winds Of Doctrine, Studies in Contemporary Opinion Some Turns of Thought in Modern Philosophy, Five Essays

This is a new release of the original 1933 edition.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a new release of the original 1926 edition.

Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known as George Santayana, was a philosopher, essayist, poet, and novelist.