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The architecture of Jerusalem, called the "White City," has long been associated (rightly or wrongly) with Bauhaus émigrés. In the homes of German-speakers, one can still find material vestiges of European modernism and sometimes even the Bauhaus itself.
This study takes a fresh look at the influential French philosopher, arguing that Jaques Derrida cannot be fully understood without considering the Jewish dimension of his thought, and offering a re-appraisal of his work.
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