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Examines the troubled relationships between women, Islam and cinema. This title explores the role of women as spectators, images and image constructors in the cinemas of the countries where Islam is the predominant religion, focusing on Iran and Turkey from the Middle East, drawing parallels from Kazakhstan and Uzbekistan.
A comprehensive study of the cinema of Turkey. It deals with Turkish quest for a modern identity in a world where borders, attitudes and people themselves are shifting and relocating.
A collection of several interviews with filmmakers, whose works represent the trends in the film industries of their respective countries. Preceding the interviews, the author provides an introduction delineating historical information regarding the film industries of the countries included.
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