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When Graham Caveney was a child the word 'cancer' was unspeakable, only uttered in jokes told by people too frightened to say the word in any other context. Now the boy with perpetual nervousness is a fifty-something man, and the oncologist in front of him is saying words evacuated of all meaning: Inoperable. Incurable. In this startling and deeply moving memoir from one of the great chroniclers of British working-class life, Graham Caveney charts a year of disease from diagnosis to past 'original sell-by-date'. Shot through with Northerness, tenderness, and Caveney's trademark humour, The Body in the Library reflects on an unfinished lifetime filled with books and with love. What's it like to realise that the books on your shelf will remain unread? That the book you are writing will be your last - that you have become your own deadline?
An enthralling, emotional memoir that recounts the ups and downs of coming-of-age, set against the music and literature of the 1970s.Raised in a small town in the north of England known primarily for its cotton mills, football team, and its deep roots in the “Respectable Working Class,” Graham Caveney armed himself against the confusing nature of adolescence with a thick accent, a copy of Kafka, and a record collection including the likes of the Buzzcocks and Joy Division. All three provided him the opportunity to escape, even if just in mind, beyond his small-town borders. But, when those passions are noticed and preyed upon by a mentor, everything changes. Now, as an adult, Caveney attempts to reconcile his past and present, coming to grips with both the challenges and wonder of adolescence, music, and literature. By turns angry, despairing, beautifully written, shockingly funny, and ultimately redemptive, The Boy with Perpetual Nervousness is a tribute to the power of the arts—and a startling, original memoir that “feels as if it had to be written, and demands to be read” (The Guardian UK).
If we're talking agoraphobia, we're talking books. I slip between their covers, lose myself in the turn of one page, re-discover myself on the next. Reading is a game of hide-and-seek. Narrative and neurosis, uneasy bedfellows sleeping top to toe.When Graham Caveney was in his early twenties he began to suffer from what was eventually diagnosed as agoraphobia. What followed were decades of managing his condition and learning to live within the narrow limits it imposed on his life: no motorways, no dual carriageways, no shopping centres, limited time outdoors.Graham's quest to understand his illness brought him back to his first love: books. From Harper Lee's Boo Radley, Ford Madox Ford, Emily Dickinson, and Shirley Jackson: the literary world is replete with examples of agoraphobics - once you go looking for them.On Agoraphobia is a fascinating, entertaining and sometimes painfully acute look at what it means to go through life with an anxiety disorder that evades easy definition.
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