Bøger af Hans Christian Andersen

"The Sand-Hills of Jutland" by Hans Christian Andersen is a collection of travel sketches and observations written by the famous Danish author during his journey to the Jutland region of Denmark. Unlike his fairy tales, these writings are non-fiction and provide a vivid and descriptive account of his experiences and encounters during his travels.In "The Sand-Hills of Jutland," Andersen takes readers on a literary tour of the Jutland Peninsula, a region known for its unique landscapes, sand dunes, and picturesque coastal scenery. Through his keen observations and storytelling skills, Andersen paints a detailed and evocative picture of the places he visits and the people he meets along the way.The book is a blend of travelogue and personal reflections, where Andersen shares his thoughts, impressions, and musings on the natural beauty of the Jutland landscape, its local traditions, and the daily lives of the people who inhabit the region. His prose captures the essence of the Danish countryside and coastal areas, highlighting the simplicity and charm of rural life.Throughout the collection, readers will encounter vivid descriptions of sand dunes, beaches, and coastal vistas, as well as anecdotes about encounters with local fishermen, villagers, and travelers. Andersen's writing style is marked by its lyrical and poetic qualities, making the text not only informative but also a pleasure to read."The Sand-Hills of Jutland" offers readers a unique opportunity to explore Denmark through the eyes of one of its most celebrated literary figures. Andersen's ability to blend his travel experiences with his talent for storytelling results in a work that is both informative and captivating, providing a deeper understanding of the landscapes and culture of the Jutland region.

Une mère était assise auprès de son jeune enfant; le chagrin se peignait sur son visage, elle pensait que peut-être il allait mourir. En effet, l'enfant était pâle, ses petits yeux se fermaient, sa respiration était faible, et quelquefois traînante comme un gémissement. La mère contemplait cette pauvre créature avec des regards pleins de tristesse.En ce moment on frappa à la porte, et un pauvre homme âgé s'y présenta, enveloppé dans une sorte de houppelande fourrée, car il était glacé par le froid. L'hiver était rigoureux, la campagne couverte de neige; le vent soufflait à couper le visage aux voyageurs.Voyant ce vieillard qui tremb

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Hans Christian Andersen;often referred to in Scandinavia as H. C. Andersen; 2 April 1805 - 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales. Andersen's popularity is not limited to children; his stories, called eventyr in Danish or "fairy-tales" in English, express themes that transcend age and nationality. Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. Some of his most famous fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Snow Queen", "The Ugly Duckling", and many more. His stories have inspired ballets, both animated and live-action films, and plays.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Hans Christian Andersen was a Danish author best known for writing children's storiesincluding "The Little Mermaid" and "The Ugly Duckling." But he didn't just write short stories, and his intended audience wasn't restricted to children. In addition to his fairy tales, Andersen wrote poems, plays, novels, travel books, essays, and more. He hungered for recognition at home (Denmark) and abroad-and he got it! Eventually. Today, his stories can be read in over one hundred languages. But no matter what language they're in, Andersen's tales have got something for everyone. In them, you'll find beauty, tragedy, nature, religion, artfulness, deception, betrayal, love, death, judgment, penance, and-occasionally-a happy ending. They're complex tales, but since Andersen himself was pretty complex, we like to think that art imitates life. Or something like that. The Princess and the Pea is a literary fairy tale by Hans Christian Andersen about a young woman whose royal identity is established by a test of her physical sensitivity. The story tells of a prince who wants to marry a princess, but is having difficulty finding a suitable wife. Something is always wrong with those he meets, and he cannot be certain they are real princesses. One stormy night a young woman drenched with rain seeks shelter in the prince's castle. She claims to be a princess, so the prince's mother decides to test their unexpected unwitting guest by placing a pea in the bed she is offered for the night, covered by 20 mattresses and 20 feather-beds. In the morning, the guest tells her hosts that she endured a sleepless night, kept awake by something hard in the bed; which she is certain has bruised her. The prince rejoices. Only a real princess would have the sensitivity to feel a pea through such a quantity of bedding. The two are married, and the pea is placed in the Royal Museum. Includes vintage illustration!

Lorsqu'après l'orage, on passe dans un champ de sarrasin, il paraît noir et tout languissant. On serait tenté de croire qu'il a été ravagé par la flamme. Le fermier a coutume de dire alors: Ah ! ce sont les éclairs qui ont fait tout cela ! Mais pourquoi les éclairs ont-ils fait tout cela ? demandera peut-être quelque voyageur solitaire cherchant une cause naturelle, ou du moins une simple explication pour tout ce que fait la nature. Je vais vous raconter ce qu'un moineau m'a appris à ce sujet. Ce moineau le tenait d'un vieux saule qui s'élevait jadis et qui s'élève encore aujourd'hui tout près d'un de ces champs de sarrasin dont je vous parle. C'est un grand saule bien grave, riche en années, noueux et tout fendu par le milieu. Dans ses fentes béantes poussent de l'herbe et des ronces qui semblent être là tout à fait chez elles.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Hans Andersen Library [tr. By H.W. Dulcken].; The Hans Andersen Library [tr. By H.W. Dulcken]; Hans Christian Andersen Hans Christian Andersen

Improvisatoren er en roman i to dele skrevet af den ber������mte danske forfatter Hans Christian Andersen og udgivet i 1866. Handlingen f������lger en ung mand ved navn Antonio, der vokser op i Italien og bliver en dygtig improvisator - en person, der kan skabe poesi og musik p������ stedet. Efter at have rejst rundt i Europa ender Antonio i Danmark, hvor han forelsker sig i en dansk kvinde ved navn Elisa. Men deres k�����rlighed bliver sat p������ pr������ve af forskellige forhindringer, herunder kulturelle forskelle og en rivaliserende bejler. Improvisatoren er en romantisk fort�����lling om k�����rlighed, kunst og kulturel forskellighed, og den er blevet rost for sin smukke beskrivelse af landskaber og kultur i b������de Italien og Danmark.This Book Is In Danish.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Hans Christian Andersen: Reiseschatten. Eine Reise von Lübeck durch den Harz nach Dresden und zurück über Berlin im Sommer 1831 Edition Holzinger. Taschenbuch Berliner Ausgabe, 2016 Durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger Der Text folgt der Ausgabe: Gesammelte Werke, Band 17, Verlag von Carl B. Lorck, Leipzig, 1847. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Umschlaggestaltung unter Verwendung des Bildes: Johan Christian Clausen Dahl, Felder bei Dresden, 1830 Gesetzt aus der Minion Pro, 11 pt.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""Piltideta Pildiraamat"" on Hans Christian Anderseni kirjutatud raamat, mis ilmus esmakordselt 1900. aastal. Raamat koosneb neljast jutustusest: ""Kolmest �����est"", ""K����������nlajala varas"", ""Kuidas kuu sai n�����ole pleki"" ja ""Kuidas talupoeg tarkuse sai"". Raamat on eriline selle poolest, et selles puuduvad illustratsioonid, mis tavaliselt lasteraamatutes leiduvad. Selle asemel on lugejatel v�����imalus kujutleda lood ise oma kujutlusv�����ime abil. Raamat on suunatud lastele, kuid sobib ka t�����iskasvanutele, kes naudivad klassikalisi muinasjutte.This Book Is In Estonian.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""De To Baronesser"" er en original roman i tre dele, skrevet af den ber������mte danske forfatter Hans Christian Andersen i 1866. Bogen f������lger historien om to baronesser, der er vidt forskellige i deres personligheder og livsstil. Den ene baronesse er rig og arrogant, mens den anden er ydmyg og beskeden. De to kvinder m������des og deres liv bliver forandret, da de begynder at l�����re af hinanden og opdager, at de har mere til f�����lles end de troede. Romanen er en skarp observation af samfundet i det 19. ������rhundrede, og den udforsker temaer som klasseforskelle, kvinders rettigheder og menneskelig natur. Hans Christian Andersen er en af Danmarks mest kendte forfattere, og ""De To Baronesser"" er en af hans mindre kendte, men stadigv�����k vigtige, v�����rker.This Book Is In Danish.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Der Improvisator"" ist ein Roman in drei Teilen von Hans Christian Andersen, der erstmals 1848 ver������ffentlicht wurde. Die Geschichte handelt von Antonio, einem jungen Mann aus Italien, der ein begabter Improvisator ist - er kann spontan Gedichte und Geschichten erfinden und vortragen. Antonio reist durch Europa und trifft auf verschiedene Menschen, darunter Adlige, K�����nstler und einfache Leute. Er verliebt sich in die sch������ne Gr�����fin Fiorenza, die jedoch bereits verlobt ist. Antonio muss sich mit seiner ungl�����cklichen Liebe und den Herausforderungen des Lebens als K�����nstler auseinandersetzen. Der Roman ist eine Mischung aus Romantik und Realismus und bietet einen Einblick in das Europa des 19. Jahrhunderts.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Samlede Skrifter Af H. C. Andersen, Volumes 13-16; Samlede Skrifter Af H. C. Andersen; Hans Christian Andersen Hans Christian Andersen Reitzels Bo og Arvinger, 1854

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ AusgewAhlte Werke, Volume 1 Hans Christian Andersen V.B. Lorck, 1849

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Kun En Spillemand Hans Christian Andersen Reitzels, 1837

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Hans Christian Andersen fue un escritor y poeta danés, famoso por sus cuentos para niños, entre ellos El patito feo, La sirenita y La reina de las nieves. Estas tres obras de Andersen han sido adaptadas a la gran pantalla por Disney.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ H.C. Andersen's AusgewAhlte MArchen 15 Hans Christian Andersen Ludwig Richter Julius Reuscher Ambr. Abel., 1883 Fairy tales

Estos cuentos no son los de los "caídos de la mata" con finales rosados y multi-arcoireños. Son reales, con la crudeza y a su vez delicadeza en la cual se mueve la vida en todos sus aspectos. Soñar, viajar, volar, elevarse, caer, rodar, levantarse y proseguir a pesar de los abismos, precipicios, murallas, ríos y mares, para alcanzar lo que deseamos siempre y cuando no hagamos mal a nadie para recibir el galardón asignado a nuestro fin. Los mejores cuentos de hadas según mi opinión se relacionan con los estándares de vida, ya que presenta al niño o al joven una perspectiva crítica de la vida. Al llevar adelante la luz alta del personaje del cuento de hadas (fairy tales) aporta una contribución única a la vida. Los cuentos a través de su impresión pueden implantarse en el niño y el joven logrando el deseo de que pueda fructificarse en ese puro, bondadoso, generoso y desinteresado amor por la persona mayor. Un cuento puede lograr el altruismo sincero de hacer comparecer ante sus ojos el deseo de su corazón, o en un abrir y cerrar de ojos causar lo que hasta ahora le parecía imposible. Los cuentos de hadas por lo tanto son precursores de la utilidad que lo que haría una tierra nueva, y como tal, permitir una contribución a la religión de la vida. El cuento de hadas tiene un lugar en la formación del sentido común de los niños y una actitud de simpatía que no voy a negar. Algunos filósofos rígidos, que no ven más de la vida que la que se encuentra en ciencia lógica, condenan el cuento imaginativo. Consideran que la enseñanza cuentos inofensivos e historias como la narración son un desperdicio. Que solo lo que el niño adquiere a través de ellos, tarde o temprano olvidará o desaprenderá. Tales argumentos parecen convincentes hasta que uno percibe que los autores de los mismos están midiendo el valor de toda la enseñanza en términos de estricta producción intelectual. La vida es más que la información precisa, es impulso y es la acción. El cuento de hadas es una obra literaria en vez de una acumulación de logros científicos. Sus realidades son cuestiones de sentimiento, en el que el pensamiento es un mero esqueleto para apoyar la aventura. Poco importa que nunca los hechos alegados en la historia fueran y nunca puede ser. Los valores e ideales moralmente dignos que se alistan en un cuento que despierta la simpatía del niño son considerables pues ofrecen una práctica de esos prejuicios fundamentales hacia lo bueno y lo malo que son las primeras adquisiciones de un alma joven. Las otras características de la historia - la rítmica, lo grotesco, el extraño y gracioso - son mera recreación, la abundante picardía que los niños necesitan para descansar de los peligros y terrores que les fascinará. El cuento de hadas, como toda producción literaria, debe ser juzgado por el estado físico de sus efectos emocionales. El mundo del cuento es el escenario del planeta de la infancia, un reino de vida vicaria, más elemental y más estilista y libre de los dramas perfeccionado de los adultos sofisticados cuya arraigada aceptación de las realidades vinculantes exige otra pasta. Los cuentos clásicos aquí presentados son de una clase particular, no son clásicos totalmente infantiles, son adaptaciones ingeniosas de la vida y de la forma que agarran la imaginación de las gentes jóvenes y adultas. La dieta de los jóvenes no pueden ser determinados por las necesidades de los adultos. La desnutrición espiritual, que se muere de hambre pronto pondría en caso de un adulto un poco de raciocinio la misma que se pudiese imponer a los jóvenes para su sustento. La verdad es ampliamente ilustrada por esos objetos patéticos de nuestra relación con los hombres y las mujeres que nunca han sido niños y niñas. Volvamos ser niños y niñas solo por un momento mientras nos transportamos al planeta de la infancia en el universo del cuento.