Bøger af Harold Schechter

THE DEFINITIVE DOSSIER ON HISTORY'S MOST HEINOUS!Hollywood's make-believe maniacs like Jason, Freddy, and Hannibal Lecter can't hold a candle to real life monsters like John Wayne Gacy, Ted Bundy, Jeffrey Dahmer, and scores of others who have terrorized, tortured, and terminated their way across civilization throughout the ages. Now, from the much-acclaimed author of Deviant, Deranged, and Depraved, comes the ultimate resource on the serial killer phenomenon.Rigorously researched and packed with the most terrifying, up-to-date information, this innovative and highly compelling compendium covers every aspect of multiple murderers—from psychology to cinema, fetishism to fan clubs, "trophies” to trading cards. Discover:WHO THEY ARE: Those featured include Ed Gein, the homicidal mama's boy who inspired fiction's most famous Psycho, Norman Bates; Angelo Buono and Kenneth Bianchi, sex-crazed killer cousins better known as the Hillside Stranglers; and the Beanes, a fifteenth-century cave-dwelling clan with an insatiable appetite for human fleshHOW THEY KILL: They shoot, stab, and strangle. Butcher, bludgeon, and burn. Drown, dismember, and devour . . . and other methods of massacre too many and monstrous to mention here.WHY THEY DO IT: For pleasure and for profit. For celebrity and for "companionship.” For the devil and for dinner. For the thrill of it, for the hell of it, and because "such men are monsters, who live . . . beyond the frontiers of madness.”PLUS: in-depth case studies, classic killers' nicknames, definitions of every kind of deviance and derangement, and much, much more.For more than one hundred profiles of lethal loners and killer couples, Bluebeards and black widows, cannibals and copycats— this is an indispensable, spine-tingling, eye-popping investigation into the dark hearts and mad minds of that twisted breed of human whose crimes are the most frightening . . . and fascinating.

Suspense, intrigue, atmosphere, and vivid historical detail combine into a thrilling ride through nineteenth-century New York City in "The Mask of Red Death." Harold Schechter delivers both a wonderfully accurate portrait of a city in turmoil and an irresistibly appealing depiction of his amateur sleuth Edgar Allan Poe, mirroring the master's writing style with wit and acumen. It is the sweltering summer of 1845, and the thriving metropolis has fallen victim to a creature of the most inhuman depravity. Found days apart, two girls have been brutally murdered, their throats slashed, viciously scalped, and-most shocking of all-missing their livers. Edgar Allan Poe, despite what the tenor of his own tales of terror might suggest about his constitution, is just as shaken and revolted by these horrendous crimes as the panic-stricken public. Suspicion of the scalper's identity immediately swirls around the most famous "redskin" in New York, Chief Wolf Bear, one of the human attractions at P.T. Barnum's American Museum. Certain that Chief Wolf Bear is innocent, Poe has deduced that the city is concealing a cannibal somewhere in its teeming masses, one with an ever-growing appetite for human prey. Before he can investigate his theory further, Poe stumbles onto the scene of a third gruesome murder. Poe recently met William Wyatt when he agreed to look at a document for Wyatt to determine the authenticity of the purportedly famous handwriting on it. Now Poe finds Wyatt in a pool of blood, his scalp removed. How, Poe muses, are Wyatt and his document connected to the two slain girls? As frenzied emotions over the murders reach a fevered pitch, Kit Carson makes an appearance. The famous scout has been tracking the "Liver Eater" since the man killed his wife months ago. Together, Carson and Poe make an odd sleuthing team, but their combined wits are formidable. The trail they uncover reveals a dark secret more powerful than anything they could have imagined- one that may reach the upper echelons of politics and privilege.

From the creative team behind the award-winning "Did You Hear What Eddie Gein Done?" comes an examination of one of the most polarizing figures in pop culture, Dr. Fredric Wertham. Reviled by comic book fans as a witch-hunting zealot who stirred up a panic among the parents of America for his own self-promoting purposes, he was also a renowned psychiatrists who, among other accomplishments, opened a clinic in Harlem for disadvantaged African-American patients and played an important role in the desegregation of the nation's schools. Believing that murder could be abolished through a proper understanding of the mental and social roots of criminal violence, he took a genuinely humane approach to some of the most notorious homicidal maniacs of his time, while simultaneously exploiting their stories for his own commercial ends. Acclaimed true crime author, Harold Schechter, and multiple Eisner award winning cartoonist, Eric Powell, present a graphic novel that takes an unbiased look at this flawed and enormously and complex man--whose obsessive dream of freeing the world from violence nearly murdered the comics industry.

LIZZIE BORDEN’S HATCHET, A CLOWN PAINTING BY JOHN WAYNE GACY, THE UNABOMBER’S TYPEWRITER   Feed your morbid curiosity with stories of 100 objects connected with some of the most gruesome murders ever committed. And don’t feel sheepish about it—until the police started roping off crime scenes, hordes of onlookers would walk through, grabbing any kind of souvenir they could.   Murder relics possess an unusual and sinister power. It can be something as obvious as the luger used by Harold Unruh, the “Father of Mass Murder.” Or a seemingly innocuous crucifix belonging to Augusta Gein, who railed against sin and was the mother of real-life monster Ed Gein, whose crimes inspired Pyscho, The Texas Chain Saw Massacre, and Silence of the Lambs.   Using one significant object per spectacular crime as a way to retell its chilling story, no gory details spared, Murderabilia weaves a historic tapestry of 100 unthinkable spasms of depravity and violence that have captivated readers for hundreds of years and continue to hold us spellbound.   Praise for Harold Schechter’s work:   “Harold Schechter is America’s dean of true crime, plundering the darkest corners of our history…”                    --Robert Kolker, author of Lost Girls   “Harold Schechter is the best teller of twisted true-crime stories working today…”                    --Deborah Blum, author of The Poisoner’s Handbook   “The dark prince master of American true crime history.”                    --Peter Vronsky, author of Serial Killers

Killer Verse: Poems of Murder and Mayhem is a spine-tingling collection of terrifically creepy poems about the deadly art of murder.The villains and victims who populate these pages range from Cain and Abel and Bluebeard and his wives to Lizzie Borden, Jack the Ripper, and Mafia hit men. The literary forms they inhabit are just as varied, from the colorful melodramas of old Scottish ballads to the hard-boiled poetry of twentieth-century noir, from lighthearted comic riffs to profound poetic musings on murder. Robert Browning, Thomas Hardy, W. H. Auden, Stevie Smith, Mark Doty, Frank Bidart, Toi Derricotte, Lynn Emanuel, and Cornelius Eady are only a few of the many poets, old and new, whose work is captured in this heart-stopping-and criminally entertaining-collection.

In FIEND's appalling portrait of a twisted teenager who preyed upon the children of nineteenth-century Boston, Schechter weighs in with his most unforgettable contribution yet to the annals of American crime. Fourteen-year-old Jesse Pomeroy was outwardly repellent in appearance, with a gruesome 'dead' eye; inside, he was deformed beyond imagining. A sexual sadist of disturbing precocity, he satisfied his atrocious appetites by abducting and torturing his child victims. But soon, the teenager's perverse lust gave way to another obsession: murder. When Pomeroy was arrested in 1874, a spree of monstrous violence finally came to an end. The Boston Boy Fiend was imprisoned at last. But the hows and whys of vicious juvenile crime were as relevant in the so-called Age of Innocence as they are today.

With the "gruesome, awesome, compelling reporting" (Ann Rule) that is his trademark, Harold Schechter takes a dark journey into the mind of an unrepentant sadist - and brilliantly lays bare the myth of innocence that shrouded a bygone era.

A professor of American literature and culture, renowned for his true-crime writing, Harold Schechter's Outcry discovers that a killer's instincts never die.When reporter Paul Novak investigates a series of brutal murders, he didn't plan to pry into the legend of Ed Gein, the butcher of Plainfield, Wisconsin. But when local lore leads him to the ramshackle home of a bizarre young man and his mother, Paul realizes he's stumbled across Ed Gein's best kept secret

In an era that produced some of the most vicious female sociopaths in American history, Jane Toppan would become the most notorious of them all. AN ANGEL OF MERCY In 1891, Jane Toppan, a proper New England matron, embarked on a profession as a private-duty nurse. Selfless and good-natured, she beguiled Boston's most prominent families. They had no idea what they were welcoming into their homes.... A DEVIL IN DISGUISE No one knew of Jane's past: of her mother's tragic death, of her brutal upbringing in an adoptive home, of her father's insanity, or of her own suicide attempts. No one could have guessed that during her tenure at a Massachusetts hospital the amiable "Jolly Jane" was morbidly obsessed with autopsies, or that she conducted her own after-hours experiments on patients, deriving sexual satisfaction in their slow, agonizing deaths from poison. Self-schooled in the art of murder, Jane Toppan was just beginning her career -- and she would indulge in her true calling victim by victim to become the most prolific domestic fiend of the nineteenth century.

Harold Schecter looks at the impossible tales and images of popular art - the space odysseys and extraterrestrial civilizations, the caped crusaders and men of steel, and monsters from the ocean floor. He finds close connections between religious myth and popular entertainment.

In February 1874 Alfred Packer staggered out of the Colorado mountains and into the Los Pinos Indian agency. Snowbound and lost, he claimed to have been abandoned by his five companions. But behind the wilderness grime he looked rather well fed. And he had in his possession a skinning knife... When questioned, Packer confessed that four of the group had survived by eating two who had died of exhaustion; later he killed another in self-defence, eating him also. Packer was arrested on suspicion of murder but escaped. That same month, the half-eaten bodies of five men were discovered near Los Pinos... Packer's guilt was assumed, but the law did not catch up with him until 1883. Initially sentenced to death, he received a 40-year jail term. Paroled in 1901, he lived his last years in Denver. Was Packer the flesh-eating monster of myth, or a wretch who acted out of self-preservation? MANEATER tells his story in page-turning prose and also reveals how recent forensic developments may shed light on Packer's long-assumed cannibalism.