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When his father dies, Lord Adam Bateman refuses to succeed to the dukedom which rightly belongs to his missing elder brother. Whilst performing secret and sensitive missions for the Duke of Wellington, he continues his efforts to find his twin. The search has become Adam's all-consuming passion, leaving no time for affairs of the heart.Miss Lucy Mercier is also seeking answers. Her father, a tailor, had been used to make hot air balloons for various noble patrons, including Lord Adam's sire. Believing the deceased Duke of Wardley had been involved in her papa's failure to return from the Continent, she takes employment in Lord Adam's household in order to discover the truth. Then she accompanies him on an important commission for the Allied Army, and finds herself having to guard against a growing attraction for a man she knows she can never have.Are the two disappearances connected and will two heads prove better than one in the pursuit of answers? Will Adam and Lucy find true happiness together or will the past - and their different stations - rise to keep them apart?From the author of best selling Regency novel Carpet of Snowdrops
When a prank goes wrong, headstrong squire's daughter Jocasta Stanyon wakes up in the bedchamber of an inn with no memory of who she is. The inn is owned by widow Meg Cowley and her handsome son Richard, who proves to be more than a match for the unconventional Miss Stanyon.Having enjoyed a carefree childhood, Jocasta has refused all offers for her hand in the hopes of one day finding a soul mate who shares her sense of the ridiculous. She is drawn to Richard, but their stations in life are far apart and despite prolonging her stay by devious means, the idyll cannot last. When, by chance, her brother Harry turns up at the Holly Tree Inn, Jocasta has no choice but to return home. She hopes to persuade her father of Richard's qualities, but then she is summoned to receive the addresses of a fashionable stranger..."Witty, charming and delightful, everything a Regency romance should be!" Nicola Cornick
The Horse: An Historical Author's And Reader's Guide is mainly aimed at those interested in the Georgian/Regency era, although it covers a wider historical period, including the development of various equine breeds and short histories of equestrianism, racing and coaching. The two volumes offer a fascinating journey through the eighteenth and nineteenth centuries, packed with information vital to the historical author and of interest to any reader with a passion for horses. Bowling along the major routes, past picturesque coaching inns, we visit racecourses and other places of pleasure whilst meeting a rogue or two along the way.This book will give the reader an insight into the way horses were treated, regarded and worked, their care - including ailments and methods of treatment when ill - and essential terminology.
The Horse: An Historical Author's And Reader's Guide is mainly aimed at those interested in the Georgian/Regency era, although it covers a wider historical period, including the development of various equine breeds and short histories of equestrianism, racing and racecourses already in existence. The series of volumes offer a fascinating journey through the eighteenth and nineteenth centuries, being packed with information vital to the historical author and of interest to any reader with a passion for horses. Bowling along the major routes, past picturesque coaching inns, we visit racecourses and other places of pleasure whilst meeting a rogue or two along the way.This book (Volume II) will give the reader an insight into the way horses were treated, regarded and employed for both travel and pleasure, covering driving history and methods; harness; carriages and coaches; the arrival of the postal service and the major London inns.
When diplomat Sir Julian Templeton falls over a stricken gentlewoman, he little expects to end up marrying her. Neither does he anticipate the pitfalls he must negotiate, nor the shifts he must make, in order to win his bride's love and trust.Impoverished and desperate, Miss Helena Dorking reluctantly accepts the handsome stranger's offer of help after she is left for dead in the snow. When, on finding his mother unexpectedly from home, Sir Julian honourably offers marriage to save Helena from ruin, she has little choice but to accept him. Yet how can she be the wife he wants and needs? How can she overcome her fears and allow herself to love him?Somehow Julian must find a way to cut the chains which bind Helena to her fear so he can win her heart.
This is not one of Heather King's Regency novels. It is a paranormal Shape Shifter romance set in the present day. It contains non-graphic love scenes.Laminitis or fever of the feet is crippling for horses. What must it be like for a man? Matthew Swift, Special Forces veteran of the Iraq wars and invalided out of the army following an act of heroism, is struggling to adjust to civilian life. Suffering from Post-Traumatic Stress Disorder, he is a loose cannon ready to explode, beset by horrific flashbacks and images. If that were not enough, Matt has broken up with his girlfriend and his father is fighting a hostile takeover, in the process hiding a heart problem from his family.Sparks fly when Matt meets alternative therapist Shani Stevens, but then they become stranded in Rhandor Forest by unprecedented storms and have no choice but to help each other.Both have scars, yet slowly they learn to trust. Mutual sympathy and understanding soon grow into an abiding passion, but Matt has a secret he cannot reveal...A powerful love story and a poignant insight into the equine psyche, with a bit of mystery and adventure thrown in, Devil's Hoof will grab your heart.
This book is a traditional Regency Romance with just a dash of spice. When her stepfather suggests she should marry ironmaster Jeremiah Knight, Eleanor Honeybourne knows a lifetime of dullness awaits her, but at the annual glass-maker's ball, the discovery of an injured man in a summer-house and an overheard conversation lead her to suspect Mr. Knight is not all that he appears. With both her own and Robert's life at risk, Eleanor sees only one way out of the fix... and when she meets her childhood hero, she is forced into a situation which could well spell her ruin... For Charles Ribblesford, meeting again the hoyden who once tagged behind him on his boyish adventures is a revelation. She is now a beautiful young woman who troubles him in an entirely different way. How can he preserve her reputation and keep her safe? What is the family secret behind Knight's malevolence and why has the man in the summer-house appeared at Sir Thomas Winningham's house party? "I have nothing to say to you." "No? You do surprise me. I was quite sure you would wish to pull caps with me. I promise I will not dodge if you wish to throw pillows at me. I do draw the line, however, at any expensive vases or glassware."
I came of age during the '60's and '70's. I'm a former waitress, an ex-lawyer, a sober barfly, a Catholic convert, and a self-supporting writer. I've been financially independent all my life. But I've never much been able to reduce the mystical to the political. I've never been much moved to call myself a feminist. The feminists had said that sleeping around would be empowering. The feminists had maintained that "choosing" would make me free. The feminists had asserted that there'd be no repercussions. The feminists had been wrong. That I'm for life-and against abortion, war, the prison industry, capital punishment, and the destruction of all that is most precious in us and the people around us-is a given. That I'm for life is why I suffered, in silence, in guilt, in sorrow, for over twenty years. Even women, who will talk about anything, don't talk about abortion. But I do, in this 10,000-word essay that I hope might open the door to a new way of thinking about and talking about this difficult subject. Because abortion is not a political issue; abortion is a mystical issue. Abortion is a matter of emotional and spiritual poverty, of what we inherit from our parents and what we pass on to our children, of what we absorb from a culture that is saturated with violence. As Dostoevsky observed: "Love in reality is a harsh and dreadful thing compared to love in dreams." "Poor Baby" is the tragicomic story of a harsh and dreadful thing. May it shed some light on our collective yearning for love. NOTE: POOR BABY is a 54-page essay, not a full-length book.
Previous books - Parched (978-1596090811) and Redeemed (9780670018635)
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