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This study shows that the potential for subversion personified by the German writer W. G. Sebald's solitary males is essential for understanding his work, while also demonstrating the contribution that Sebald made to the German tradition of queer writing.
Investigates the connections between German writers H.G. Adler and W.G. Sebald and reveals a new hybrid paradigm of writing about the Holocaust in light of the wider literary-political implications of Holocaust representation since 1945.
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