Bøger af Helene Cixous

Describes a love between two women in its totality, experienced as both a physical presence and a sense of infinity. This book also notes the contemporary emphasis on 'fictions of presence'.

This book combines loosely "autobiographical" texts by two of the most influential French intellectuals of our time. "Savoir," by Helene Cixous is an account of her experience of recovered sight after a lifetime of severe myopia; Jacques Derrida's "A Silkworm of One's Own" muses on a host of motifs, including his varied responses to "Savoir."

The texts that comprise this volume were selected from Cixous' seminars on the work of Clarice Lispector. They reflect Cixous' meditations on the art of reading, writing and related themes such as giving and loving as well as trace the influence of Lispector on Cixous' own development.

An exploration into the "strange science of writing", in which the author reflects on the writing process and explores three distinct areas essential for "great" writing: the crucial role dreams play in literary inspiration; the importance of depth; and the notion of death.

Weaving together history, literature, and personal experience, this recent book from a master of literature crafts a mesmerizing exploration of language, loss, and the enduring power of the spirit world.    The strange word "Mdeilmm" was reported to have been uttered by the spirit of Shakespeare when called up during a séance in 1854 at the instigation of the French poet Victor Hugo. Hugo was then living in exile on the island of Jersey where he took part in several such séances. Hélène Cixous weaves this scene into a rich tapestry that draws from many corners of her world, both real and fictional: Dostoevsky's Idiot, Hugo's Last Day of a Condemned Man, Poe's story "The Gold Bug," but also film footage of the assassination of Itzhak Rabin and many layers of memories of her Algerian childhood. Transcribed communications from spirits of the departed, her father and grandfather among them, provide a fascinating glimpse into past spiritual practices.     Cixous's unique narrative style enhances the book's enchanting quality, ensuring that readers are not only engaged by the content but also captivated by the beauty of the prose. Meanwhile, the reader falls under the spell of the author's incomparable "mole speech," the language in which poets communicate.

We defy augury. There‿s a special providence in the fall of a sparrow. If it be now, ‿tis not to come ‿ the readiness is all. Under the sign of Hamlet‿s last act, Hélÿne Cixous, in her eightieth year, launched her new book‿and the latest chapter in her Human Comedy, her Search for Lost Time. Surely one of the most delightful, in its exposure of the seams of her extraordinary craft, We Defy Augury finds the reader among familiar faces. In these pages we encounter Eve, the indomitable mother; Jacques Derrida, the faithful friend; children, neighbors; and always the literary forebears: Montaigne, Diderot, Proust, and, in one moving passage, Erich Maria Remarque. We Defy Augury moves easily from Cixous‿s Algerian childhood, to Bacharach in the Rhineland, to, eerily, the Windows on the World restaurant atop the World Trade Center, in the year 2000. In one of the most astonishing passages in this tour-de-force performance of the art of digression, Cixous proclaims: “My books are free in their movements and in their choice of routes [‿] They are the product of many makers, dreamed, dictated, cobbled together.â€? This unique experience, which could only have come from the pen of Cixous, is now available in English, and readers are sure to delight in this latest work by one of France‿s most celebrated writer-philosophers. Â

An inventive literary account of Cixous's remarkable journey to her mother's birthplace and of the Jewish community of a German town that was wiped out in the Holocaust.

Politics, Ethics and Performance: Helene Cixous and the Theatre du Soleil is a collection of essays by French feminist poet, playwright and philosopher Helene Cixous. Cixous' performative and poetic mode of writing explores the relationship between theatrical performance and contemporary politics."

Presents the tale of a young French scholar who travels to the United States in 1965 on a Fulbright Fellowship to consult the manuscripts of beloved authors. In Yale University's Beinecke Library, tantalized by the conversational and epistolary brilliance of a fellow researcher, she is lured into a picaresque and tragic adventure.

Helene Cixous is among the most influential and original literary critics and feminist thinkers. This volume features a collection of pages from her writing notebooks, offering an insight into her radical thought and work. It ranges across the spectrum of Cixous' writing, including the concept of ecriture feminine.

The first translation into English of Mother Homer is Dead, written in the immediate aftermath of the death of the Cixous's mother in the 103rd year of her life.

The first translation into English of 'Mother Homer is Dead, 'written in the immediate aftermath of the death of Cixous's mother in the 103rd year of her life.

"I used to feel guilty at night. I live in, I always used to live in two countries, the diurnal one and the continuous very tempestuous nocturnal one.... What a delight to head off with high hopes to night's court, without any knowledge of what may happen! Where shall I be taken tonight! Into which country? Into which country of countries?"--Hélène Cixous, from Dream I Tell You For years, Hélène Cixous has been writing down fragments of her dreams immediately after awaking. In Dream I Tell You, she collects fifty from the past ten years. Cixous's accounts of her dreamscapes resist standard psychoanalytic interpretations and reflect her lyrical, affecting, and deeply personal style. The dreams, reproduced in what Cixous calls both their "brute and innocent state," are infused with Cixous's humor, wit, and sense of playfulness. Dreams have always been a crucial part of Cixous's writing. They are her archives and it is with them that she writes. Without dreaming, Cixous writes, "I would crumble to dust." As in many of her other texts, Cixous's mother, father, daughter, and friends populate this work, which offers artistic and provocative meditations on the themes of family, death, and resurrection. Scenes of a daily life-getting a haircut, caring for her child, preparing for work-become beautifully and evocatively skewed in Cixous's dreams. She also writes of dreams, both amusing and unsettling, in which she spends an evening with Martin Heidegger, has her lunch quietly interrupted by a young lion, flees the Nazis, and tours Auschwitz. The "you" of the title is fellow philosopher and friend Jacques Derrida, to whom these texts are addressed. The book reflects on many of the subjects the two grappled with in their work and in conversation: the deconstruction of psychoanalysis, literary production, subjectivity, sexual difference, and the question of friendship.

Interweaves a loose narrative line with anecdotes, autobiography, lyricism, myth, dream, fantasy, philosophical insights, and intertextual citations of and conversations with other authors and thinkers.

Born in Oran, Algeria, the author spent her childhood in France's former colony. This title is her memoir of a preadolescence that shaped her with intense feelings of alienation, yet also contributed, in a paradoxically essential way, to her development as a writer and philosopher.

Masterfully translated by Laurent Milesi, this book preserves the sonic complexities and intricate wordplay at the core of author's writing, and reveals the struggles, ideas, and intents at the center of her work.

Zero's Neighbour is Helene Cixous's tribute to the minimalist genius of the artist in exile who courted nothingness in his writing like nobody else: Samuel Beckett.

Vain when a prince, as king Sihanouk discovered his responsibility to his country and came to embody Cambodia. He used every means to keep his country growing, healthy, and out of the wars of Southeast Asia. This play begins with Sihanouk's abdication in 1955 and ends with his arrest by the Khmer Rouge two decades later.

This anthology brings together some of the most significant play texts from the latter half of the 20th century. Written by renowned French theorist Helene Cixous and brought to life on the European stage by the "Theatre du Soleil", some of the plays are here published in English translation.

Helene Cixous is one of France's leading contemporary writers. This new book is a work of fiction about the most implacable of human certainties - death. It explores death, mourning and loss by means of a poetic fiction: imagining a magic telephone through which one can open up a lifeline to departed loved ones.

A collection that presents a commentary on the subjects at the heart of Helene Cixous' writing. It discusses her books and her creative process, her views on and insights into literature, philosophy, theatre, politics, aesthetics, faith and ethics, human relations and the state of the world.

A major new book by one of the leading feminist writers in France today. Cixous explores the themes of love, memory, language and loss. This is a work of literary fiction and at the same time a philosophical work: like Sartre, Camus and other great writers, Cixous blends together fiction and philosophy.

Follows the intertwined threads of Jewishness and non-Jewishness that play through the life and works of Jacques Derrida. This book merges the biography and textual commentary in a portrait of the man, his works, and being (or not being) Jewish.

This key collection of feminist writing includes essays, works of fiction, lectures and drama, all arranged chronologically. Spanning twenty years, it demonstrates the development of one of the great creative minds of the 20ieth century.