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I HAD done a few things and earned a few pence-I had perhaps even had time to begin to think I was finer than was perceived by the patronising; but when I take the little measure of my course (a fidgety habit, for it's none of the longest yet) I count my real start from the evening George Corvick, breathless and worried, came in to ask me a service. He had done more things than I, and earned more pence, though there were chances for cleverness I thought he sometimes missed. I could only however that evening declare to him that he never missed one for kindness. There was almost rapture in hearing it proposed to me to prepare for The Middle, the organ of our lucubrations, so called from the position in the week of its day of appearance, an article for which he had made himself responsible and of which, tied up with a stout string, he laid on my table the subject. I pounced upon my opportunity-that is on the first volume of it-and paid scant attention to my friend's explanation of his appeal. What explanation could be more to the point than my obvious fitness for the task? I had written on Hugh Vereker, but never a word in The Middle, where my dealings were mainly with the ladies and the minor poets. This was his new novel, an advance copy, and whatever much or little it should do for his reputation I was clear on the spot as to what it should do for mine. Moreover if I always read
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ William Wetmore Story And His Friends, Volume 2; William Wetmore Story And His Friends; Henry James Henry James Houghton, Mifflin & co., 1903
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
What Maisie Knew is a novel by Henry James, first published as a serial in The Chap-Book and (revised and abridged) in the New Review in 1897 and then as a book later that year. It tells the story of the sensitive daughter of divorced, irresponsible parents. The book follows the title character from earliest childhood to precocious maturity When Beale and Ida Farange are divorced, the court decrees that their only child, the very young Maisie, will shuttle back and forth between them, spending six months of the year with each. The parents are immoral and frivolous, and they use Maisie to intensify their hatred of each other. Beale Farange marries Miss Overmore, Maisie's pretty governess, while Ida marries the likeable but weak Sir Claude. Maisie gets a new governess: the frumpy, somewhat-ridiculous but devoted Mrs. Wix. Both Ida and Beale soon cheat on their spouses; in turn, Claude and the new Mrs. Farange begin an affair with each other. Maisie's parents essentially abandon her and she becomes largely the responsibility of Sir Claude. Eventually, Maisie must decide if she wants to remain with Sir Claude and Mrs. Farange. In the book's long final section set in France, the older (probably teenaged) Maisie struggles to choose between them and Mrs Wix, and concludes that her new parents' relationship will likely end as her biological parents' did. She leaves them and goes to stay with Mrs. Wix, her most reliable adult guardia Henry James, OM (15 April 1843 - 28 February 1916) was an American writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognisable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.James was born at 2 Washington Place in New York City on 15 April 1843. His parents were Mary Walsh and Henry James, Sr. His father was intelligent, steadfastly congenial, and a lecturer and philosopher who had inherited independent means from his father, an Albany banker and investor. Mary came from a wealthy family long settled in New York City, and her sister Katherine lived with the family for an extended period of time. Henry, Jr. had three brothers, William who was one year his senior and younger brothers Wilkinson and Robertson. His younger sister was Alice.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ What Constitutes The State?; Volume 10 Of The Selected Works Of Henry James, Sr; Volume 10 Of Selections; Henry James reprint Henry James AMS Press, 1846 Political Science; Political Process; General; Christian civilization; Civilization, Christian; Political Science / General; Political Science / History & Theory; Political Science / Political Process / General; Political ethics; State, The
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Henry James, Parisian Sketches: Letters To The New York Tribune, 1875-1876 is a collection of letters written by the renowned American author Henry James during his time in Paris in the mid-1870s. Originally published in the New York Tribune, these letters provide a unique and insightful perspective on Parisian life and culture during a pivotal moment in French history.Throughout the book, James shares his observations on everything from the city's architecture and art to its social customs and political climate. He also offers vivid descriptions of the people he encounters, from artists and writers to aristocrats and everyday Parisians.Despite the time that has passed since their original publication, these letters remain a fascinating glimpse into the world of 19th-century Paris. They offer readers a chance to experience the city through the eyes of one of America's most celebrated writers, and to gain a deeper understanding of the cultural and historical context that shaped this vibrant and influential city.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Flickerbridge by Henry James In Flickerbridge di Henry James il protagonista Frank Granger va in Inghilterra per ristabilirsi, deve dipingere il ritratto di una compatriota prima che lei ritorni in America. Ha lasciato la sua fidanzata a Parigi, anche se lo stato del loro impegno è attualmente poco chiaro. Granger ha un attacco di influenza, ma quando riesce a partire vuole approfittare della scoperta della cugina omonima della fidanzata, Adelaide Wenham, che vive in un villaggio inglese, alla quale ha chiesto riposo per la convalescenza. Arrivando da Miss Whenham scopre una persona e un luogo deliziosamente incontaminati. Nel suo primo impeto di entusiasmo, scrive una lettera a Addie parlando di quel luogo cristallizzato nel tempo, ma capisce quanto possa essere facile rovinare quell'isolamento, allora scrive un'altra lettera e continua dicendo a Miss Wenham che non vuole rovinare il suo stato indisturbato. Secondo lei il cambiamento sarebbe invece piacevole. Addie scrive proponendo di fargli visita a Flickerbridge, ma Granger cerca di convincere la signorina Wenham che Addie scriverà su di lei e il villaggio, spingendo la gente ad affluirvi. Miss Wenham crede che lei sia troppo vecchia per essere cambiata da tali cose. Addie sta per arrivare, ma Granger non rimane per incontrala. Il suo timore verso ciò che accadrà è troppo forte e ciò lo fa rinunciare al suo impegno. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
He was not one for terror, or even horror. His fiction is impressionistic, psychological, and "courtly," but it has one pervasive emotion to it: unease -- discomfort, awkwardness, and a lurking shame buried in intentional secrecy. The fear of truth. The terror of exposure, of reality and confrontation. Henry James has long been heralded as a master of transatlantic realism, a cosmopolitan observer of human nature, and a bone-dry contributor to the novel of manners - a blue-blooded chronicler of polite society's stifled human dramas in the tradition of Jane Austen, Charles Dickens, Gustave Flaubert, Balzac, Turgenev, Tolstoy, Kipling, and de Maupassant - a thoroughly European pedigree befitting a man who left the United States in his youth and returned only twice before his death. And yet, for all his love of manners, whit, upper middle class malaise, and psychological realism, James returned time and time again throughout his career to a genre which seemed so at odds with his oeuvre: the Gothic ghost story. His most famous and influential supernatural tale, The Turn of the Screw, is considered by many - including Stephen King - to be the exemplar of the ghost story: a tale of haunted children, demonic possession, sexual frustration, and psychological terror. But this was not a one hit wonder: James wrote eighteen weird tales - most of which were ambiguously supernatural, and the best of this output is included in this volume - phantom women in black veils, haunted clothes guarded by a jealous ghost, evil doppelgangers with mutilated fingers, murderous portraits which ensure the family honor, sexually-charged liaisons between the living and the dead, a spectral stalker haunting the woman who drove him to suicide, and more. TALES INCLUDED in this ANNOTATED EDITION: The Romance of Certain Old Clothes The Ghostly Rental Sir Edmund Orme Owen Wingrave The Way it Came The Real Right Thing The Third Person The Jolly Corner The Turn of the Screw
Notes on Novelists is a book of literary criticism by Henry James published in 1914. The book collected essays that James had written over the preceding two decades on French, Italian, English and American writers. The book also contained a controversial essay, The New Novel, 1914, which passed judgment on various contemporary writers and occasioned much disagreement.This is one of the last books that James saw through the press, and it contains his most mature and considered opinions on a number of writers. For instance, George Sand, an early enthusiasm of his, here becomes only a fading though pretty memory: "Her work, beautiful, plentiful and fluid, has floated itself out to sea even as the melting snows of the high places are floated."
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Henry James (15 April 1843 - 28 February 1916) was an American-born writer. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James. He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction. James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognisable to its readers. Good novels, to James, show life in action and are, most importantly, interesting. In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916....
THE TURN OF THE SCREW by HENRY JAMES 1843-1916 Large Print
Considerada una de las mejores novelas de Henry James, El retrato de una dama -una historia sencilla- gira en torno a la joven y atractiva Isabel Archer, quien se ve obligada a trasladarse a Inglaterra desde su Estados Unidos natal. Una vez allí, establece distintas relaciones con otros americanos trasplantados, así como con la sociedad británica. La belleza y distinción de las que hace gala no pasan inadvertidas y son varios y de distinta laya los que la pretenden. Su elección final la llevará, paradójicamente, a poner de manifiesto toda su grandeza.
This eighteenth installment in the complete collection of Henry James’s known and extant letters records James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage with timely political and economic issues, and maximize his income.
"Embark on a delightful literary journey through the picturesque landscapes of France with Henry James in 'A Little Tour In France.' This charming travelogue, penned by the acclaimed American author, invites readers to join James on his meandering exploration of the French countryside. As he strolls through quaint villages and historic towns, James's keen observations and eloquent prose paint a vivid picture of the people, culture, and architecture that define each locale. 'A Little Tour In France' is more than a travel narrative; it's an intimate encounter with the essence of France, where every page unfolds a new facet of the country's allure. Join James as he captures the romance and character of France in this timeless literary journey, offering readers a delightful sojourn through the heart of one of the world's most enchanting nations."
Regarded as one of his finest works, Henry James' ‘The Bostonians’ (1886) is a brilliant satire about the women’s rights movement in America. Verena Tarrant is an inspirational feminist speaker, but her two disparate cousins are at loggerheads as they seek to control her future. Boston feminist Olive Chancellor hopes to turn Verena into a famous activist, while Basil Ransom, a southern lawyer, hopes to win Verena’s heart.Fans of ´The Bostonians´ might want to watch the movie adaptation from 1984, starring Christopher Reeve and Vanessa Redgrave.Henry James (1843-1916) was an American-born British author, and one of the founders of the school of realism in fiction. His inventive use of interior monologues and unreliable narrators brought complexity and depth to his work, making him hugely popular.A prolific writer, he published numerous novels, articles, travel books, biographies and plays. Among his best-known works are ‘Daisy Miller’ (1879), ‘The Portrait of a Lady’ (1881), and ‘The Bostonians’ (1886).Many of his stories have been adapted for TV and film, but it is his celebrated Gothic novella ‘The Turn of the Screw’ (1898), regarded as one of the greatest ghost stories ever written, that has been adapted more than any other. Most recently, the eponymous 2009 BBC TV series starring Michelle Dockery, and the Netflix series, ‘The Haunting of Bly Manor’ (2020).James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.
Succeed all your 2024 exams with our literary analysis of the novel of Henry James¿s A London life! Endorsed by a team of professors, this study guide is a go-to resource for all students. Thanks to our editorial work, the following aspects will no longer be a mystery to you: the author¿s biography, the book¿s summary, the in-depth study of the work, the analysis of the key themes to know and the literary movement to which the author is affiliated.
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