Bøger af Houston A. Baker

Reexamines major African American texts through the lenses of modernism, progressivism, architecture, avant-gardism, hybridity, and Continental theory

These studies should be of use as a resource for those interested in anthropology, sociology, media and literary criticism. The book centres on black British arts, especially film, but also covers such topics as race and representation, and colonial and post-colonial discourse.

Relating the blues to American social and literary history and to Afro-American expressive culture, Baker offers the basis for a broader study of American culture at its vernacular level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.

Condemns those black intellectuals who, the author believes, have turned their backs on the tradition of racial activism in America. This work urges black intellectuals to forge both sacred and secular connections with local communities and rededicate themselves to social responsibility.

From the lone outcry of Richard Wright's ""Black Boy"" to the chorusing voices of Louis Farrakhan's Million Man March, this work examines the second half of the 20th century to assess the challenges to African American cultural and intellectual life.

This text juxtaposes two of the most fertile periods of African-American culture, the 1920s and 1960s. It includes essays on Jean Toomer, Countee Cullen, Amiri Baraka, Larry Neal and Hoyt Fuller, and traces Baker's own beginnings as a scholar of Victorian literature.

Offers an account of the struggle for black modernism in the United States. This book combines historical considerations with psychoanalysis, personal memoir, and whiteness studies to argue that the American South and its regulating institutions - particularly that of incarceration - are at the centre of the African-American experience.