Bøger af Ian Fraser

(review praise from the Kindle edition) "Intelligent, compelling." "The first thing that impressed me was the writing style. It is unique...sensuous in the true meaning of the word..." "Hauntingly beautiful" "An adventure tale on the order of LeCarre's The Spy Who Came in from the Cold..." America has disappeared some years ago. A neo-fascist Party has come to power in the UK. China is on the rise. A submarine hurtles through the cold dark waters of the Atlantic en route to an unknown destination. Only the ship's doctor knows its true mission, but he is not who he appears to be. A sweeping tale moving from the violent heart of Apartheid South Africa, to the ruins of the United Kingdom, and down to the edge of the world in the frozen Antarctic landscape, The Depths of Deception is a tale of revenge, served as a shatteringly cold dish.

In a future Land, an anarchic adventure is taking place. When the Queen botches a magic spell, Beezle, a cheerful demon is dispatched from Hell to collect her soul. Instead he falls in love with her daughter. Beezle relinquishes his magical powers, disguises himself as a woman, and sets out to catch the Princess... "...a highly imaginative work with characterization that's definitely well above par, in a vein that evokes Tom Robbins' best work."

Tristan of Lothian, Tristan of Cornwall, Tristan the Minstrel, Tristan the Defender, Tristan the Avenger, Tristan the Lover-Tristan is all these things and more in the classic story of heroism and true love "Tristan and Isolt", as retold by Ian Fraser. Tristan the Lover takes the reader back 1200 years to the British Isles in the Dark Ages, when Tristan, the valiant champion and passionate lover, is supposed to have lived. The story follows Tristan as he contends with giants and dragons, heroes and cowards, kings and upstarts. Tristan falls in love with Fair Isolt, the betrothed bride of his lord and friend, King Mark. Their tragic love, all-consuming but utterly forbidden, tortures and enraptures them throughout the second half of this beautiful and moving story. The medieval stories about Tristan which I have chiefly used in writing this book are a German poem, Tristan, by Gottfried of Strasburg, a Norse poem, Tristansaga, by Brother Robert and a French poem, Tristan, by Thomas of Brittany. I have also consulted four other French poems about Tristan, one by Beroul, one called Honeysuckle by Marie of France and two by unknown authors called Tristan's Madness. All seven poems were written between 1150 and 1230. I have used two episodes from the later French prose Tristan; but for the most part it tells an inferior story. In English there are only the rhyming Sir Tristrem, a much later and rougher version of Thomas' poem, and in Sir Thomas Malory's famous Morte a"Arthur a poor imitation of the French prose Tristan. I have taken nothing from those two sources. The love-story of Tristan and Isolt contrasts so vividly with the sombre simplicity of early medieval life that it has inspired not only storytellers but many poets and artists. During the Middle Ages it was constantly retold and inspired more artists than any other story except those of the Bible and the Christian saints. In the past one hundred and fifty years it has inspired several important poems and an opera. Wagner's opera Tristan und Isolde is still performed; and the long poems of Swinburne, Tennyson and Mathew Arnold are in most libraries. Some of the original medieval literature which is listed above can now be read in scholarly translations; but this book retells the medieval story for the general reader. Ian Fraser.

In the final months of WWII, two soldiers stumble across something unearthly, changing them forever. Spanning decades, Heavy Poodles is an angry, well-crafted tale, unlike any other. It is unexpectedly touching, uncomfortable, and violently eye-opening.

When Milford takes a job at a small shop called 'Magic Inc, ' the last thing he expects is an adventure. Before he knows it, though, he is befriending a talking cat, traveling through time, and becoming entangled in a full-fledged war. In a world populated by malevolent fairies, rock-n-roll-loving trolls, and good-natured Gods, Milford finds much more than he ever bargained for

A series of imaginative novellas by an award-winning playwright and satirist.

The fall of RBS has been one of the most catastrophic events of the on-going global financial crisis. This book reveals new and never-revealed-before details about how Fred Goodwin brought the biggest company in the world to the very brink of ruin.

The actions, images and stories within films can impact upon the political consciousness of viewers, enabling their audience to imagine ways of resisting the status quo, politically, economically and culturally. But what does political theory have to say about film? Should we explore film theory through a political lens? Why might individuals respond to the political within films?This book connects the work of eight radical political theorists to eight world-renowned films and shows how the political impact of film on the aesthetic self can lead to the possibility of political resistance. Each chapter considers the work of a core thinker on film, shows its relevance in terms of a specific case study film, then highlights how these films probe political issues in a way that invites viewers to think critically about them, both within the internal logic of the film and in how that might impact externally on the way they live their lives. Examining this dialogue enables Ian Fraser to demonstrate the possibility of a political impact of films on our own consciousness and identity, and that of others.

Presents a collection of stories and experiences, which introduce fascinating aspects of birdlife, ecology and behaviour. Informed by a wealth of historical and contemporary research, Ian Fraser takes the reader on a journey through four continents: from places as unfamiliar as the Chonos Archipelago and the arid Sahel woodlands of northern Cameroon to those as familiar as a suburban backyard.

This text introduces the concept of need as viewed by Hegel and Marx, and places it within the context of modern need theories and theorists.

A critical examination of novels by Milan Kundera, Ian McEwan, Michel Houellebecq and J. M. Coetzee to explore aesthetically our understanding of different forms of identity, through the lens of classical and contemporary political, philosophical and social theory from within the Marxist aesthetic tradition.

Charles Taylor is a philosopher concerned with morality and the nature of the identity of individuals and groups in the West. This book offers an evaluation of Taylor's conception of self, and its moral and political possibilities.