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  • af Ian Nairn
    183,95 kr.

    “Without any doubt, London is one of the best cities in the world for modern architecture. But it is also one of the biggest cities in the world, and it does not make a display of its best things. A visitor looking for new buildings in the City and the West End might well be justified in turning away with a shudder. Yet delightful things may be waiting for him in Lewisham or St. Albans.” —Ian Nairn, from the foreword As one of the few architectural critics to eschew purely aesthetic modes of analysis, Ian Nairn’s timeless books on modern urban cities have been hailed as some of the most significant writing about contemporary Britain, while also being praised as alternative “guidebooks” for curious travelers. First published in 1964, Modern Buildings in London celebrates the character of buildings that were immediately recognizable as “modern” in 1964, many of which were not part of the well-known landscape of London but instead were gems that Nairn stumbled across.Written “by a layman for laymen,” Nairn’s take on modern design includes classic London buildings such as the Barbican, the former BBC Television Centre, and the Penguin Pool at Regent’s Park Zoo, as well as schools, old timber yards, ambulance stations, car parks, and even care homes.

  • af Ian Nairn, Charles O'Brien & Bridget Cherry
    639,95 kr.

  • af Ian Nairn
    173,95 kr.

    Following on from the bestselling Nairn's Towns - a celebration of the city of Paris by cult figure Ian Nairn. Illustrated with original black and white images taken by Nairn himself. More than a guide book - this is a journey of discovery.

  • af Ian Nairn & Owen Hatherley
    188,95 kr.

    Sixteen short essays on places as varied as Glasgow and Norwich, Llanidloes and Sheffield, by the finest English Architectural writer of the Twentieth Century.

  • af Ian Nairn
    128,95 kr.

    TELEGRAPH BOOKS OF THE YEAR and OBSERVER BOOKS OF THE YEAR 2014'This book is a record of what has moved me between Uxbridge and Dagenham. My hope is that it moves you, too.' Nairn's London is an idiosyncratic, poetic and intensely subjective meditation on a city and its buildings. Including railway stations, synagogues, abandoned gasworks, dock cranes, suburban gardens, East End markets, Hawksmoor churches, a Gothic cinema and twenty-seven different pubs, it is a portrait of the soul of a place, from a writer of genius.

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