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Ian Woodfield discusses the central role played by the Prague Italian opera company in performing Mozart's works in late eighteenth-century Bohemia and Saxony. The book focuses on the organisation of the company, its annual schedules, recruitment networks, casting policies and repertoire selections.
This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.
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