Bøger af Ishmael Reed

"That's a lot of horse hockey, Hamilton." Described by the New York Times as "classic activist theater" and "a cross between 'A Christmas Carol' and a trial at The Hague's International Criminal Court." "In this, his latest work, the protean Ishmael Reed--the legendary artist and prolific writer--continues to burnish his already sterling reputation by dismantling the 'Creation Myth' of the founding of the U.S., as represented in the incredibly profitable play and musical, Hamilton. Reed, a verbal acrobat of global renown, demonstrates here why he is widely considered to be the leading intellectual in the U.S. today." -Gerald Horne, author of The Counter-Revolution of 1776: Slave Resistance and the Origins of the USA This powerful play, originally produced at the Nuyorican Poets Café, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical's crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective - it is a meticulously researched rebuttal, an absorbing drama, and brilliant rallying cry for justice. The perfect tie-in to both the success of and backlash to Hamilton, it is the major voice in contrast to the recent movie. It captures both the earnest engagement that fans of the musical desire, as well as the exhausted disbelief of those who can't stand it. Teachers, students and fans of drama, literature, and history will find much to love. It is written by one of America's most respected and original writers, who is eagerly promoting it, and who is long overdue for a renaissance.

The definitive monograph of Sam Gilliam one of the great innovators in post-war American painting An African American artist in the nation's capital at the height of the Civil Rights movement, Sam Gilliam blazed a trail with his singular artistic vision. Gilliam emerged from the Washington, DC art scene in the mid 1960s with works that disrupted established artistic norms and styles.  Relentlessly experimental and inspired by the improvisatory ethos of jazz, Gilliam's lyrical abstractions took on an increasing variety of forms, moods, and materials. This book, made in close collaboration with Gilliam's estate, is the first to comprehensively survey the breadth of his extraordinary career, and features never-before-seen archival materials and insightful newly commissioned texts that shine light on the artist, his life, and his work, together with examples of Gilliam's work spanning five decades.

Ishmael Reed has been described as cavorting "like a black bull in the china shop of Western culture," and The Reed Reader is a collection of the sharp, jagged results of his rampage. In it, one of the most renowned African American writers offers a generous sampling of the brilliant and witty satire, the politically charged, wildly imaginative storytelling, and the caustic cultural criticism that have become his trademarks. In these excerpts from his celebrated novels, poems, plays, and essays, Reed displays an ironic wit, a cold, keen eye for economic exploitation, a hilarious sense of the absurd, and a slender but persistent optimism for the determined souls who transcend their environment and penetrate illusions by daring acts of will. The Reed Reader is the cumulative representation of an astonishing career, a powerful testament to Reed's many and enormous literary gifts.

This powerful essay collection from an award-winning author takes a critical look at America's history of racism and the battles fought through the years by Black Americans. African Americans have been at war with certain elements of the white population from the very beginning. Being Black in this hemisphere is a battle, and each day is one spent at the front. In this new collection of essays, his first since Airing Dirty Laundry (1993), Ishmael Reed explores the many forms that this homefront war has taken. His brilliant social criticism feints deftly among past and present, government and media, personal and political. From the author whose essay style has been compared to the punching power of boxers Mike Tyson and Muhammad Ali, this book is a series of fast, powerful jabs at America's long tradition of racism. "Reed wears the mantle of Baldwin and Ellison like a high-powered Flip Wilson in drag." --Baltimore Sun "Ishmael Reed is a genius." --Terry McMillan "The sweep of his work has both grandeur and genius, and even when you disagree with him, he has you laughing, often at yourself. His always-provocative writing has humanity, humor, power, and vision. A true original." --Jill Nelson

"The greatest and most fearless living writer turns his unerring eye to the art world and the fraught relationship between Jean-Michel Basquiat and Andy Warhol. The relationship between Warhol and Basquiat is already one of the most iconic, intensely analyzed partnerships in the history of art. Ishmael Reed brings the same unsparing, deeply researched perspective as he did for the Archway Editions bestseller The Haunting of Lin-Manuel Miranda, for a captivating, illuminating final word on the famous duo. Already the subject of controversy during its original 2021-2022 run at the Theater for the New City in the East Village, Archway Editions is proud to bring you the unabridged text of The Slave Who Loved Caviar, Reed's latest feat of research and drama, the tragedy as disturbingly real for today's artists as it was in the 1980's"--

Mumbo Jumbo is Ishmael Reed's brilliantly satiric deconstruction of Western civilization, a racy and uproarious commentary on our society.

And so begins the HooDoo Western by Ishmael Reed, author of Mumbo Jumbo and one of America's most innovative and celebrated writers. Reed demolishes white American history and folklore as well as Christian myth in this masterful satire of contemporary American life.In addition to the black, satanic Loop Garoo Kid, Yellow Back Radio Broke-Down features Drag Gibson (a rich, slovenly cattleman), Mustache Sal (his nymphomaniac mail-order bride), Thomas Jefferson and many others in a hilarious parody of the old Western.

The controversial new play from Ishmael Reed, Life Among the Aryans follows John Shaw and Michael Mulvaney, two modern MAGA white supremacists as they leech off their wives, take orders from grifting Leader Matthews, and plot a unique way around the encroaching societal progress they fear will leave them in the dust. Full of page-turning dialogue, unexpected twists and hilarious asides, this is the latest urgent must-read from the greatest living American writer. Originally performed at the Nuyorican Poets Cafe, Life Among the Aryans has only grown in relevance since.

The poems in this collection were written between 2007 and 2020. When asked to describe the poems here, Ishmael Reed wrote: ' The poems are based on events that occurred around the house to cataclysmic space events.'

In Ishmael Reed's Conjugating Hindi, stories, histories and myths of different cultures are mixed and sampled. Modern issues like gentrification addressed. It is the closest that a fiction writer has gotten to the hip-hop form on the page.Once again, Ishmael Reed has pioneered a new form. One that crosses all borders.

When Ishmael Reed wrote The Terrible Twos about the American infantile need for instant gratification, he could not have realized that in June 2020, journalist Nicole Wallace would be referring to a president as a "e;toddler."e; Reed had parodied other genres, the gothic novel, the detective novel, the western, and the neo-slave narrative, a term that he coined in 1984, and which began a big academic payroll as it was included in syllabi nation-wide. From his first novel, The Free-Lance Pallbearers, Afro-Futurist before the critical term existed, Ishmael Reed has reshaped traditional forms and extended them. As a Jazz pianist, who has performed in clubs and even in a palace in Italy, he compares it to taking cliche chords and re-harmonizing them. The Terrible Fours follows The Terrible Twos (1982) and The Terrible Threes (1989). It is part science fiction, part Washington Novel (Think Drew Pearson's novel, The Senator, films Seven Days In May and The Manchurian Candidate) and part Christmas Novel. Some characters have been dropped and some of the principals are back. St. Nicholas is here, but his sidekick Black Peter is missing. Dean Clift, the president who was removed from office, still resides in a Maryland sanatorium. Televangelist Clement Jones still runs the White House. "e;The Rapture"e; that Jones and the figurehead president Jesse Hatch promised hasn't arrived. The citizens of the planet Dido await an invasion from earth and their planet, an alien in the body of a deceased television producer, works inside the government and attempts to disrupt the invasion. Termite Control, a follower of Odin and a necrophiliac who was dismissed as a political threat in The Terrible Threes, is gaining in the polls, and more and more and more. Reviewing The Terrible Twos, the late John Leonard wrote in The New York Times: "e;Mr. Reed is as close as we are likely to get to a Garcia Marquez, elaborating his own mythology even as he trashes ours."e;

The War of Rebellion still divides the United States. Some rebel generals, whom the famous pro-confederate propaganda film "e;Gone With The Wind"e; referred to as "e;Knights,"e; earned their massacre bona fides by murdering thousands of blacks, Mexicans, and Native Americans. The "e;Knight"e; Robert E. Lee fought children during the Battle of Buena Vista in 1847. The children, Los niños heroes, refused to surrender and were slaughtered. The subjects addressed in this book include white nationalism, Donald Trump, Quentin Tarantino and Django, the musical Hamilton, Ferguson, Missouri, Amiri Baraka, a different take on #metoo, the one-at-a-time tokenism of an elite, who chooses winners and losers among minority artists, the Alt-Right, the use of immigrants to shame black America, and much more.

Including material and photographs not included in most of the 100 other books about the champion, Ishmael Reed's The Complete Muhammad Ali is more than just a biography-it is a fascinating portrait of the 20th century and the beginning of the 21st. An honest, balanced portrayal of Ali, the book includes voices that have been omitted from other books. It charts Ali's evolution from Black Nationalism to a universalism, but does not discount the Nation of Islam and Black Nationalism's important influence on his intellectual development. Filipino American author Emil Guillermo speaks about how "e;The Thrilla' In Manila"e; brought the Philippines into the 20th century. Fans of Muhammad Ali, boxing fans, and those interested in modern African American history and the Nation of Islam will be fascinated by this biography by an accomplished American author.

When Papa LaBas (private eye, noonday HooDoo, and hero of Reed's Mumbo Jumbo) comes to Berkeley, California, to investigate the mysterious death of Ed Yellings, owner of the Solid Gumbo Works, he finds himself fighting the rising tide of violence propagated by Louisiana Red and those militant opportunists, the Moochers. A HooDoo detective story and a comprehensive satire on the explosive politics of the '60s, The Last Days of Louisiana Red exposes the hypocrisy of contemporary American culture and race politics.

In The Terrible Threes, Ishmael Reed proves that he is one of the most innovative voices in contemporary literature. This adventure into the world of offbeat humor and on-target social criticism is a vision of America in the not-too-distant future, a portrait of a fairy-tale gone awry. This novel begins where The Terrible Twos left off, in the late 1990s, three years after President and former fashion model Dean Clift was laughed out of office, with the nation in chaos and the White House implicated in a covert operation to rid America of surplus people and the Third World of its nuclear weapons. A blend of science fiction, folklore, history, fantasy, social satire, and all out surrealist comedy, The Terrible Threes bears Reed's distinctive voice and message. At once a threat, a promise, a prediction, and the awful truth about the land of the free and the home of the brave, the tale is wholly unforgettable. Once you've seen the world through Reed's eyes, you might never see it the same way again.

In 2010, the Newseum in Washington D.C. finally obtained the suit O. J. Simpson wore in court the day he was acquitted, and it now stands as both an artifact in their "e;Trial of the Century"e; exhibit and a symbol of the American media's endless hunger for the criminal and the celebrity. This event serves as a launching point for Ishmael Reed's Juice!, a novelistic commentary on the post-Simpson American media frenzy from one of the most controversial figures in American literature today. Through Paul Blessings-a censored cartoonist suffering from diabetes-and his cohorts-serving as stand-ins for the various mediums of art-Ishmael Reed argues that since 1994, "e;O. J. has become a metaphor for things wrong with culture and politics."e; A lament for the death of print media, the growth of the corporation, and the process of growing old, Juice! serves as a comi-tragedy, chronicling the increased anxieties of "e;post-race"e; America.

Ishmael Reed's career as one of our great playwrights has long been eclipsed by his other work. Here published for the first time, Reed's plays follow the ancient tradition of using the theater as a forum in which the official versions of our history can be critiqued. Dealing with subjects that mainstream theatergoers might find disturbing-homelessness, the arbitrary entrapment of a black politician, the excesses of the radical feminist movement, the use of black conservatives to promote right-wing agendas, the exploitation of blacks and Africans as unsuspecting guinea pigs by the pharmaceutical industry, and the hypocrisy of the Christian church-Reed's plays are a pungent antidote to the watered-down world of contemporary pop culture, where, Reed argues, minority voices remain as marginalized and stigmatized as they were a hundred years ago.

Masochism is out and feminism is in, Jews are out and Germans are in, race is out and gender is in, and everyone's fighting (and rewriting) for a piece of the pie. Jewish director Jim Minsk disappears during a trip to the South. Black playwright Ian Ball writes the all-female play Reckless Eyeballing in hopes of getting off the "e;sex-list."e; Preeminent playwright Jack Brashford, claiming the Jews stole all his black material, decides to write about Armenians. In the background, an unknown assailant dubbed the "e;Flower Phantom"e; runs loose through the city shaving heads of prominent black feminists (to the secret delight of black men).In this hilarious, devastating, but also deeply sympathetic novel, Ishmael Reed turns characters on the backs, sides, tops and bottoms to expose the multiple hypocrisies at the heart of American culture.